Projects tagged "Race & Ethnicity"

Two young Black Chicago women are using art and activism to change narratives about Black communities
Practitioner:
Another Life
Date:
Jul 31 2017
Both Johnson and Lewis recognize that the personal is political, and vice versa. By making connections between storytelling and activism, the two young women are using creative approaches to achieving justice and equity.
Power: From the Mouths of the Occupied
Practitioner:
Patrisse Cullors
Date:
Oct 1 2015
Statistics are easy to remove ourselves from. A story, you are implicated in, and you have to choose what side you are going to be on.
Fotokonbit (Putting Cameras in Haitian Hands) - ONGOING working organization
Practitioner:
fotokonbit
Date:
Jun 10 2011
The Haitian Creole word "konbit" denotes the idea of similar talents joining together to work towards a common goal. The founders — a group of photographers, educators, and artists — came up with the idea for Fotokonbit a few years ago to "empower Haitians to tell their own stories and document their community", but it was the 2010 earthquake that gave the group new urgency.
Funk Lessons
Practitioner:
Adrian Piper
Date:
May 6 1982
Adrian Piper's "Funk Lessons" (1982-84) was a series of performances and collaborative events in which the artist taught white participants about black funk music, its culture, and its history, aiming to deconstruct stereotypical ideas about Black culture.
activists culture jam anti-Muslim ads in NYC subways
Practitioner:
New York Activists
Date:
Jan 11 2013
New York activists responded to a recent anti-Muslim subway campaign by plastering stickers over ads depicting the World Trade Center in flames, juxtaposed with text quoting the Koran. The day-glow orange and yellow stickers warn "Caution: This is war propaganda. You're the target". The ads were paid for by the American Freedom Defense Initiative, led by notorious anti-Muslim crusader Pamela Geller, reportedly costing $70,000.
Hair Nah
Practitioner:
Momo Pixel
Date:
Jan 1 2017
Hair Nah (https://hairnah.com/) is a game created by Momo Pixel, a Black woman who wanted to represent how it feels for people to touch her hair without consent. The game is fun but also impactful, especially with the mechanic of "getting tired" of smacking away hands.
Jay-Z Addresses the War on Drugs with a New York Times Op-Ed
Practitioner:
New York Times, Jay-Z, Molly Crabapple
Date:
Sep 15 2016
In 2016, The New York Times enlisted Jay-Z to voice a video about the War on Drugs. Aside from his recognizable cadence, Jay-Z has his own history with drugs; the now music mogul is open about his past of selling crack while growing up in Brooklyn, New York. The video asks, “Why are white men poised to get rich doing the same thing African-Americans have been going to prison for?”.
Nana Van
Practitioner:
Artist Marisa Jahn and the National Domestic Workers Alliancem
Date:
May 2 2013
The Nanny Van is a public art initiative run by REV- and the National Domestic Workers Alliance. This project aims at shorting distances, gaps and obstacles between domestic workers and the proper information of their rights. Therefore, Nanny Van is a smartphone app every person can download in order to access information about the legal conditions and state any kind of questions or claims.
Imagined Realms
Practitioner:
Julie Dillong
Date:
Jun 29 2015
Julie Dillon is a critically acclaimed illustrator, having been nominated and won multiple awards, including two Hugos and a Chesley. Her work often deals with science fiction and fantasy stories, and her work in the field has made her aware of the lack of diversity in this optimistic speculative fiction.
Raised-Fist Photo by Black Women at West Point Spurs Inquiry
Practitioner:
Black Female West Point Students
Date:
May 8 2016
A group of young black women poised to graduate from the United States Military Academy gathered on the steps of West Point’s oldest barracks last week in traditional gray dress uniforms, complete with sabers, for a group photo. Known as an “Old Corps” photograph because it mimics historical portraits, it was nearly identical to thousands that cadets have posed for over the decades, with one key difference: The 16 women raised their clenched fists.
This Ain't a Eulogy: A Ritual for Re-Membering
Practitioner:
Taja Lindley
Date:
Apr 30 2016
"This Ain't a Eulogy" is both a staged performance and a durational, outdoor, public performance that reclaims and takes public space. The artist statement is as follows:
Hoodies and Hijabs at Amnesty International General Meeting
Practitioner:
Date:
Apr 11 2012
"At the recent Amnesty International Annual General Meeting, we decided to do an action stating we stand with Shaima Alawadi and Trayvon Martin. Check out the action, even Asma Mahfouz, one of the founders of the April 6th Movement in Egypt and nominated for a Nobel Peace Prize participated in the action." -#MillionHijabMarch
HANGING KLANSMEN ART INSTALLATION STUNS RICHMOND COMMUNITY
Practitioner:
Indecline
Date:
Sep 8 2017
A Richmond, VA.-based activist group called Indecline has recently installed a street art resistance installation of several hung clown figures dressed like the KKK from a tree in Richmond’s Bryan Park.
