Projects tagged "Politics & Government"

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tattoo on someone's thigh which reads "FEAR IS THE MOST ELEGANT WEAPON. YOUR HANDS ARE NEVER MESSY. THREATENING HARM IS CRUEL. WORK INSTEAD ON MINDS AND BELIEFS. PLAY INSECURITIES LIKE A PIANO. BE CREATIVE IN APPROACH. FORCE ANXIETY TO EXCRUCIATING LEVELS OR GENTLY UNDERMINE THE PUBLIC CONFIDENCE. PANIC DRIVES HUMAN HERDS OVER CLIFFS; AN ALTERNATIVE IS TERROR-INDUCED IMMOBILIZATION. FEAR FEEDS ON FEAR. PUT THIS EFFICIENT PROCESS IN MOTION.

Celeste Caeiro, who on April 25, 1974, handed out red carnations to soldiers on their way to ending a 40-year right-wing dictatorship in Portugal, a spontaneous patriotic act that gave a largely bloodless coup its name, the Carnation Revolution, and her an enduring appellation, “the Lady of the Carnations,” died on Friday in Lisbon. She was 91.

Alley Cat Books, located in the heart of San Francisco's Mission District, is ordinarily a quiet space for book lovers to peruse multicolored shelves for their next literary adventure. But on Sunday, the small bookstore buzzed with energy as a group of leggings-clad Bay Area residents protested Donald Trump's presidency in the form of a sweaty cardio workout.

DISAPPEARED IN AMERICA is an ongoing project by Visible Collective/Naeem Mohaiemen that uses films, installations, and lectures to trace migration impulses, hyphenated identities, and the post-9/11 security panic. Excerpts of the project have been shown at various venues, including the 2006 Whitney Biennial.

The "Democracy Wall" in the Carroll Gardens section of Brooklyn, New York was established in 2009. This wall is a long-term, community art activist project that is part wall mural, part past information archive.

From Public Delivery: "The Land Mark series was a civil disobedience campaign. Over 2001 and 2002, Allora and Calzadilla, together with a group of activists, encroached into one of the United States Navy Bombing range in a beach of Vieques, Puerto Rico. The U.S. Military and NATO have used this location for various military exercises for more than 60 years.

“I performed at Tiananmen Square in 1989, 15 days before the crackdown. I sang A Piece of Red Cloth (一块红布), a tune about alienation. I covered my eyes with a red cloth to symbolize my feelings. The students were heroes. They needed me, and I needed them. After Tiananmen, however, authorities banned concerts. We performed instead at “parties,” unofficial shows in hotels and restaurants”.

In the south-western city of Chengdu, by all accounts a city on the edge coping with heavy pollution but also with authorities scrambling to put a lid on simmering discontent. That night police detained a number of artists who managed to stage a silent demonstration, while wearing face masks.

If I could say to America poses an open moment of opportunity for citizens from around the globe: if you could say anything to America, what would it be? Ambiguous but not ambivalent, if I could say to America is intended as a direct forum for dialogue and empowerment, and for truth and awareness among its viewers.

For the past few years around election time in Serbia, people have taken to the streets to protest government corruption, attacks on free press and voter suppression. This Spring, despite a nationwide lock-down to combat the COVID-19 pandemic, activists are finding new ways to protest the country’s increasingly-repressive government.

The current cultural and political context in Macedonia marginalizes lesbians and women in general, and the dominant political party forces the traditional role of the woman, where she is a mother, a housewife, and of course, heterosexual. Furthermore, the major TV stations are flooded with Turkish soap operas, where traditional values are the leitmotif of the show.