It’s women’s history month, and your favorite radical feminist avengers want you to go ape. The Guerrilla Girls have been making noise about gender and racial inequality in the art world since 1985. Fighting discrimination with a sense of humor and their signature faux fur, these masked feminists continue to challenge major museums to spotlight more women and artists of color.
New York City Food Not Bombs
Food Not Bombs--NYC is now working out of a kitchen provided by the Catholic Worker: 36 East First Street, between First and Second Avenues.
Every Sunday they start cooking around 1:00pm and are in Tompkins Square Park to serve around 3:30pm.
The Paris-based collective Claire Fontaine displays a neon sign that spells the words ‘Foreigners Everywhere’ in Arabic. Since this sign was installed strategically above the gallery’s wall-length window – facing in the street – in the edition of the show I saw, at Parsons in New York, it interacted not only with Parsons’ exhibition site but also with the urban environment beyond it.
For centuries, (male) artists have perpetuated a relatively consistent image of the female nude: She’s soft, willowy, and docile. Sensual but not sexually aggressive. Flirtatious but not confrontational. She’s not quite a human but, mediated through the lens of a camera and the eyes of a man, an object of desire in the flesh.
Two reflective stickers in a bathroom stall. When you sit down you can see your face in the bottom one. When you stand you can see your face in the top one, your groin in the bottom one. The top one says "Public", the bottom one says "Private". Or maybe the top one says "Private", and the bottom one says "Public". Which one is correct?
On this International Women’s Day, we wanted to celebrate the commitment of a very special human being. Her name is Zaria Forman, a leading artist in contemporary art with a cause. She is not only an exceptional human being; she is also an incredible American drawer who uses art to convey the emergency of climate change.
Art in Odd Places (AiOP) presents visual and performance art in unexpected public spaces. AiOP also produces an annual festival along 14th Street in Manhattan, NYC from Avenue C to the Hudson River each October.
Stream of Conscience is a site-specific, literary sculpture made out of torn pieces of cover-weight paper upon which people of all ages write their thoughts, feelings, and reflections about water. Prior to writing, participants engage in a dialogue about local water issues within a global context. The conversation is further distilled to include our personal relationship to water. Thousands of people have participated in this traveling exhibition.
Adrian Piper disguised her identity, changing her race, sex, and social class in order to experiment in public situations and gauge people’s reactions. She investigated how outwardly visible identity markers (like skin color) impacted others’ perceptions of her character. By manipulating her (apparent) identity to produce reactions, she demonstrated the power and influence of stereotypes (Piper, 1996).
MFA Fashion Parsons graduate and fashion designer Lucia Cuba, for her senior collection, created a fashion collection inspired by the victims and used to raise awareness of forced sterilization in Peru.
Anthony Papa was arrested for a drug crime and with no prior offenses was sentenced to 15 years to life in prison for violating New York's harsh drug laws. While in prison, Papa began to document his inner struggles via painting and ultimately earned a pardon from New York governor and has gone on to actively fight the drug war in his years since release.
"This Ain't a Eulogy" is both a staged performance and a durational, outdoor, public performance that reclaims and takes public space. The artist statement is as follows:
Carolee Schneemann is largely associated with her performance art of the 1960s and 1970s, in which she boldly addressed feminist and political issues in ways that shocked and engaged viewers. But she has always maintained that she is a painter, a fact often overlooked in discussions of her larger body of work. At the heart of her approach is her ongoing exploration of the boundaries of painting and drawing, as in Up to and Including Her Limits.
‘I’m an Egyptian, Muslim drag queen who aims to raise issues about Middle Eastern / LBGTQ issues within the Arab world and Muslim community. For too long it was drilled in my head that I was wrong, that I was going to Hell, and that’s simply not fair. No one speaks about the harsh mistreatment we go through as gay people in the Arab world. The internal torture and shame is more than enough.
Kids Helping Kids is a youth hip-hop program run by two NGOs, Hip Hip Saves Lives and Negusworld. Together, these organizations work with middle school and high school students to make conscious hip hop influenced by activist work happening worldwide.
Spread over three institutions — the Bronx Museum of the Arts; El Museo del Barrio in East Harlem; and Loisaida Inc., a cultural center in the East Village — this show departs from straight political history by presenting the Young Lords as a cultural phenomenon as well as an ideological one, with a highly developed instinct for visual self-projection, right down to having an official party photographer, the gifted Hiram Maristany.
SPARK began as a response to The Report of the APA Task Force on the Sexualization of Girls and its call for grassroots mobilizing around the clear and present danger that sexualization poses to girls and young women. The Report clarified the difference between healthy sexuality and sexual objectification.Healthy Sexuality
A new exhibition at The Shed in New York is a colour-soaked, eye-opening look into Yanomami life – an Indigenous culture in the heart of the Amazon rainforest
FEBRUARY 13, 2023
TEXT: Violet Conroy
Documentarian Clayton Patterson captured video of police brutality during the Tompkins Square Park riots in the summer of 1988. When District Attorney Robert Morgenthau ordered Patterson to hand over his camera and tapes as evidence, Patterson refused, citing distrust of the criminal justice system. He was sentenced to 90 days in jail, but after a 10-day hunger strike, his lawyers negotiated a deal to free him.
"Intrabody Wireless Network" is a show of eighteen drawings and collages by Dmitry Borshch, in which he shows the architecture of such networks, their components referred to as nanomachines (biological, physical, chemical sensors, routers, antennas, interface devices), options for communicating (molecular, electromagnetic – in the terahertz band, acoustic, nanomechanical), and this type of network's applications (human, plant, industrial)
As the conflict between Israel and Hamas continues, hundreds of people gathered inside the Museum of Modern Art and outside of the Brooklyn Museum on Saturday for protests.