Song Dong's Waste Not consisted of a single installation comprising over 10,000 commonplace, domestic items of daily life that had been used and amassed by the artist’s mother (Zhao Xiangyuan) over fifty years.
In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.
To protest unethical labor practices in Bangladesh, specifically unsafe working conditions, 99 Pickets, The Illuminator, and Ismail Ferdous took action during New York Fashion Week.
Note before the post: This article is great in highlighting a specific case of creative activism in the streets of New York City, but also gives some contextual background to how this project manifested.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
On Tuesday morning, when Google CEO Sundar Pichai testified before the House Judiciary Committee about his company’s data collection practices, there was a familiar mustachioed face in the crowd. To most people, this person — also wearing a monocle and toting a bag of cash — is none other than the famous board game character most commonly known as Monopoly Man.
Jeff is an animation storyboard artist from Los Angeles, previously working as an animation artist on several famous Disney movies. He uses his talent to produce work highlighting environmental and social issues worldwide with Disney characters, called Unhappily Ever After. His work includes images of Elsa from Frozen on melting ice caps and Alice from Alice & Wonderland taking drugs down a dark alley.
When can fashion be considered an act of social activism — even subversion?
The streets of Brazzaville, Republic of the Congo’s capital (Congo-Brazzaville), have seen plenty of violence and suffering over the years. But a group of local fashionistas known has “sapeurs” are lifting spirits and celebrating life by following a simple commandment: Dress to impress.
A mixture of a social cause with a creative vision, this visual art exhibit is dedicated to the millions of unemployed citizens and veteran’s in the United States. Constructed out of 1284 used empty wallets from over 2,000 donated nation wide; this project aims to have a voice about the economic problems our country is facing and show the potential of art to awaken our social consciousness.
On 19 November 2011 over 100 dancers converged at Occupy SF & Oakland to dance the world awake. Flashmob Produced & Directed by Magalie Bonneau-Marcil of DancingwithoutBorders.org, Video Directed & Edited by Ben Flanigan (BenFlanigan.com), Thanks to our team of choreographers: Giuliana Blasi, Samantha Sweetwater and Mika Lemoine. Co-sponsors: CODEPINK.org & SFNOW.org Want to bring the flash mob to your community?
A crew of occupiers makes a home of a Bank of Americalobby with a couch, a coffee table, a rug and a pottedplant. "Bank of America took our homes so we though we'dmove in here!"
Last night, over 40 protesters staged an intervention inside the Guggenheim Museum in Manhattan during Saturday night’s pay-what-you-wish admission hours.
The Real Cost of Prisons Project brings together justice activists, artists, researchers and people directly experiencing the impact of mass criminalization to work to end mass incarceration.
After collecting street art and memorabilia from "Occupy Wall Street" since the fall of 2011, the Smithsonian National Museum of American History has lent its collection of Occupy Wall Street posters to Wesleyan's Davison Art Center. The posters will make up an exhibition entitled “Artists Take Action: Protest Posters Today,” which is on display in the University's gallery from April 5 to May 26.
Since 2009, we have gradually developed an organic roof top garden for our residents to learn about urban food production, sustainable technologies and to have the experience of producing food for Our Community.
Throughout the Lodi district of Milan, Italy, artist Biancoshock has transformed abandoned manholes into miniature subterranean rooms. Beneath the pavement, in vacant maintenance vaults, a cupid painting in a gaudy frame hangs in a tiny pink living room; a boxy kitchen is stocked with pots and pans; and a blue-tiled bathroom is complete with shower and towel.
From Public Delivery:
Kacey Wong has a knack for creating art that investigates the space between people and their surrounding environment. Paddling Home, which was performed on the Hong Kong Victoria Harbor, was a star feature in the Hong Kong contemporary art scene.
Frank Waln, a 25 year old Native American hip hop artist, tours the country and Canada performing and teaching motivational workshops to students across the country. He took to rap at a young age when he found a cd (Eminem's The Marshall Mathers LP) on the side of the road. Growing up on the Rosebud Sioux Reservation of South Dakota, he realized that the hip hop music genre was an outlet for expressing pain and frustration.
Demonstrators aligned with the Occupy Wall Street movement sang their way into handcuffs during a Bronx foreclosure auction Monday to protest the housing crisis that continues to plague the borough.
They serenaded a courtroom of real estate investors with the lyrics, "Y'all are speculating off people's pain. With all due respect, you should be ashamed."
Whose Utopia? was made by the Chinese artist Cao Fei and filmed at the OSRAM lighting factory in Foshan in the Pearl River Delta in southern China during 2005 and 2006. It was commissioned as part of a project entitled ‘What Are They Doing Here?’ that was run by the Siemens Art Program from 2000 to 2006 and involved Chinese artists undertaking six-month-long residencies at industrial facilities across the country.
By Adam Owens
Seventeen people were arrested Monday evening during what the state chapter of the NAACP called a nonviolent "pray in" protest at the General Assembly.
The protest was directed at Republican action on health care, unemployment benefits, education and voting rights.
As the Yippies prepared for protests at 1968 Democratic National Convention, Yippie Paul Krassner rattled Chicago leaders by suggesting that the Yippies were planning to put LSD in the city water supply. As Abbie Hoffman said at the Chicago Seven trial: "I read in the paper the day before that they had 2,000 troops surrounding the reservoirs in order to protect against the Yippie plot to dump LSD in the drinking water.
The incident began when two clowns, Hannah Morgan and Louis Jargow, scaled the steel barricades protecting the landmark. The clowns began spanking and climbing the beast, traditional ways of coaxing a bull into anger in preparation for a Castilian corrida, or bullfight.
Richard Bell has often called himself ‘an activist masquerading as an artist’. Aboriginal journalist and radio broadcaster Daniel Browning has suggested that Bell is also ‘a megaphone.