"Intrabody Wireless Network" is a show of eighteen drawings and collages by Dmitry Borshch, in which he shows the architecture of such networks, their components referred to as nanomachines (biological, physical, chemical sensors, routers, antennas, interface devices), options for communicating (molecular, electromagnetic – in the terahertz band, acoustic, nanomechanical), and this type of network's applications (human, plant, industrial)
The idea was born in an instant.
A curator attending an opening at the Baltimore Museum of Art was immediately captivated by a painting from an artist she had barely heard of, Mary Lovelace O’Neal.
Artist Maya Lin first burst onto the scene in 1981, when her design was selected for the Vietnam Veterans Memorial while she was still a senior at Yale. Since then, Lin has turned her focus to environmental issues, with her most recent show at Pace Gallery investigating Manhattan’s landscape and environmental history.
The long-awaited New Museum retrospective of conceptual art pioneer Hans Haacke fell victim to internet hackers over the weekend trying to make a political point. The intervention drastically skewed the results of an iPad-based artwork that was meant to record real-time visitor responses.
In March 1939, a 23-year-old Billie Holiday walked up to the mic at West 4th's Cafe Society in New York City to sing her final song of the night. Per her request, the waiters stopped serving and the room went completely black, save for a spotlight on her face.
Katharina Grosse's public exhibition "Just Two of Us" consists of eight large meteor looking sculptures painted in bright technicolors. The sculptures, which have been placed in the public plaza at Metro Tech Commons, have transformed downtown Brooklyn. Grosse is a German artist based in Berlin, who is known for her use of spray gun techniques to create abstract colorful paintings on unconventional surfaces.
This is a parody of 1970s American daytime television aimed at housewives. In this performance Rosler takes on the role of an apron-clad housewife and parodies the television cooking demonstrations popularized by Julia Child in the 1960s. Standing in a kitchen, surrounded by refrigerator, table, and stove, she moves through the alphabet from A to Z, assigning a letter to the various tools found in this domestic space.
This print is one of several works documenting a performance Schneemann made at Women Here and Now, an exhibition of paintings accompanied by a series of performances, in East Hampton, New York in August 1975. In front of an audience comprising mainly women artists, Schneemann approached a long table under two dimmed spotlights dressed and carrying two sheets. She undressed, wrapped herself in a sheet and climbed on the table.
Art in Odd Places (AiOP) presents visual and performance art in unexpected public spaces. AiOP also produces an annual festival along 14th Street in Manhattan, NYC from Avenue C to the Hudson River each October.
Bernie Sanders supporters know how to bring the party! And they did it big time for the Democratic Debate in New York this week, with help from The Illuminator & the NYC Light Brigade. They installed an interactive video game featuring Bernie jumping over obstacles and WINNING!
Anti-opioid activists unfurled banners and scattered pill bottles on Saturday inside the Sackler Wing of the Metropolitan Museum of Art in New York, which is named for a family connected to the powerful painkilling drug OxyContin.
The protest, which was organized by a group started by the celebrated photographer Nan Goldin, started just after 4 p.m., when several dozen people converged at the Temple of Dendur inside the wing.
Climate activists took to the iconic “Charging Bull” sculpture in Manhattan’s Financial District on Earth Day today, April 22, to call out Wall Street’s “bullshit” in the face of a worsening environmental crisis — quite literally, by installing a display of fabric feces descending onto a rendering of planet Earth at the rear end of the 11-foot-tall bronze bull.
#makeamericagreatagain is a group exhibition of diverse media that ran during February and coincided with the initial Democratic and Republican primaries. The exhibition’s title is culled verbatim from Donald Trump’s campaign slogan.
Croatian artist Sanja Iveković started Women’s House (Sunglasses) in 1998 in collaboration with a women’s shelter in Zagreb and later with women’s shelters elsewhere in Europe and Asia. Iveković organised workshops with women in these shelters to produce plaster casts of their faces, as well as to give them the space to write their life stories.
Brief History is part of a series produced by Carlos Motta between 2005 and 2009 that presents two chronologies of events in Latin America: one of U.S. interventions in the region since 1946, and one of the area’s leftist guerrilla movements. One side of the print outlines the interventions’ interconnected narratives in text; the other depicts two bloody handprints and the symbol of the Mano Blanco death squads from 1980s El Salvador.
William Banks is a comedian and artist who, prior to his viral prison saga in 2025, was best known for a community that he led called Call World, which he describes on the website as “a planet in an alternate universe ruled by human-headed Worms sexually obsessed with William Banks.” The story goes that Banks was first visited by a worm from Car World after getting stuck in an industrial freezer and coming to terms with his death before eventually being
To protest unethical labor practices in Bangladesh, specifically unsafe working conditions, 99 Pickets, The Illuminator, and Ismail Ferdous took action during New York Fashion Week.
NOT READY TO MAKE NICE: GUERRILLA GIRLS BIRTHDAY
30 YEARS AND STILL COUNTING!
BLOWOUT PARTY WITH DJ AND CAKE!
Friday, May 15 8-10 PM • ABRONS ARTS CENTER 466 GRAND ST, NY
ALSO AT ABRONS ARTS CENTER 466 GRAND ST, NY
• May 1-17, 2015: Pop Up Exhibition of GG work 1985-2015
• May 17: Exhibition walkthroughs 3pm
"WILD: Act I" is a film demonstrating the power of creativity in constraint. Using moving choreography performed by Elijah Lancaster and vivid imagery displayed on three walls in a mock cell, Jeremy McQueen gives voice to young Black and Brown men caught in the criminal 'justice' system.
This year marks the 50th anniversary of one of this country’s most beloved theater companies. Founded in New York City in 1963, the Bread and Puppet Theater’s first productions ranged from puppet shows for children to pieces opposing poor housing conditions. The group’s processions, involving monstrous puppets, some about 20 feet high, became a fixture of protests against the Vietnam War. "We don’t have playwrights in the theater.
At ‘Arcadia Earth,’ Dazzle Illuminates Danger
Using augmented reality, virtual reality and installations of light and art, the creators of this pop-up exhibition hope to inspire action on climate change.
By Laurel Graeber
Oct. 23, 2019
The creators of “Arcadia Earth” want to awaken your conscience. But they also plan to make that guilt trip extraordinarily fun.
"SOA Cycle, and what it later became, which is called the Democracy Cycle, is a group of seven large works that approach the question of democracy. What is democracy? How is it constructed? How is it implemented? Is it something that is to be thought of in relation to its political influence? Or is it something that plays out in terms of cultural and social, and even emotional terms, for instance?
‘I’m an Egyptian, Muslim drag queen who aims to raise issues about Middle Eastern / LBGTQ issues within the Arab world and Muslim community. For too long it was drilled in my head that I was wrong, that I was going to Hell, and that’s simply not fair. No one speaks about the harsh mistreatment we go through as gay people in the Arab world. The internal torture and shame is more than enough.
Four days before the U.S. presidential election, three Ukrainian activists gathered at a stranded fence in New York City’s East Village to hang an expansive information poster. “19546+ Ukrainian Children Abducted by Russia,” reads its headline in bold. From a black canvas, white letters jump out at the passersby, a haunting reminder of the toll the Russian invasion continues to inflict on Ukrainian families.