Grammy nominee and Rolling Stone cover star Sam Smith unveiled the video for his new single "Lay Me Down," the latest track off his platinum-selling debut album In the Lonely Hour. The video, filmed at the parish church of St.
John Wood and Paul Harrison are renowned British artists whose collaboration has led to the merging of video art with performance and conceptual art. Their works usually reside on the relationship between human beings, objects, and the environment, with humor and wit attached to them. They are well in place to make the artworks thought-provoking and entertaining. One such has to be 'Device'.
In 1991, Gonzalez-Torres lost his partner Ross to AIDS (the artist would face the same fate in 1996). In a tragic and highly personal tribute to Ross, Gonzalez-Torres took a picture of his still-indented empty bed - an image of universal intimacy and loss - and placed it on two dozen commercial billboard spaces throughout New York.
From 1993 to 1998, Spanish activist group Lesbianas Se Difunden (LSD) produced and published a collection of texts and visuals called Non-Grata (Snyder 10), using erotic images of the female body and sexual relationships to capture their audiences’ attention. Within these graphic publications would be calls for queer activism, female freedom, anti-capitalist critiques, and the overall necessity for protest (Snyder 10).
Danish-Icelandic artist Olafur Eliasson has extracted 30 blocks of glacial ice from the waters surrounding Greenland and placed them in public spaces across London, where they will be left to melt.
Called Ice Watch, the temporary installation is meant to serve as a visual reminder of the impact of climate change on the environment.
Fast-casual chain Chipotle Mexican Grill added some spice to its long-running "Food With Integrity" sustainable farming campaign by teaming with Academy Award-winning design firm Moonbot Studios for The Scarecrow, an animated short film and accompanying mobile game created to increase consumer awareness of animal confinement, synthetic growth hormones, toxic pesticides and other fixtures of industrial food production.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
The Protest Banner Lending Library is a space for people to gain skills to learn to make their own banners, a communal sewing space where we support each other’s voices, and a place where people can check out handmade banners to use in protests.
In her peppy and helpful online video tutorial, Reshma Bano Quereshi promises to teach her viewers “how to get perfect red lips.”
But unlike the more than 200,000 other online videos dedicated to the application of lipstick, this one goes beyond plumping and priming.
A beauty contest for landmine victims challenges normal concepts of beauty. The search for beauty takes many forms. The traditional beauty pageant might be thought to be one of the less acceptable, concentrating as it does on conventional ideas of female perfection. Miss Landmine is a challenge to normal concepts of beauty. It is a beauty pageant held in Angola, a country ravaged by war and its aftermath, for women who have lost limbs from landmines.
Dear Team
Please find below the links of the video and detail of Kind Coins Pakistan, Kids for Peace Pakistan School
and Peace Centre, hope you will publish it on your website and circulate it at large,
your this publication and circulation can change the lives of Pakistani kids and children
Kind Coins for Pakistan
Gregg Segal -- a California-based artist who is known for using the medium of photography to explore culture with the "sensibility of a sociologist" -- travelled around the world asking kids to keep a journal of everything they ate in a week. Once the week was up, Segal made a portrait of the child with the food arranged around them:
When Behnaz Babazadeh was young, her family moved from Afghanistan to the US. She loved almost everything about her new home — especially America’s amazing selection of candy — but she also loved wearing her familiar pink-flowered headscarf, which she’d grown used to wearing as part of her school uniform in her old home.
Iran is a nation with a fine art tradition that stretches back thousands of years; its reputation for contemporary fashion design less so. Writing that from an external, Western perspective may read unduly dismissive, but it’s a statement that holds up even from within the country’s borders, Shiva Vaqar assures us. “Being a designer has never really been considered a serious job here,” she says over the phone from Tehran.
In 2015, MIT researcher Joy Buolamwini was developing a device called the Aspire Mirror. Onlookers would stare into a webcam and then see a reflection on their face of something that inspires them.
At least, that was the plan. But Buolamwini quickly noticed that the facial recognition software was struggling to track her face — until she put on a white mask.
Coal Seam Greed was going to be a simple satire showing Katso and Nowhereman posing as a mining company called Reed Gas and erecting notices stating their intent to explore for unconventional gas or CSG in inner-city Brisbane. The idea was that residents would see the signs, phone and leave messages in response, which would then be incorporated into the video.
The rise in feminism and feminist advocacy has changed history forever in terms of how women are viewed and treated in society. Though great progress has been made, women are still fighting for their rights even today. Abortion and body vulnerability are just two issues that are still being confronted and fought for in the public view.
I’m pretty sure I wasn’t the first guy to give socks to homeless people. But I can almost guarantee no one has handed out socks to as many homeless people in as many cities and countries as I have. In the last ten years, I have traveled to over 300 cities and eight different countries handing out socks and making new homeless friends.
Often in military style video games we kill without much regard for the enemy. They are faceless or stereotypical, the Nazi or evil Cold War–era Russian. They are enemies that were fought on the battlefields of great wars, or they are aliens that have no resemblance to humans save for a general humanoid form.
Based in Minnesota, Morales creates prints and posters that address environmental and social justice issues. His art is used in grassroots movements, combining vivid imagery with messages of resistance and hope.
Beginning in the early 1970s, the Los Angeles-based multi-media arts collective Asco (from the Spanish word for nausea) created performances, street theater and conceptual art that satirized the emerging styles of Chicano art and pushed the boundaries of what it might encompass.
“Most people can’t imagine a futurist Africa,” says Ethiopian photographer Aïda Muluneh. She challenges this in her project, Water Life, exploring real-world issues with an otherworldly twist.
Muluneh went to Dallol, Afar, Ethiopia, an extreme landscape where it is dry and hot to capture the essence of water to life. Through her work, Muluneh highlights how water scarcity is mainly a burden on women.