"May you live in interesting times" is the familiar Chinese saying, usually spat out as a curse. You can see why in "A Touch of Sin," a film by renowned director Jia Zhang-ke. That kind of time is now, in the history of his country. With four vignettes inspired by real-life "ripped from the headline" events, he shows what the great economic expansion of China is doing to the majority of its people.
IMAPCT are youth activists who view the creative arts and leadership training as a way to develop ourselves and change the world in a positive way. They believe that they must be the message that bring through hardwork, focus, discipline, unity and the principles of S.O.S. safe space, outstanding effort and service to their family friends and community.
Artist and social activist Favianna Rodriguez collaborated with musician Pharrell Williams to create a documentary series focusing on migrants in America. The documentary consists of 3 episodes that focus on the role of artists in the political realm. The goal of the documentary is to change the perception of immigrant workers in America.
In the 2012 presidential election, did you know that one of the underdog anti-party runners was Gumby?!
In the attached video, you will hear Gumby offer transportation alternatives (Pokey and friends), challenges of not believing in vice presidents, and the importance of people and clay-people working together.
Featuring photographs that represent a unique collaboration between men held in supermax prisons and the photographers who fulfilled their requests.
Curated by Laurie Jo Reynolds, Tamms Year Ten, Jeanine Oleson, Parsons The New School for Design, and Jean Casella, Solitary Watch.
To call attention to bullying, the Singapore Coalition Against Bullying for Children and Youth has released a video that gets shorter each time it is viewed.
Hosted on a site called Share It To The End, the short animated video depicts a boy getting bullied at school and telling us he always feels alone and doesn’t feel safe anywhere.
A giant leak of more than 11.5 million financial and legal records exposes a system that enables crime, corruption and wrongdoing, hidden by secretive offshore companies.
During the economic crisis of 2008, bankers in Spain took advantage of the economically disadvantaged, and the artwork La Fiera en Sevilla, or the Wild Animal in Sevilla in English, brings attention to this money-centric act from the bankers. La Fiera refers to the bankers at the time that used predatory methods in their actions to forcibly evict poor people from their houses.
Sophie Calle's works discuss the issue of "privacy", the composition of an individual's identity at the social level, and the relationship between "private" and "public/group/society", including personal information, personal records, public surveillance, and other topics. An obvious feature of her works is the unique and extremely subjective criteria of judgment and reference for measurement.
At the end of 2005, Liu Boln was living in Beijing and working as an artist’s assistant. Beijing’s art world at this time was thriving. On November 16, 2006 when Suo Jia Cun was forcibly demolished, Liu decided to use his works to make a stand against this atrocity. He wanted to show the state of artists in society, that their living and working places had not been protected.
Dylan Marron is a Venezualan-American actor, writer, and director who noticed something about the film industry: in most of the major films, people like him (and other non-white groups) were not being well represented.
The Movement for Black Lives recognized a great opportunity to register a whole lot of people to vote: the opening weekend of Black Panther. According to activist Kayla Reed, the campaign has already inspired similar drives all over the country.
Cheril Linett is a female artist from Chile, with a background in performance art and stage performance, who primarily focuses her artwork on feminist issues in Chile, especially ones involving violence, murder, hate crime and different kinds of oppression and assault, but also creates artwork reflecting issues in other parts of Latin America.
FACELESS was produced under the rules of the 'Manifesto for CCTV Filmmakers'. The manifesto states, amongst other things, that additional cameras are not permitted at filming locations, as the omnipresent existing video surveillance (CCTV) is already in operation.
The video DON’T COVER UP, STEP UP is a public service announcement raising the issue of gender-based violence. In the video, a vlogger teaches her fans how to cover up bruises with makeup after she has been beaten by her husband. There is a twist in the story as the husband enters the scene at the end of the video.
The "Democracy Wall" in the Carroll Gardens section of Brooklyn, New York was established in 2009. This wall is a long-term, community art activist project that is part wall mural, part past information archive.
The Canadian artist collective General Idea found its drive in the AIDS epidemic, becoming aesthetically and conceptually refined in the in the 1970s and ’80s, after long forays into absurdity and performances evocative of Dada and Fluxus.
Fespaco is a meeting place put to good use to promote the development of black cinematography. From 1973, topics of discussion are introduced at each edition.
A street photography exhibition located in Beijing’s most crowded tourist attractions, Dongsi Hutong, to get a voice the Chinese government’s censorship of art works in public space. To hedge the city’s regulation , the human body photography were displayed in the street stores of Dongsi Hutong.
Food transcends language—it brings people together, bridges cultures, and tells stories words cannot. In early March, the Razom Advocacy team, alongside renowned Ukrainian chef Olia Hercules, embarked on a journey through Louisiana—visiting Shreveport and New Orleans—to foster connections, celebrate Ukrainian culture, express gratitude to local first responders, and advocate for Ukraine.
In 2006, 25-year-old Jason DaSilva was on vacation at the beach with family when, suddenly, he fell down. He couldn’t get back up. His legs had stopped working; his disease could no longer be ignored. Just a few months earlier doctors had told him that he had multiple sclerosis, which could lead to loss of vision and muscle control, as well as a myriad of other complications. Jason tried exercise to help cope, but the problem only worsened.