"Artbus is a non-profit organization devoted to the promotion and dissemination of contemporary art. Supported by contributions from individuals, foundations and corporations Artbus facilitates public access to current artistic expressions and fosters creativity and production by living artists.
If you headed into the West 4th St. Subway Station on March 9, 2014, you may have seen a group of people writing on cardboard, taping it to the walls, and seemingly holding a small class in the underground space. Those were some of the members of Free University NYC, a radical educational project started during May 2012 as a form of educational strike. They hold classes in public spaces like parks and subway stations, and are entirely free.
Doris Salcedo talked extensively with victims of the violence in Colombia. For the project titled Unland she spoke specifically with children who had witnessed the murder of their parents. This piece was a poetic response and representation of their testimony. Salcedo combined halves of tables together to make a whole. In the seam where the tables joined Salcedo meticulously sewed the tables together using white silk thread, dark hair and bone.
The Hungarian artist, undercover as an oligarch, infiltrated Manhattan’s ultra-luxury high-rises with her fake husband, Zoltan, for a book of intentionally unartful photos.
Sirens of the Lambs
By Banksy
A slaughterhouse delivery truck touring the meatpacking district and then citywide for the next two weeks.
http://www.banksyny.com/#
Video here:
http://www.youtube.com/watch?v=WDIz7mEJOeA
Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.
by Natalie Pompilio
Natalie Jeremijenko wants you to feed the animals. She encourages you to text the fish—and makes sure they'll text you back. She turns moths into movie stars and believes the next big thing in urban transportation is human flight.
Together with a group of homeless New Yorkers, Wodiczko constructed the Homesless Vehicle as an instrument of survival for urban nomads. A modified shopping cart that facilitates refundable bottle and can collection, it also provides temporary shelter. As a house on wheels intended for New York City sidewalks, the Homeless Vehicle embodies Wodicko’s practice of ‘Interrogative Design’.
On Sunday, September 16th at around 1am, a white van—labelled with “Van Wagner’s” blue logo and topped by a yellow strobe light—circled through permanently lit Times Square. Inside the vehicle, the driver and passenger, both dressed as construction workers, were nervous. They had just vandalized one kiosk a few yards away from an NYPD tower, now they were about to hit another one right underneath the nose of a large white NYPD security camera.
Now that the dust has settled from the Met Gala, with all the excitement over Kylie Jenner’s bathroom selfie and Rihanna’s body-swallowing Comme des Garçons florals, it is worth pausing to consider a red carpet moment most people missed: the entrance of Joe Gebbia, co-founder and chief product officer of Airbnb, with Yeonmi Park, a North Korean refugee and international refugee activist.
No matter how nuanced current superhero comics may be, to the general public they are still fairly simple. Superheroes are the good guys, supervillians are the bad guys, and it’s easy to see who is who. That’s why kids like to dress up as superheroes on Halloween — and why should they have all the fun?
Butactually.com is a new kind of online dictionary created by a team of students at NYU Gallatin who seek to document, organize, and provide a platform for anyone to share new activist hashtags.
MonsterSanto extolls the virtues of GMO's while his Money Head Clones offer the crowd free samples. President Bomblast entertains the crowd attempting to juggle Peace, Jobs, and Truth. A food fight breaks out.
"Owning a vehicle, you could drive by and with the pressure of your foot on the accelerator and with your eyes on the road you could pass it quickly … The images of poverty would lift and float and recede quickly like the gray shades of memory so that these images were in the past before you came upon them. It was the physical equivalent of the evening news.” — David Wojnarowicz.
A source of delicious egg creams and daily newspapers since at least the 1930s, an unassuming shop at the corner of St. Marks Place and 2nd Avenue was renamed Gem Spa in 1957 and swiftly transformed into a meeting ground for generations of downtown artists, musicians, poets, and activists.
On a freezing Friday in January, Khmer-American artist Kat Eng sits in front of retail giant H&M’s Time Square store working on a manual sewing machine. For eight hours, Eng stitches together U.S. dollar bills while wearing a surgical mask and bloodstained shirt. Her performance “</3 Less Than Three” protests the way fast fashion and consumer culture creates oppressive conditions for Khmer workers.
Tina Piña, better known as Mother Pigeon (@motherpigeonbrooklyn), is an artist and self-described “high priestess of the pigeon religion,” whose passion for New York City’s often-overlooked bird has helped her carve out a unique creative niche centered around pigeons—as well as a lifestyle geared towards helping New Yorkers appreciate the misunderstood creatures.
The Guggenheim Museum in New York City temporarily closed off its entrance on Saturday afternoon, November 11, after eight artists and cultural workers took to the institution’s iconic spiral ramp to denounce the Israeli military’s ongoing killing of Palestinian children in Gaza.
NEW YORK, Ny., Nov 19, 2018 - Two artists, Actress/Creator/Native New Yorker Maia Lorian and collaborator veteran NYC Street Artist Abe Lincoln Jr. bring to you “A Presidential Parody.” In a nation that seems to place higher value on the American dollar over the American life, the artists felt it was time to release an ad campaign that reflects Trump’s “all American” values.
The group of students from NYU took to the streets of Manhattan to shout back against sexual harassment and bring awareness to the Everyday Sexism project. Armed with business cards that said "#shoutingback" on one side, and "Real men don't catcall" on the other side, the group waited for men to yell at the women while they walked down the street.