Shu Yong is an artist who has been passionate about environmental protection in recent years. "The Earth Is Bleeding" was created in 1998. The creation was carried out in a studio of more than ten square meters.
The New Culture Movement was initiated by Chen Duxiu, Li Dazhao, Lu Xun, Hu Shi, Cai Yuanpei, Qian Xuan and other writers who had received Western education (called the new-style education at the time). It is an ideological and cultural innovation and literary revolutionary movement.
Beijing-based artist Liu Yi is working on a series of black-and-white portraits he knows will never be shown in a Chinese gallery. His varied subjects — men and women, young and old, smiling and pensive — have one thing in common: They are Tibetans who have set themselves on fire to protest repressive Chinese rule.
Sebastián Mahaluf stands out as an artist deeply engaged in weaving the complex threads of human connection, community, and the interplay of personal and collective experiences. His notable work, "CONTRADICTION AND TENSION," showcases his approach to art as a participatory experience that bridges individual perceptions with communal narratives.
The video DON’T COVER UP, STEP UP is a public service announcement raising the issue of gender-based violence. In the video, a vlogger teaches her fans how to cover up bruises with makeup after she has been beaten by her husband. There is a twist in the story as the husband enters the scene at the end of the video.
Whose Utopia? was made by the Chinese artist Cao Fei and filmed at the OSRAM lighting factory in Foshan in the Pearl River Delta in southern China during 2005 and 2006. It was commissioned as part of a project entitled ‘What Are They Doing Here?’ that was run by the Siemens Art Program from 2000 to 2006 and involved Chinese artists undertaking six-month-long residencies at industrial facilities across the country.
They are disparaged as “free-willed” women, “stubborn,” “picky,” “incomplete.”
But a video by an East Asian beauty brand that went viral over the past week has upended the conversation on China’s sheng nu, which translates literally into “leftover women” — those who happen to be over 27 and unmarried.
“People think that in Chinese society an unmarried woman is incomplete. You feel like an outsider,” says one young woman.
Zuoxiao Zuzhou is a Chinese singer whose accented, croaky voice is hardly ever in tune. But for his fans he's the voice of a generation — one of the very few voices who dare to speak out. After a collaboration, Cowboy Junkies member Michael Timmins called him "China's Leonard Cohen."
Exhibition visitors have expressed feelings of uneasiness or even pain and nostalgia when seeing Colored Vases by Ai Weiwei1. The 51 vases that make up the artwork are originally treasures from the Neolithic Age (5000–3000 BCE) and the artist has dunked them in common industrial paint.
Why did Ai Weiwei do it?
March 20, World Sleep Day is approaching, Chongqing Fuling wine town square placed 2 transparent sleep house, staff in the form of performance art to call on people to "put down the phone, sleep at ease". It is reported that the purpose of World Sleep Day is to make people pay attention to the importance of sleep and sleep quality, to remind people to pay attention to sleep health and quality.
Founded 19 years ago, the Beijing Queer Film Festival (aka Love Queer Cinema Week) is one of the grassroots film festivals in China focusing on independent queer film screenings and cultural exchange activities. We aim to expand public discussions on sexuality / gender identity / gender expression, we aim to give a platform to sexual and other minorities in China and the World, and we celebrate diversity.
Song Dong's Waste Not consisted of a single installation comprising over 10,000 commonplace, domestic items of daily life that had been used and amassed by the artist’s mother (Zhao Xiangyuan) over fifty years.
Lu Yang attempts to bring the negative notion of Cancer cell into a “Kimo Kawa” object of love and/or pain and hopes to open a dialogue that brings awareness to the acceptance and tolerance of living with cancer cells.