Four days before the U.S. presidential election, three Ukrainian activists gathered at a stranded fence in New York City’s East Village to hang an expansive information poster. “19546+ Ukrainian Children Abducted by Russia,” reads its headline in bold. From a black canvas, white letters jump out at the passersby, a haunting reminder of the toll the Russian invasion continues to inflict on Ukrainian families.
Private Dinner Party: Clothing Not Allowed
The Füde Dinner Experience gathers those who want to meet, eat and drink — only after leaving their clothes at the door.
A striking new cultural space is taking shape in New York’s Hudson Valley. Alex Grey and Allyson Grey, co-founders of CoSM, Chapel of Sacred Mirrors, have launched a Kickstarter campaign to build Entheon, sanctuary of visionary art, to ask for support to complete the build.
I went on a graffiti tour that went through NOHO, SOHO and the Lower East Side last weekend. We saw works by street artists - Space Invader and Roa - that were remarkable. Roa had created a commissioned mural of a bird on the side of a building, and the former artist derived his work from the unforgettable arcade game, Space Invader.
#makeamericagreatagain is a group exhibition of diverse media that ran during February and coincided with the initial Democratic and Republican primaries. The exhibition’s title is culled verbatim from Donald Trump’s campaign slogan.
The Survivaball made its first appearance in 2006, when "Halliburton representatives" attended a conference on catastrophic climate change and demonstrated the functionality of the large inflatable suits ("a gated community for one"), which keep corporate managers safe from global warming. Not long afterward, in Berlin, the Yes Men learned they also work as disruptive, arrest-resistant tools.
In 2011, a video displaying fashion designer and former lead designer at Dior, John Galliano, shouting anti-Semitic remarks, went viral on the internet, leading to his subsequent dismissal from Dior and the subsequent defamation of his career. Nonetheless, Parsons at the New School extended Galliano an offer to teach a specialized design seminar, which was scheduled to begin this year.
‘I’m an Egyptian, Muslim drag queen who aims to raise issues about Middle Eastern / LBGTQ issues within the Arab world and Muslim community. For too long it was drilled in my head that I was wrong, that I was going to Hell, and that’s simply not fair. No one speaks about the harsh mistreatment we go through as gay people in the Arab world. The internal torture and shame is more than enough.
Students at the NYC iSchool, a high school in Manhattan, worked for 9 weeks to create works of activist art with art teacher Gretel Smith. We were lucky enough to have Stephen Duncomb and Steve Lambert from the Center for Artistic Activism come to our class to teach a lesson inspiring students to think like activists; they came back later to critique students’ works-in-progress.
WITH HER 2003 PROJECT UNTITLED, Andrea Fraser throws us an archetype of sexual and cultural identity. More than in her other performances, Fraser here works without the protection of a research-based script, a surrogate actor, or the remove that often characterizes analytical thinking. The central action in Untitled has Fraser and a male client of her US gallery meet for a session of sex and video recording in a New York hotel room.
This modestly scaled exhibition, featuring work by three (then) young and relatively unknown photographers named Diane Arbus, Lee Friedlander, and Garry Winogrand, had a lasting influence on modern photography.
“Gravity of Equilibrium” revolves around Mass Shootings in USA. Mass shootings and guns are an incredibly divisive topics, one that is nearly impossible to engage opposing viewpoints in a discussion about. The majority of gun related debates devolve into charged arguments with parties feeling threatened. This effectively creates an environment where new perspectives and inputs are unable to be processed.
Kids Helping Kids is a youth hip-hop program run by two NGOs, Hip Hip Saves Lives and Negusworld. Together, these organizations work with middle school and high school students to make conscious hip hop influenced by activist work happening worldwide.
To protest unethical labor practices in Bangladesh, specifically unsafe working conditions, 99 Pickets, The Illuminator, and Ismail Ferdous took action during New York Fashion Week.
For centuries, (male) artists have perpetuated a relatively consistent image of the female nude: She’s soft, willowy, and docile. Sensual but not sexually aggressive. Flirtatious but not confrontational. She’s not quite a human but, mediated through the lens of a camera and the eyes of a man, an object of desire in the flesh.
NOT READY TO MAKE NICE: GUERRILLA GIRLS BIRTHDAY
30 YEARS AND STILL COUNTING!
BLOWOUT PARTY WITH DJ AND CAKE!
Friday, May 15 8-10 PM • ABRONS ARTS CENTER 466 GRAND ST, NY
ALSO AT ABRONS ARTS CENTER 466 GRAND ST, NY
• May 1-17, 2015: Pop Up Exhibition of GG work 1985-2015
• May 17: Exhibition walkthroughs 3pm
Bernie Sanders supporters know how to bring the party! And they did it big time for the Democratic Debate in New York this week, with help from The Illuminator & the NYC Light Brigade. They installed an interactive video game featuring Bernie jumping over obstacles and WINNING!
After decades of fighting to preserve many of the old woods of Staten Island and years of fighting for the preservation of Pouch Camp, the Boy Scout camp and 100 wooded acres in the middle of the Greenbelt is officially saved!!
Croatian artist Sanja Iveković started Women’s House (Sunglasses) in 1998 in collaboration with a women’s shelter in Zagreb and later with women’s shelters elsewhere in Europe and Asia. Iveković organised workshops with women in these shelters to produce plaster casts of their faces, as well as to give them the space to write their life stories.
Adrian Piper disguised her identity, changing her race, sex, and social class in order to experiment in public situations and gauge people’s reactions. She investigated how outwardly visible identity markers (like skin color) impacted others’ perceptions of her character. By manipulating her (apparent) identity to produce reactions, she demonstrated the power and influence of stereotypes (Piper, 1996).
As Black History Month commemorations start to wind down, one festival is just gearing up. Afropunk the Takeover — Harlem, running from Tuesday through Feb. 25, will celebrate black culture with music, art, film screenings, discussions and comedy.
A young Black boy, wearing deep red livery with gold trimming, a gold earring, and red-and-white turban secured with a jeweled brooch, stares out at the viewer. Standing before a ship at sea, he hands a letter, addressed to “Monsieur le chevalier de Rohan, captain of the King’s ships at Rochefort,” to an older white man, dressed in regal-looking steel armor.