Projects tagged "New York"

Untitled
Practitioner:
Hans Haacke
Date:
Mar 11 2002
Marking the six month anniversary of September 11th, a poster designed by artist Hans Haacke appeared on scaffolding and media walls throughout New York City. The poster itself was blank and white, consisting only of die-cut silhouettes of the World Trade Center towers. The posters effectively reminded the pubic that September 11th created a ubiquitous filter through which everyday realities have become measured or seen.
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ARTICULO 6: Narratives of gender, strength and politics
Practitioner:
Lucia Cuba
Date:
Nov 30 2011
“ARTICULO 6: narratives of gender, strength and politics” is an activist design project that aims to raise awareness about the case of forced sterilizations implemented during the government of Alberto Fujimori in Peru.
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Project Impact
Practitioner:
The Arts Effect, Equality Now
Date:
Mar 1 2013
Project IMPACT is an 8-week leadership-through-storytelling workshop for teen survivors of commercial sexual exploitation. The goal of Project IMPACT is to introduce survivors to the idea that sharing their stories is a powerful advocacy tool that can impact the legislative process and work to combat sex trafficking and commercial sexual exploitation.
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This Is Not Your Body
Practitioner:
This Is Not Your Body
Date:
Nov 25 2014
Two reflective stickers in a bathroom stall. When you sit down you can see your face in the bottom one. When you stand you can see your face in the top one, your groin in the bottom one. The top one says "Public", the bottom one says "Private". Or maybe the top one says "Private", and the bottom one says "Public". Which one is correct?
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How Selective Enforcement of Illegal Advertising Laws Punishes Creative Activism
Practitioner:
The Illuminator, Occupy Museums
Date:
Sep 29 2014
The enforcement of city and state law pertaining to graffiti, advertising, and other signage has enormous power to visually shape public space. In New York City, enforcement is heavily skewed to ignore illegal commercial advertising, while simultaneously aggressively targeting graffiti and, in some cases, symbols of dissent.
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Art in Odd Places
Practitioner:
AiOP
Date:
Jul 19 1996
Art in Odd Places (AiOP) presents visual and performance art in unexpected public spaces. AiOP also produces an annual festival along 14th Street in Manhattan, NYC from Avenue C to the Hudson River each October.
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Foreigners Everywhere
Practitioner:
Claire Fontaine
Date:
May 30 2012
The Paris-based collective Claire Fontaine displays a neon sign that spells the words ‘Foreigners Everywhere’ in Arabic. Since this sign was installed strategically above the gallery’s wall-length window – facing in the street – in the edition of the show I saw, at Parsons in New York, it interacted not only with Parsons’ exhibition site but also with the urban environment beyond it.
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Lament of the Images
Practitioner:
Alfredo Jaar
Date:
Jan 1 2002
You enter a narrow corridor where backlit Plexiglas panels offer three compelling narratives about whiteness and blindness: Nelson Mandela’s imprisonment and hard labor in Robben Island’s limestone quarry under a blinding sun; Bill Gates’ purchase of the Bettmann and United Press International archives, consisting of 17 million images, and their subsequent burial deep underground in a limestone vault for the sake of preservation, after Gates’s company C
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Arcadia Earth
Practitioner:
Valentino Vettori
Date:
Sep 10 2019
At ‘Arcadia Earth,’ Dazzle Illuminates Danger Using augmented reality, virtual reality and installations of light and art, the creators of this pop-up exhibition hope to inspire action on climate change. By Laurel Graeber Oct. 23, 2019 The creators of “Arcadia Earth” want to awaken your conscience. But they also plan to make that guilt trip extraordinarily fun.
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Martha Rosler, Semiotics of the Kitchen, 1975
Practitioner:
Martha Rosler
Date:
Jan 1 1975
This is a parody of 1970s American daytime television aimed at housewives. In this performance Rosler takes on the role of an apron-clad housewife and parodies the television cooking demonstrations popularized by Julia Child in the 1960s. Standing in a kitchen, surrounded by refrigerator, table, and stove, she moves through the alphabet from A to Z, assigning a letter to the various tools found in this domestic space.
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The SOA Cycle
Practitioner:
Carlos Motta
Date:
Jan 1 2015
"SOA Cycle, and what it later became, which is called the Democracy Cycle, is a group of seven large works that approach the question of democracy. What is democracy? How is it constructed? How is it implemented? Is it something that is to be thought of in relation to its political influence? Or is it something that plays out in terms of cultural and social, and even emotional terms, for instance?
