Little Amal is the 12 foot puppet of a 10 year old Syrian refugee child at the heart of The Walk. Over the last year she has become a global symbol of human rights, especially those of refugees.
Since July 2021, Amal has travelled over 9,000km and been welcomed by more than a million people on the street, including hundreds of artists and civil society and faith leaders, as well as by tens of millions online.
I am a federal criminal defense attorney and have written a formal legal brief in response to the Obama Administration's White Paper attempting to justify the killing of American citizens without due process. The brief is a new form fusion of law and nihilistic commentary about the American condition. I will be delivering the brief with others to the Department of Justice and posting at the White House on March 15.
One of the most significant aspects of the wave of protests and uprisings that began in Syria in 2011 was the use of the cell phone camera as a tool of documentation, political activism, and creative expression.
A site specific intervention аs part of the group exhibition Sculptural, organized and partly financed by the Museum of Contemporary Art, Skopje. The text INVEST IN FUTURISM is a quotation of a gaffe uttered by the Macedonian PM on public TV stating his plans to incorporate contemporary art in their right wing populist programme and the infamous project Skopje 2014.
The immediate prototypes of Zhang Xiaogang’s Big Family series are formal group photographic portraits from the 1950’s and 60’s, including those of Zhang’s own family, a source of the painter’s “endless reveries.” From these old black-and-white pictures Zhang Xiaogang derived the series’ paradigmatic features: a subdued, nearly monochromatic palette; a thickly layered but flat surface, without overt evidence of brushwork; a general compositional restric
At first glance, it seemed like any other Monday evening in Görlitz, the most eastern town in Germany — where Poland sits just across the river. It was July 31, and a couple hundred people had gathered as part of the so-called Monday demonstrations to protest refugees, the COVID-19 vaccine and the government’s green energy politics.
Late last month, Chinese citizens took up a creative means of protest over the nation’s strict “zero-COVID” policy. In a place with little tolerance for large public demonstrations, protesters have been holding up blank pieces of paper. Their ingenuity inspired a local artist Yolanda He Yang to stage a public art demonstration to subtly communicate their dissent.
There was once a time when Israeli songs like A Matter of
Habit were routinely written, aired and became hits. These
were songs of political commentary or protest, songs of hope
and idealism. They represented the aspirations of Israel's
secular liberal (generally Ashkenazi) elite. But that was
long ago.
In a sleepy town in Iranian Kurdistan, people take off their winter coats. It is evening, and outside one can just about discern the silhouettes of the mountains that lead to the Turkish and Iraqi borders. Inside, some 60 people fill the small community centre with a clammy heat. But it is not just warmth they are after. They have come for poetry.
A video campaign titled Sympathy Cards, initially released in 2018, is going viral again.
The chilling video depicts, via hidden cameras, shoppers walking by or browsing the greeting cards section at a shop. Shocked, confused, some visibly upset, shoppers freeze when they notice that, along with the traditional selection of greeting cards, is a section devoted to school shootings.
The Universal Declaration of Human Rights (UDHR, 1948) was drafted in an effort to advance human rights on a global level. Article 26 (2) of the UDHR (1949) states that education is intended to develop humanity and increase the respect for human rights, as well as to promote tolerance among nations and maintenance of peace. Yet, the UDHR does not appear to be promoted or recognized.
“I performed at Tiananmen Square in 1989, 15 days before the crackdown. I sang A Piece of Red Cloth (一块红布), a tune about alienation. I covered my eyes with a red cloth to symbolize my feelings. The students were heroes. They needed me, and I needed them. After Tiananmen, however, authorities banned concerts. We performed instead at “parties,” unofficial shows in hotels and restaurants”.
The Tel Aviv Museum of Art is joining the countrywide judicial overhaul protests planned for Thursday, March 23, and will darken the halls and galleries of the museum, closing exhibits to the public and canceling planned tours and lectures.
The only exhibit that will be open to the public, for free, is the exhibit of Israeli art from the museum’s collection, “Material Imagination: Center of Gravity,” which has been open for a year.
When mothers take to the streets — particularly those from privileged groups — governments take note. The “wall of moms” in Portland has taken up the cause against police violence.
"CITIZENFOUR is a real life thriller, unfolding by the minute, giving audiences unprecedented access to filmmaker Laura Poitras and journalist Glenn Greenwald’s encounters with Edward Snowden in Hong Kong, as he hands over classified documents providing evidence of mass indiscriminate and illegal invasions of privacy by the National Security Agency (NSA).
After collecting street art and memorabilia from "Occupy Wall Street" since the fall of 2011, the Smithsonian National Museum of American History has lent its collection of Occupy Wall Street posters to Wesleyan's Davison Art Center. The posters will make up an exhibition entitled “Artists Take Action: Protest Posters Today,” which is on display in the University's gallery from April 5 to May 26.
Drag Out The Vote™ is a nonpartisan, nonprofit organization that works with drag performers to promote participation in democracy. We educate and register voters at drag events online and offline, by organizing local and national voter activations. Led by fierce drag kings and queens across the nation, we advocate for increased voter access and engagement in 2020 and beyond.
Rectification of names
"If language is not correct, then what is said is not what is meant;
if what is said is not what is meant, then what must be done remains undone;
if this remains undone, morals and art will deteriorate;
if justice goes astray, the people will stand about in helpless confusion.
Hence there must be no arbitrariness in what is said.
This matters above everything."
Confucius
Refuge is a 5 year transdisciplinary project that brings together artists, community members and emergency services to investigate arts and culture’s role in developing preparedness and building community resilience for climate related disasters.
A performance of empathy, democracy and power, created fresh in each city where it is presented, with local artists, activists, government officials and other citizens.
The project takes as its departure point the formal structures of local government. An emphasis on the formal elements helps us engage, play, critique and enliven, among other things.
A Femen activist, Sarah Constantin, is hanged from a noose-like rope from a Paris bridge to call attention to the large number of executions in Iran as she stages a protest against visiting Iranian President Hassan Rouhani in Paris, Thursday, Jan. 28, 2016. A near-naked woman hanging from a noose-like rope from a Paris bridge has sent a message to visiting Iranian President Hassan Rouhani.
The Pilobolus Dance company, famous for their beautiful aesthetics of shadow play formed out of the dancer's bodies, started the #PilobolusVOTEproject, encouraging people to form the words VOTE with whatever material they had around them, take a picture of it and to upload it on instagram with the hashtag #PilobolusVOTEproject.
From creativetimereports.org:
Artist-activist collective MTL's clickable collages connect disparate aspects of Palestine's geographical and political landscape, offering provocative insight into "how Palestinians suffer and struggle in ways that are parallel to those elsewhere" according to philosopher Michael Hardt.