The sneaker brand Converse has commissioned an indigenous artist in Australia to create a gigantic mural with a surprising twist. The Melbourne mural plays homage to indigenous urban identity and was painted with a special type of pollution-absorbing paint that “cleans the air,” according to the agency behind the project, Amplify.
On the opening day of the Spring/Summer 2011's season of Mercedes Benz's New York Fashion Week, former fashion editor, speaker, and fashion activist Michaela Angela Davis led a protest of approximately 20 black women, dressed in black suits, carrying signs with the names of every fashion editor in the 40 year history of African American fashion and lifestyle magazine, Essence Magazine.
At a time when the city of Portland was considering stripping Martin Luther King Jr.'s name off a local street, a covert organization calling itself Group X changed the name of another downtown street to Malcolm X Street in a clandestine overnight action.
Unleashed by anxiety over the pandemic, the nationwide rise in anti-Asian hate has served as a call to action for many Asian American artists to take a stand: To actively challenge the historic negative stereotype of the vice- and disease-ridden Yellow Peril; to dismantle the pernicious and divisive myth of the model minority that pits achievements by Asian Americas as judgements against other communities of color; and to advocate for social justice, eq
This satirical website ridicules hipster racism and black tokenism, using two fictional white characters - Sally and Johnny - who have many black friends. The webpage is fairly simple and features fictional testimonies by black people celebrating the stereotypes and innocuous, but prejudiced behavior of Sally and Johnny. There is also a section of submitted testimonies and hate mail/fanmail.
PHOENIX — As Super Bowl LVII was getting underway in Glendale, Arizona, on February 12, artist and Apache Skateboards founder Douglas Miles (San Carlos Apache, Akimel O’odham) was protesting racist mascots in the NFL by painting a mural-style portrait of Geronimo with the words “Don’t Call Me Chief” for a community event at Grassrootz, a Black- and worker-owned bookstore near downtown Phoenix.
CAM brings contemporary art and ideas directly to Saint Louis Public High School and Middle School students through its ArtReach program. Tailored to meet the needs of individual schools and teachers, ArtReach is designed to raise awareness of contemporary issues through an exploration of contemporary art. The program includes a curriculum-based offering of museum tours, school visits, and creative workshops for students and teachers alike.
The Ogden Ar(t)chives Mailbox is a community project that was initiated by Ogden poet, Angelika Brewer. The project involves a metal sculpture of a mailbox, which has various decorative elements such as a typewriter, a birdcage, and a heart. The mailbox serves as a platform for the public to submit their creative works such as poems, drawings, letters, or anything that can fit in an envelope.
A video that was first posted on X (formerly Twitter) on November 8, of a Congolese man setting himself on fire has gone viral. The gruesome clip has started a discussion on whether a genocide is occurring in the DRC and is being ignored by both Africa and the rest of the world.
Elisa and Lily chose to create StyleLikeU as an alternative to this disempowering status quo. In 2009, the duo picked up a home video camera and launched their "Closet" series, documenting diverse individuals who were challenging fashion industry norms in their style.
The theatre has luxurious red velvet upholstered seats, grand ceilings and gilded trimmings. The rows of chairs stretch back into the ostensible blackness, with light beaming from the projector room. Ahead, archival footage of stylish black travelers pack the screen as an unseen narrator discusses the hardships of mid-20th-century black travel.
We demand that AATA respond to Karen Pence's stated commitment to our field by asking her to publicly take action for the rights of LGBTQIA people, Native people, Black and Brown people, Muslims, survivors of sexual assault, people with disabilities, immigrants, refugees and all people who are in danger as a result of the policies of the current administration.
Digital art platform Kinfolk has launched its New York City-wide participatory exhibition Signature Series, the initiative’s largest public endeavour to date. The project places newly created augmented reality (AR) monuments by four New York artists—Pamela Council, Derrick Adams, Tourmaline and Hank Willis Thomas—into designated public spaces across the city.
Debuting at Cleveland Triennial for Contemporary Art, July 14 – September 30 for FRONTart 2018 is ‘The American Library’ by Yinka Shonibare MBE, a celebration of the diversity of the American population. It aims to be an instigator of discovery and debate. The thousands of books in this art installation are covered in the artist’s signature Dutch wax printed cotton textile.
The prints exhibited June 2013 at Firestorm in Asheville NC, will comprise two separate bodies of work; Chelsea Ragan’s combination screen print / woodblock print / painting / drawings graphically detail police shootings of young black males from across the country, and Adam Void’s hand-painted screen prints state the facts of important national news stories that have been swept under the rug of mainstream corporate media.
In this article, author Caroline Choi highlights different grafiti artists and their stories. These artists use their talent to tell their stories, ones that might not get to be told otherwise. She goes into the history of grafiti, and how it ties into how rich and white the art world has become.
Welcome To Palestine
by Saed Bannoura
Israeli daily Haaretz, reported that 470 of the 1200 persons that Israel blacklisted as “pro-Palestinian” and part of the Welcome To Palestine campaign, were not activists; two of them were a French diplomat and his wife.
The No Hate Speech campaign has come to its fourth anniversary this week, because it was on the 18th of March 2013 when the Spanish Institute for Youth IMG_9707(INJUVE) officially launched the campaign in Spain, to commemorate the 21st of March, declared by the UN as Day for the Elimination of Racial Discrimination of that year.
An Egyptian-born activist was arrested yesterday for spray-painting subway billboards that call enemies of Israel “savages” — amid a wave of vandalism unleashed on the inflammatory ads, which have divided the city.
Mona Eltahawy, a self-described “liberal Muslim,” strolled up to one of the signs at the crowded 1/2/3 train mezzanine at the Times Square station and sprayed pink paint on the ads.
A group of clergy members wanted to change the conversation when they heard that a Florida police department was using mug shots of young black men as targets for shooting practice.
“#UseMeInstead,” the religious leaders said, tweeting photos of themselves in hopes that their solidarity would cause cops to “think twice” before pulling the trigger.
But the well-intentioned hashtag is provoking mixed responses.
In a single hour, Beyoncé's Lemonade re-wrote the textbook definition of what a visual album should look like. The genre-bending music it introduced will define the struggles a generation was enduring in 2016, specifically for black women. The project transcends every definition pop has ever had; blending R&B, contemporary rock, country, reggae, soul and hip-hop in its 12 tracks, occasionally fusing several of these into a single song.
This piece is about multiple layered “creative activism”. There is art, activism, and community building.
According to the Merriam Webster dictionary, a zine is a “noncommercial often homemade or online publication usually devoted to specialized and often unconventional subject matter.”
Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.
Creative Time, Social Practice Archive: Brinco is an art project, product, and intervention created by the Argentinean artist Judith Werthein for the 2005 inSITE Biennial held on the border of Tijuana and San Diego. Brinco—Spanish for "jump"—is a specially designed shoe the artist created for illegal migrant workers and immigrants who navigate the border region at night.