James Luna’s “The Artifact Piece” (1987)
Practitioner:
James Luna
Date:
Jan 1 1987
The performance artist James Luna, who died in 2018 at age 68, had a wicked sense of humor, which made his explorations of the way that Indigenous people have long been objectified, especially in museums, painfully piquant.
A Night Of Philosophy And Ideas
Practitioner:
various
Date:
Jan 27 2018
"A Night of Philosophy and Ideas is a thinker’s lollapalooza. The free, 12-hour weekend lyceum at the Brooklyn Public Library includes spirited debate, live music, theater, performance art pieces, and film screenings. At any given hour, five or six different events will be taking place simultaneously. Visitors are encouraged to come and go as the spirit moves them.
Journey of a Yellow Man
Practitioner:
Lee Wen
Date:
Sep 1 1992
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
APEX: Ed Bereal
Practitioner:
Portland Art Museum, Ed Bereal
Date:
Apr 16 2021
Legendary activist and artist Ed Bereal will be able to have his work displayed again in the newly reopened Portland Art Museum. He is a complex figure, gaining fame in LA in the 1960s for his abstract works and radical performances. His work also includes critiquing politicians in a satirical way.
The American Library
Practitioner:
Yinka Shonibare
Date:
Jul 14 2018
Debuting at Cleveland Triennial for Contemporary Art, July 14 – September 30 for FRONTart 2018 is ‘The American Library’ by Yinka Shonibare MBE, a celebration of the diversity of the American population. It aims to be an instigator of discovery and debate. The thousands of books in this art installation are covered in the artist’s signature Dutch wax printed cotton textile.
Imaginary Activism: The Role of the Artist Beyond the Art World
Practitioner:
Guillermo Gomez-Peña
Date:
May 6 2015
In this solo work, Gómez-Peña tests brand new material dealing with radical citizenship and what he terms “imaginary activism,” combining live art, literature, theory, and pedagogy in a wonderfully strange mix. Not one solo performance is ever the same.
Why Prince is a Powerful Example of Artistic Activism
Practitioner:
Prince
Date:
Apr 21 2016
From calling out poverty in his lyrics to his support of coding, the legendary artist pushed the world to care about more than music.
#1000BlackGirlBooks
Practitioner:
Marley Dias
Date:
Jan 25 2016
From Jezebel: Marley Dias is an 11-year-old New Jersey resident who’s rounding up children’s books that feature black female leads so that she and her peers have more fictional characters to look up to. The project, titled #1000BlackGirlBooks, started when Marley complained to her mother about reading too many books about white male protagonists in school.
Partnership Exhibition with the Banneker-Douglass Museum and Maryland Commission on African American History and Culture
Practitioner:
Maryland Hall
Date:
Feb 27 2021
Maryland Hall, in partnership with the Banneker Douglass Museum and Maryland Commission on African American History and Culture, invited Maryland-based Black artists, whose work encapsulates activism and social justice and using the creative process to educate their audiences about diversity, equity and inclusion to send proposals to take one of six 5 ft.
Pop-Up Studio: Kids’ Campaign to Correct History
Practitioner:
Sam Durant and Elisa Harkins, UCLA
Date:
Mar 26 2017
Join other families in reimagining sports team mascots and logos that misrepresent Native American communities. Design a campaign for alternative names with the help of artists Sam Durant and Elisa Harkins, taking inspiration from the exhibition Jimmie Durham: At the Center of the World. Pop-Up Studio Families explore art and create together in lively workshops led by artists. These drop-in programs are designed for ages 5 and up.
A Dallas Drinking Fountain
Practitioner:
Lauren Butterfly Woods
Date:
Oct 2 2013
"FOUNTAINS: A public artwork in three parts by lauren woods
Toyi-Toyi
Practitioner:
Soutth African protesters
Date:
Jan 1 1976
Toyi-toyi is a Southern African dance originally from Zimbabwe by Zimbabwe People's Revolutionary Army (ZIPRA) forces that has long been used in political protests in South Africa. Toyi-toyi could begin as the stomping of feet and spontaneous chanting during protests that could include political slogans or songs, either improvised or previously created. Some sources claim that South Africans learned it from Zimbabweans.

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