Projects tagged "United States"

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Pursuing the possibility of emancipatory use of technology, Paglen, together with Jacob Appelbaum, developed Autonomy Cube (2014). Autonomy Cube is a sculpture and internet router designed to be housed in civic spaces. The sculpture is meant to be both “seen” and “used.” Formally it references Hans Haacke's 'Condensation Cube' (1963-65).

"Rainer’s early choreography celebrated, among other things, ordinary movements: the expressive capacities of kneeling, of shaking your head, of rolling on the floor. And when she went through periods of sickness, those movements became an even more important part of her repertoire. In her 1966 Hand Movie, an 8mm film she shot on her sickbed, we see a dance she choreographed for just her hand, while her body rests.

Camp Mossandsticks, named after moss and sticks--two of the most rudimentary tools with which one can spark fire--is a site for young women and girls to become resourceful, defiant, and self-sufficient revolutionaries of today. Started on November 6, 2012, the camp hosts workshops to spark the attendees’ inner political flames, challenging them to confront disenfranchisement created by the status quo and to take matters into their own hands.

Essential workers at major companies like Amazon, Instacart, and Target across the United States on Friday protested for better safety protections, working conditions, and pay during the coronavirus pandemic.

"Lincoln Square — The runners tossed blankets, gloves, jackets and other gear onto the pile, each leaving a piece of where they came from. A French man donated his running shirt and pants, and noted that they were designer wear. Enybe Merritt, 32, contributed a West Virginia University Cycling sweatshirt.

The #LikeAGirl campaign was aired as a commercial during the 2015 SuperBowl. In the commercial, young girls were asked to act out certain phrases. They were told to "fight like girl", "throw a ball like a girl", "run like and girl", and so on. As an adolescent or an adult, these phrases carry a negative connotation. Girls are seen as weak, frilly, and inferior.

In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond:

Despite the pushes to motivate more young girls into STEM (science, technology, engineering, and math) fields, women are still very underrepresented in almost every scientific field. Part of this motivation is because a lot of young girls would rather do something else.

Jes Baker, 26, created a campaign called Abercrombie and Fat in response to the CEO of Abercrombie and Fitch. In 2006, the CEO released a statement that his target consumer is the cool, All American kid who has a lot of friends. He continues to say that his business is exclusive and a lot of people do not belong in his clothes.

Pink seesaws were installed along the United States/Mexico border. The project, created by two professors sought to unite both sides of the fence by creating an activity that required a participant on either side. The seesaws were installed so there is one seat in El Paso, Texas and one in Ciudad Juárez, Mexico with the border fence acting as the fulcrum.

Riot grrrl is a feminist punk rock movement started in the early 90's, particularly in Washington DC, Olympia, Washington, and Portland, Oregon. Bands that follow the movement include Bikini Kill, Bratmobile, Jack Off Jill, Bratmobile, Adickdid, The Butchies, Heavens to Betsy, Huggy Bear, Bangs, and Calamity Jane, amongst others.

The artist conceived the project as a collaborative exhibition featuring five art-as-response pieces to the student loan crisis and the pressure it causes upon graduates. In its original version, Öğüt invited Natascha Sadr Haghighian, Superflex, Dan Perjovschi, Martha Rosler to present sculptures as collection points for public contribution to The Debt Collective, a student-debt canceling initiative launched by Strike Debt's Rolling Jubilee.