We demand that AATA respond to Karen Pence's stated commitment to our field by asking her to publicly take action for the rights of LGBTQIA people, Native people, Black and Brown people, Muslims, survivors of sexual assault, people with disabilities, immigrants, refugees and all people who are in danger as a result of the policies of the current administration.
A Norwegian physician who has volunteered in Gaza for decades said Friday that Western leaders, including U.S. President Joe Biden, are complicit in Israel's intensifying assault on the Palestinian enclave's hospitals, which are overwhelmed with airstrike victims and displaced people seeking refuge.
Grandmas diving for seafood while immigrants wrestle with identity. Scrambling for self-worth in the face of suicide. Rock music in the face of fear. A noir murder mystery. Musings on death.
If Not Now, When? is an ongoing exhibition that showcases the work of 31 female sculptors, employing diverse materials and forms to address social and environmental issues such as gender equality, nuclear disarmament, and electronic waste. The Hepworth Wakefield in England is hosting the exhibition from April 3 to July 4, 2023.
Project Catalyst specializes in designing culturally rich entertainment experiences that re-imagine the empowering possibilities of cinema and media from a multicultural perspective. Project Catalyst exemplifies the efficacy and essential value of art and cinema at the intersections of social justice and the modern technologies of everyday life.
The Protest Mask Project was co-organized by Maggie Thompson and Jaida Grey Eagle. During the George Floyd protests, the artists' studio, Makwa Studio, created hundreds of masks to give to protestors in the city of Minneapolis where the demonstrations began.
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
The Voice of Dissent
“I am not here to entertain you; I am here to disturb you. Those who are here for entertainment, I request them, please go.” It’s unusual, if not rare, for a live performer to begin by saying that to the audience. The compact of patronage that’s implicit is what Sambhaji Bhagat smashes right at the onset of his performance. For him, this art is a quest for the truth that will liberate the people he represents.
A black Michigan lawmaker was escorted to the state Capitol by armed guards Wednesday, after protestors carrying long guns descended on the building last week to rally against the state’s extension of stay-at-home orders meant to stop the spread of the coronavirus.
Amid ongoing protests and government repression in Iran, a group of artists at Michigan State University is raising awareness about the women fighting for their rights in the country.
The group hosted a packed crowd one January evening for a night of music, dance, and poetry performances. The pieces, inspired by Iranian stories and icons, show solidarity with the ongoing movement abroad.
They call themselves feminist masked avengers in the tradition of Robin Hood, Wonder Woman and Batman. They wear costume gorilla masks to remain anonymous, and they are devoted to fighting sexism and racism within the visual art world internationally.
For FX Harsono, art is activism. Over the past four decades, performance, sculpture, and painting have become his means of nonviolent protest against government autocracy and ethnic strife in Indonesia.
Apparently the human colostomy bags known as the neo-Nazis and the KKK held an anti-immigration rally in Charlotte, North Carolina on Saturday, but their demonstration was totally taken over by hordes of super-happy clowns.
It was a long time coming - but it was worth the wait.
Nearly two years ago, more than a dozen of Mexico’s biggest performing artists came together in a mega-event aimed at saving Wirikuta, one of the country’s most sacred sites, from devastation at the hands of Canadian gold and silver mining operations.
"Four theatrical spaces and the full inventory of of 3LD Art & Technology Center were enlisted in the transformation of the space into SupremacyLand, a dystopian theme park where white supremacy and racist carnage was raised and twisted into totally immersive, experiences.
The kidnapping and enslavement of African people was the life-blood of transnational corporations like the "Royal African Company." In law, these human resource corporations were called "artificial people." Their human cargo was called "cargo."
In the late 1960s, in the aftermath of the Watts Uprising and against the backdrop of the continuing Civil Rights Movement and the escalating Vietnam War, a group of African and African American students entered the UCLA School of Theater, Film and Television, as part of an “Ethno-Communications” initiative designed to be responsive to communities of color (also including Asian, Chicano and Native American communities). Now referred to as the L.A.
"Under the Same Sky" bearing the name and the first part of my project completed. I collected the letters written to 40 Armenian young people from 40 random Turkish young people. The mutual translations of all letters and video subtitles were made. Letters and photographs are handed out to young people, friendships are being established.
When Fred Wilson did an installation at the Maryland Historical Society in 1992, he shook up the museum world. Co-sponsored by the historical society and the Contemporary Museum, Mining the Museum did not involve artwork made by the artist; rather, it involved reinstalling items from the historical society's collection in such a way as to make us reconsider them.
The sneaker brand Converse has commissioned an indigenous artist in Australia to create a gigantic mural with a surprising twist. The Melbourne mural plays homage to indigenous urban identity and was painted with a special type of pollution-absorbing paint that “cleans the air,” according to the agency behind the project, Amplify.
The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.
A new exhibition titled “Afrofuturism: A History of Black Futures” will debut at the National Museum of African American History and Culture (NMAAHC) to examine Afrofuturist expression and culture as it relates to music, activism, art, and more.
Sarcastic delivery spoken to black people talking about issues regarding black "progress" , media, consumption among other things
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