Projects tagged "Race & Ethnicity"

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My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd.

2020 was the year of when protest music blared everywhere. For a long period, Black people struggled against police brutality and in the uproar of George Floyd's murder, BLM protests instantly swept over the country. Of the many protest music that was released that year, trumpeter Ambrose Akinmusire wrote a song that would spearhead raging sentiments towards racial injustice beyond just jazz.

This piece is about multiple layered “creative activism”. There is art, activism, and community building. According to the Merriam Webster dictionary, a zine is a “noncommercial often homemade or online publication usually devoted to specialized and often unconventional subject matter.”

In El Paso more than 100 murals have been painted since the mid-1960s. The murals, located throughout the city's various corridors, often depict themes common to Chicano muralism, such as mestizo heritage or social problems, but they also tell unique stories about the "merging of ideas, cultures, and dreams" along the United States-Mexico border.

Just weeks after activists staged an alternative tour of the American Museum of Natural History to call for its removal, among other things, the equestrian statue of Teddy Roosevelt was vandalized early Thursday morning.

In 2015, Walter Scott fled for his life, stalked by a policeman who then cold bloodedly shot him in the back. We all saw the video and in response to this murder I made the artwork, “A Man Was Lynched by Police Yesterday.” This simple banner, printed with the eponymous words, is an update of an iconic flag that the NAACP flew from their national headquarters window in New York in the nineteen-twenties and thirties the day after someone was lynched.

Thousands of ethnic Mongolians have protested across northern China in opposition to Beijing plans to replace the Mongolian language with Chinese in some school subjects.

The prints exhibited June 2013 at Firestorm in Asheville NC, will comprise two separate bodies of work; Chelsea Ragan’s combination screen print / woodblock print / painting / drawings graphically detail police shootings of young black males from across the country, and Adam Void’s hand-painted screen prints state the facts of important national news stories that have been swept under the rug of mainstream corporate media.

Frank Waln, a 25 year old Native American hip hop artist, tours the country and Canada performing and teaching motivational workshops to students across the country. He took to rap at a young age when he found a cd (Eminem's The Marshall Mathers LP) on the side of the road. Growing up on the Rosebud Sioux Reservation of South Dakota, he realized that the hip hop music genre was an outlet for expressing pain and frustration.

In early 2016, I began paying attention to reports about the incredible number of unarmed black people being killed by the police. The posts on social media deeply disturbed me, but one in particular brought me to tears: the killing of Alton Sterling in my hometown Baton Rouge, La. This could have happened to any of my family members who still live in the area. I felt furious, hurt and hopeless.

Brick x Brick is a public art performance that builds human “walls” against misogyny. It is organized by the Public Displays of Affection, a collective of artists, designers, educators and organizers that engages in nonviolent direct art action. During the wall performances, participants wear brick-patterned jumpsuits adorned with colorful brick patches bearing statements of misogynistic violence made by US President Donald Trump.

In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.