ŠTO TE NEMA is a public monument created as a response to Europe’s worst atrocity since World War II - the systematic killing of 8,372 Muslim men and boys in the UN-protected safe area of Srebrenica in Bosnia and Herzegovina in July of 1995.
According to the World Health Organization, China is home to two-thirds of the world's women who wear IUD devices. This is a form of contraception that was developed after World War II, and in essence, comes from discrimination against women. In 2014, artist Zhou Wenjing made a work of IEDs, which was recently exhibited in Beijing.
On Monday, May 22nd, trans children and teenagers from across the country threw a prom on the National Mall, a youth-led public celebration of trans joy at a time when more and more states are adopting viciously anti-trans legislation. The Meteor’s Mik Bean spoke to Daniel Trujillo, 15, one of the event’s organizers, about the power a little party can have.
Watch Chadwick Boseman's Black Panther in Captain America: Civil War, and you'll see a charismatic character who fills a void in the conflicted do-gooder group. This T'Challa is accessible, awe-inspiring and perhaps most importantly, human. "I think the question that I'm trying to ask and answer in Black Panther is, 'What does truly mean to be African?'" the filmmaker recently told Rolling Stone.
From Creative Time, Social Practice Archive: Produced by the Windsor, Canada-based collective Broken City Lab—an artist-led interdisciplinary research group—Cross-Border Communication was a performative public art project that took place in November 2009 between the cities of Windsor and Detroit, which are separated by the Detroit River. For three nights, Broken City Lab projected a series of messages across the river which were visible in Detroit.
What is looping? Somewhere in between art, activism, and wackiness is this liberating experience. Matthew Silver and Fritz Donnelley, two New York City based performance artists got lonely acting silly in their underwear in public. Knowing that there were enough free spirits to join them, they started "Looping" and invited everyone to join them.
Matthew “Levee” Chavez sits at a table in New York City’s Union Square, sporting a thrift store suit and tie, holding a sign that reads “Subway Therapy.” This act of social practice, which started as an invitation for conversation, went viral after he set up shop at the subway the day after the 2016 presidential election. He wrote “Express Yourself” on a Post-It and stuck it to the tiled wall.
Imagine affecting the global cultural Landscape through art and technology use. Imagine one-mile long installation in 100 city locations worldwide, each mile-long install is of 250 bronze plaques of different Peacemakers. Then imagine its own App that when any smartphone is pointed at one of the plaques an entire timeline biographical history of that peacemaker becomes available.
The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.
Our City is a startup nonprofit based in Oakland and working with cities everywhere. They work with governments, cultural institutions, companies, community organizations, designers, and residents to produce
events, installations, and workshops that use public design to improve cities.
NAME OF PROJECT: ‘CHILDREN SHOULD BE SEEN AND HEARD’
TEAM MEMBERS: Caroline, Yasir, Sile, Audrey & Mary
GLOBAL CHALLENGE: To give children a voice and create empathy
among adults for children
♯childrenshouldbeseenandheard
Despite frigid temperatures, community members gathered Sunday afternoon outside the Governor’s Mansion in St. Paul to express solidarity with the family of Tyre Nichols, a 29-year-old Black man who died three days after being beaten during a January 7 traffic stop in Memphis, Tennessee. Authorities released video of Nichols’s arrest and beating Friday evening.
At the press preview for Sharon Hayes’s new full-floor exhibition “There’s So Much I Want to Say to You” at the Whitney Museum there was a podium and a microphone set up in the center of the gallery that would eventually be used by director Adam Weinberg and curator Chrissie Iles to introduce the artist and her restless work.
Shift Change Dress is a community fashion & art project that utilizes a shift dress sewing pattern as a medium for communication and action. Participants are encouraged to use the pattern as a blank canvas for their art or message and to share their work with the community.
Beijing-based artist Liu Yi is working on a series of black-and-white portraits he knows will never be shown in a Chinese gallery. His varied subjects — men and women, young and old, smiling and pensive — have one thing in common: They are Tibetans who have set themselves on fire to protest repressive Chinese rule.
A human tide swept through Paris last month for the type of event France knows only too well — a protest. Union leaders led the march, awash in a multicolored sea of flags. Demonstrators shouted fiery slogans. Clashes with the police erupted.
And, as in every protest, there was Jean-Baptiste Reddé.
The Democracy Machine! is a performative sculpture that gives participants the opportunity to experience the thrill of democracy in action, in a competitive game that challenges people to work together toward understanding a better society. Using the spectacle and play of performance drawn from Las Vegas Casinos, gambling machines and game shows, The Democracy Machine!
Unveiling the Unseen
BlindWiki is a location-based audio network where citizens who are blind or partially sighted use smartphones to share their findings by posting sound recordings. The platform does not just contain information about difficulties and barriers but is also a repository for experiences, opinions and stories, generating a creative and collaborative cartography of the unseen.
In the summer of 2011, squatters take over an unused building, once an animal shelter, and begin renovating it into a social and cultural center for a neighborhood on the outskirts of Amsterdam. They call it Op de Valreep ("in the nick of time").
La Casa Negra is a moving artist squat that occupies houses destined for demolition as temporary venues for site specific performance art in Barranco (Lima, Peru). Artists use all of the available rooms (kitchen, bathrooms, stairs, backyard) to enact a series of critical art pieces, while using the space as a demonstration of artist resilience in an increasingly gentrifying neighborhood.