CAM brings contemporary art and ideas directly to Saint Louis Public High School and Middle School students through its ArtReach program. Tailored to meet the needs of individual schools and teachers, ArtReach is designed to raise awareness of contemporary issues through an exploration of contemporary art. The program includes a curriculum-based offering of museum tours, school visits, and creative workshops for students and teachers alike.
Text by Jessica Stewart
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In Virginia, one artist is helping his community reclaim a controversial monument in the name of Black Lives Matter. The Robert E. Lee Monument now stands as the only remaining Confederate statue on Richmond's historic Monument Avenue. While litigation ties up the statue's removal, light projection artist Dustin Klein is using his art to change the meaning of this contentious monument.
"Black Lives/White Light and TABLETRIBES, a D.C.-based tech startup, are coupling art and technology to create The Radius Project, which aims to take conversations surrounding Black Lives Matter beyond newsfeeds and comment sections...TABLETRIBES is a social networking app that allows users interested in similar topics to connect with each other offline...Their goal is to globally scale empathy development by developing opportunities for users to e
This installation of 13 photographic self-portraits explores European-American heritage, my family and their role in the history of racism, colonization, genocide, and classism. The ancestors, real and imagined, span over 2000 years from the Celtic Iron Age to the present day. The life size portraits are accompanied by audio diaries from the perspective of each character.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
Across the street, another woman lies face down, sunbathing on a large sheet of tinfoil. The sentence "White Supremacy Is Terrorism" is inked across her white skin, which is turning pink under the hot sun.
Activists fighting coronavirus-driven hate crimes are rallying on social media to turn masks into a symbol, rather than a target in racist attacks
Jeff Elder Apr 6, 2020, 2:03 PM
Activists against COVID-19-related hate crimes are leading a social media campaign using images of people in masks to fight back against attacks on Asian-Americans, which Congress and the FBI say are increasing.
Through her work, South African art activist Athenkosi Kwinana aspires to deepen the understanding of Albinism in her native country, where she has faced discrimination in most aspects of her life from childhood days on. Working with both drawing and printmaking, Kwinana creates large self-portraits that aim to constructively reimagine the representation of Albinism in the country’s black communities and African contemporary art as whole.
It is a clear, fresh New York night in March 1939. You're on a date and you've decided to investigate a new club in a former speakeasy on West 4th Street: Cafe Society, which calls itself "The Wrong Place for the Right People".
UndocuNation, a performance and visual art conglomeration, took place this past Friday at International House. The Center for Race and Gender at Berkeley, CultureStr/ke, and the Theater and Dance Performance Studies department here at UC Berkeley helped put on the show specifically for Berkeley students. The show’s main focus was on the complex issues of undocumented immigration, and what that can mean for students especially.
The story of an artist. Laolu Senbanjo grew up surrounded by the culture and mythology of the Yoruba, an ethnic group from the southwest of Nigeria, but he never imagined how it would influence the artist he is today. After a career as a human rights attorney, Senbanjo moved to New York City to pursue art full time. “With my art, I like to tell stories, I like to start a conversation,” says Senbanjo, but life as an artist in New York was tough.
During the Black Lives Matter protests in Richmond, VA, the two fourteen-year-olds posed in a powerful photo in front of Confederate General Robert E. Lee’s statue. Ava had originally arranged an appointment with photographer Marcus Ingram, but as she and Kennedy posed in front of the graffiti-covered monument with their fists firmly jutted in the air, several photographers began snapping pictures.
A march took place Wednesday evening in Manhattan calling for justice in the case of Trayvon Martin. He was an unarmed black teenager who was shot to death by a neighborhood watch captain in Florida last month.
Text by Seth Cohen
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On Friday night, as U.S. television screens burned with images of peaceful protests turning violent, Nike released a new socially conscious ad calling on Americans to do something quite different than the brand’s usual call to “Just Do It.” Instead, one of the nation’s leading athletic apparel companies called on individuals to not turn their back on the painful issue of racism in the United States.
Faith Ringgold is a successful painter, sculptor, mixed-media artist, author, feminist, and political activist. She is particularly known for her narrative quilts, as she explores identity, race, family ties, as well as cultural and political topics through her many different forms of storytelling.
“I have always wanted to tell my story or, more to the point, my side of the story” - Faith Ringgold
Nick Cave is an American fabric sculptor, performance artist, and dancer. He was born on February 4, 1959, in Fulton, Missouri. Currently, Cave lives in Chicago, Illinois, where he works at the School of the Art Institute of Chicago as the director of the graduate fashion program.
The Mirror Casket project is a sculpture, performance, and visual call to action designed and orchestrated by a collaborative of St. Louis community artists in response to the shooting death of Michael Brown on August 9, 2014 in Ferguson, MO.
My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd.
The Yes Men join Reclaim the City in their fight against unjust housing policy. On September 30, 2019, a horde of zombies attended a "#natsneverdie rally" at the Cape Town Civic Centre in order to celebrate Mayor Dan Plato and the Mayoral Committee and to support their policies, which are increasingly similar to those of the National Party under Apartheid.
The prints exhibited June 2013 at Firestorm in Asheville NC, will comprise two separate bodies of work; Chelsea Ragan’s combination screen print / woodblock print / painting / drawings graphically detail police shootings of young black males from across the country, and Adam Void’s hand-painted screen prints state the facts of important national news stories that have been swept under the rug of mainstream corporate media.
Logic, a rapper known to incorporate meaningful messages with his music, recently released his newest track, “1-800-273-8255.” Covering topics of depression and suicide, the song and its subsequent music video uses the phone number of a national suicide hotline as its title.
The National Memorial for Peace and Justice, opening to the public on April 26, 2018, will become the nation’s first memorial dedicated to the legacy of enslaved black people, people terrorized by lynching, African Americans humiliated by racial segregation and Jim Crow, and people of color burdened with contemporary presumptions of guilt and police violence.
The Stanford Daily:
There is no word short of “spectacular” that better describes the experience of examining “Pan American Unity,” Diego Rivera’s 1940 mural, housed since 2021 at the San Francisco Museum of Modern Art (SFMOMA). The piece is the crux of SFMOMA’s soon-closing exhibition, “Diego Rivera’s America,” curated by James Oles and Maria Castro.
Jean-Michel Basquiat was an American artist who rose to fame in the 1980s. He is known for his graffiti-inspired paintings that often engage with issues surrounding racism and inequality. Basquiat's work challenged the status quo and incited a powerful social commentary on the struggles of marginalised social groups.