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Not Ready to Make Nice: 30th Anniversary of Guerrilla Girls
Practitioner:
Guerrilla Girls
Date:
May 15 2015
NOT READY TO MAKE NICE: GUERRILLA GIRLS BIRTHDAY 30 YEARS AND STILL COUNTING! BLOWOUT PARTY WITH DJ AND CAKE! Friday, May 15 8-10 PM • ABRONS ARTS CENTER 466 GRAND ST, NY ALSO AT ABRONS ARTS CENTER 466 GRAND ST, NY • May 1-17, 2015: Pop Up Exhibition of GG work 1985-2015 • May 17: Exhibition walkthroughs 3pm
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In the Raw: The Female Gaze on the Nude
Practitioner:
Various Artists
Date:
May 1 2016
For centuries, (male) artists have perpetuated a relatively consistent image of the female nude: She’s soft, willowy, and docile. Sensual but not sexually aggressive. Flirtatious but not confrontational. She’s not quite a human but, mediated through the lens of a camera and the eyes of a man, an object of desire in the flesh.
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Artistic Activism at the NYC iSchool
Practitioner:
NYC iSchool
Date:
Nov 12 2013
Students at the NYC iSchool, a high school in Manhattan, worked for 9 weeks to create works of activist art with art teacher Gretel Smith. We were lucky enough to have Stephen Duncomb and Steve Lambert from the Center for Artistic Activism come to our class to teach a lesson inspiring students to think like activists; they came back later to critique students’ works-in-progress.
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HEARD•NY
Practitioner:
Nick Cave, Creative Time
Date:
Mar 25 2013
Public arts advocator, Creative Time, and the MTA Arts for Transit and Urban Design (AFT) partnered to present Heard NY, a public art dance and music installation facilitated by artist, choreographer, and fashion designer Nick Cave. Heard NY was created to instill a production of wonder in a quotidian landscape.
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Last Week Tonight with John Oliver - Land's End
Practitioner:
John Oliver
Date:
Mar 6 2016
After Land's End included an interview with Gloria Steinem in their magazine both pro choice and pro life advocates protested the company
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Adrian Piper, Mythic Being, 1973 - 1975
Practitioner:
Adrian Piper
Date:
Jan 1 1973
Adrian Piper disguised her identity, changing her race, sex, and social class in order to experiment in public situations and gauge people’s reactions. She investigated how outwardly visible identity markers (like skin color) impacted others’ perceptions of her character. By manipulating her (apparent) identity to produce reactions, she demonstrated the power and influence of stereotypes (Piper, 1996).
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How to Disrupt the Financial Order with Humour, Creativity and a dose of Mischief.
Practitioner:
Leonidas Martin, Enmedio
Date:
Oct 12 2012
Enmedio member Leonidas Martín at Creativetime 2012 (New York). His presentation “How to Disrupt the Financial Order with Humour, Creativity and a Dose of Mischief” is priceless. Watch the video and laugh.
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Afropunk: Feeling Black Activism’s Joy, and Its Pain
Practitioner:
Afropunk
Date:
Feb 17 2017
As Black History Month commemorations start to wind down, one festival is just gearing up. Afropunk the Takeover — Harlem, running from Tuesday through Feb. 25, will celebrate black culture with music, art, film screenings, discussions and comedy.
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A Subtlety, or the Marvelous Sugar Baby...
Practitioner:
Kara Walker, commissioned by Creative Time
Date:
May 10 2014
Text taken from Creative Time website:
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Activists fight the intrusion of camera surveillance in New York City
Practitioner:
Surveillance Camera Players
Date:
Dec 10 1996
"The Surveillance Camera Players (SCP) is a small, informal group of people who are unconditionally opposed to the installation and use of video surveillance cameras in public places.
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Bread and Puppet Theater Founder Peter Schumann on 50 Years of Art and Resistance
Practitioner:
Bread and Puppet
Date:
Dec 26 2013
This year marks the 50th anniversary of one of this country’s most beloved theater companies. Founded in New York City in 1963, the Bread and Puppet Theater’s first productions ranged from puppet shows for children to pieces opposing poor housing conditions. The group’s processions, involving monstrous puppets, some about 20 feet high, became a fixture of protests against the Vietnam War. "We don’t have playwrights in the theater.
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Students Protest John Galliano
Practitioner:
Parsons Jewish Student Union
Date:
Apr 25 2013
In 2011, a video displaying fashion designer and former lead designer at Dior, John Galliano, shouting anti-Semitic remarks, went viral on the internet, leading to his subsequent dismissal from Dior and the subsequent defamation of his career. Nonetheless, Parsons at the New School extended Galliano an offer to teach a specialized design seminar, which was scheduled to begin this year.
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When We Fight We Win, A Book for Future Activists
Practitioner:
AgitArte, Greg Jobin-Leeds
Date:
Jan 1 2016
Greg Jobin-Leeds, a long-time social activist, collaborated with AgitArte, a collective of artists and organizers, to capture the stories of today’s social movements and the activists behind their success with the release of When We Fight, We Win: Twenty-First-Century Social Movements and the Activists That Are Transforming Our World.
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Banksy in Brooklyn
Practitioner:
Banksy
Date:
Oct 10 2013
Enterprising Brooklyn men CHARGING people to see the new NYC Banksy street art by hiding it behind cardboard. Some men in the tough Brooklyn neighborhood of East New York decided to charge admission when a Banksy piece showed up on their block. It was the October 10 addition to the British artist's month-long street art residency he's dubbed Better Out Than In.
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