If the way to one’s heart really is through the stomach, Rirkrit Tiravanija must have more than his share of admirers. Now at GAVIN BROWN, the Buenos Aires-born artist with a history of dishing out tasty edibles in his exhibitions invites viewers to enjoy a bowl of soup in his interactive show, Fear Eats the Soul.
From an article in BoredPanda:
"If you’ve ever felt like your voice and opinion doesn’t matter in the vast world, then Seth is here to prove you wrong. This New Yorker runs the ‘Dude With Sign’ Instagram account where he uploads photos of himself protesting the strangest, weirdest, most random things. And the best thing is, we can relate to most of what he’s written on his signs.
No Home Gallery is a traveling gallery that curates exhibitions and happenings in various living and studio spaces in New York City. In an attempt to make contemporary art accessible and inviting, No Home offers emerging artists and art enthusiasts a forum for collaboration and creation.
#SaveNYC is a grassroots, crowd-sourced, DIY movement
to protect and preserve the diversity and uniqueness
of the urban fabric in New York City.
As our vibrant streetscapes and neighborhoods are turned into bland, suburban-style shopping malls, filled with chain stores and glossy luxury retail, #SaveNYC is fighting for small businesses and cultural institutions to remain in place.
Moving Chains is a monumental 110-foot long kinetic sculpture that evokes the hull of a ship, built from steel and Sapele, a tree native to West Africa commonly referred to as African Mahogany. Inside of the sculpture, nine chains run overhead: rotating on a maritime sprocket system, eight of the chains represent the pace of the currents in New York Harbor, while a ninth central chain moves more quickly, mimicking the pace of a ship in transit.
Part telethon, part variety show, and part party, the People’s Bailout Telethon kicked off the Rolling Jubilee, a project by the Occupy-offshoot Strike Debt. The Rolling Jubilee raises funds through grassroots donations, buys debt for pennies on the dollar, but instead of collecting it, abolishes it. The project works within the system of the secondary debt market in order to undermine it.
Circus Amok is a New York City based circus-theater company whose mission is to provide free public art addressing contemporary issues of social justice to the people of New York City.
The group of NYU graduate students went to bars in Manhattan to shout back against sexual harassment and bring awareness to the Everyday Sexism project. Armed with coasters that said "#shoutingback" on them, as well as a slogan. Three different coasters with three different slogans were put on bars and tables in local watering holes. The slogans included "She ordered a drink.
"I decided to shoot pictures of men who made comments to me on the street. I had always hated this invasion of my privacy and now I had the means of my revenge. As I walked along Houston Street with my fully automated Nikon, I felt armed, ready. I passed a man who muttered ‘Wanna fuck?’ This was standard technique: the female passes and the male strikes at the last possible moment forcing the woman to backtrack if she should dare to object.
Taken from the website:
Dyke Action Machine! (DAM!) is a two-person public art project founded in 1991 by artist Carrie Moyer and photographer Sue Schaffner. Between 1991 and 2004 DAM! blitzed the streets of New York City with public art projects that combined Madison Avenue savvy with Situationist tactics.
Seventeen editor Ann Shoket met yesterday with Julia Bluhm, the 14-year-old reader who started an online petition to ask the magazine to curb its use of Photoshop.
Shirin Neshat’s Women of Allah is a photographic series exploring the complex identities of Muslim women in post-revolutionary Iran. Combining black-and-white portraits, Persian calligraphy, and symbolic elements such as guns and veils, Neshat interrogates themes of martyrdom, violence, femininity, and resistance.
In April, 2011, Food and Water Watch partnered with Yes Lab to raise questions regarding drinking water around New York City. Yes Lab, an organization that collaborates with activist groups, aims to create successful media-related creative actions that help raise awareness regarding pertinent causes and create desirable action, often by staging interventions for the existing status quo by imitation and alteration.
The International Harlem Fine Arts Show (HFAS) is the largest traveling African Diasporic art show in the United States. Inspired by the Harlem Renaissance, HFAS provides a platform for African Diasporic visionaries and American visual artists to exhibit and sell their artwork. The show also aims to create economic empowerment, educational opportunities and professional recognition within the multicultural community.
Just weeks after activists staged an alternative tour of the American Museum of Natural History to call for its removal, among other things, the equestrian statue of Teddy Roosevelt was vandalized early Thursday morning.
Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.
“Even if you are a minority of one, the truth is the truth.” Mahatma Gandhi
#FUEELESTADO is a project about the lack of social justice and the gross human rights violations in Mexico. It examines the conflict between state power and personal autonomy and responsibility, a conflict that, in Mexico, involves missing persons and unidentified bodies and that can’t be silenced anymore.
On the eve of the 60th anniversary of the communist takeover of China, Tibet activists projected messages of support for human rights and freedom from inside and outside of the Empire State Building, countering China’s public relations stunt to bathe the building in red and yellow light. “NY [Hearts] Human Rights” was projected from inside the ESB onto a nearby building.
"Over 200 women, many dressed in bridal gowns, joined the Brides March through Manhattan on Tuesday, an annual event aiming to draw public spotlight on the often hidden scourge of domestic violence.
Kanami Kusakima, also known as the woman who dances in Washington Square Park with the long black hair and the paint, was happy to allow the Mayor's Office of NYC use her image as a promotional tool for a "post-coivd" New York. Yet, she has had multiple encounters with police who want to shut her performance down.
On Monday, a grassroots, anti–corporate tax-dodging coalition called Flip the Debt crashed a "Fix the Debt" party at St. Anselm's College in New Hampshire hosted by Honeywell CEO David Cote to tell the gathered deficit hawk disciples that paying their "damn taxes" would be a better solution than crippling the nation with fiscal austerity measures.
Actionplay, a theatre company dedicated to providing autistic, neurodivergent, and disabled teens and young adults equal access to the theatre-making process, is pleased to announce their next production, the new musical comedy The Surface (or, That One Time Atlantis Washed Up On the Beach).
Nine protesters pushing for the Empire State to reopen from its coronavirus lockdown were busted Saturday afternoon outside City Hall, for not obeying social distancing guidelines, sources told The Post.
The nine were among about 20 who rallied at Park Row and Spruce Street, holding signs that read, “Not Afraid to Fight” and “Reopen NY” sources said. Some of the protesters were not wearing a mask or face covering, a witness said.
From 99 Percent Invisible:
By the late 1980s, AIDS had been in the United States for almost a decade. AIDS became the number one killer of young men in New York City, then of young men in the country, then of young men and women in the country.