Projects tagged "Film, Video & Photo"

SORT Random (lowest)Random (highest)Date (lowest)Date (highest)Views (lowest)Views (highest)Social shares (lowest)Social shares (highest)Post date (lowest)Post date (highest)

This project was made by the foundation Obra Social la Caixa with the intention to change the conversation and strategies while working with youngsters. Before this initiative, say the Director Claudio Zulian, the foundation would speak only about the lives of these girls and boys. However, they decided to involve them inside other stories as actors of a film project.

Whose Utopia? is a color film which is 19 minutes 58 seconds long. It was originally commissioned by the Siemens Arts Program back in 2005. The projector-style video is based on the work and social lives of assembly line workers at OSRAM’s light bulb factory in the Pearl River Delta in China. This area has received huge numbers of immigrants from inland provinces seeking work and better lives in the wake of Beijing’s booming economy.

A beauty contest for landmine victims challenges normal concepts of beauty. The search for beauty takes many forms. The traditional beauty pageant might be thought to be one of the less acceptable, concentrating as it does on conventional ideas of female perfection. Miss Landmine is a challenge to normal concepts of beauty. It is a beauty pageant held in Angola, a country ravaged by war and its aftermath, for women who have lost limbs from landmines.

Message to the world. We are legalizing CANNABIS everywhere in the world, please support us. We are making PICTURES showing us as cannabis smokers or growers, and supporting the legalization. In France, the movement becomes bigger and bigger, check this public profile of a french leader of the CANNABIS SOCIAL CLUBS to see how it looks : https://www.facebook.com/dominique.broc

Cheril Linett is a female artist from Chile, with a background in performance art and stage performance, who primarily focuses her artwork on feminist issues in Chile, especially ones involving violence, murder, hate crime and different kinds of oppression and assault, but also creates artwork reflecting issues in other parts of Latin America.

Whose Utopia? was made by the Chinese artist Cao Fei and filmed at the OSRAM lighting factory in Foshan in the Pearl River Delta in southern China during 2005 and 2006. It was commissioned as part of a project entitled ‘What Are They Doing Here?’ that was run by the Siemens Art Program from 2000 to 2006 and involved Chinese artists undertaking six-month-long residencies at industrial facilities across the country.

On 17 June 2007, a horrific vision was offered to the viewers of the Czech morning program Panorama: instead of idyllic hills, the image of a mushroom cloud was broadcast by a weather camera installed in the Krkonoše mountains, which caused a brief moment of panic in a country that is regularly agitated by debates on nuclear power. The panic wasn’t justified.

From intimate portraits to urban performance art, the through line of photographer Carlota Guerrero’s work has always been her stripped back sense of feminine reverie: rumpled sheets and broken shells, translucent tights and long braids, dusty floors and bare chests.

The "no nos vamos, nos echan" campaign speaks to making the invisible visible through pictures, videos and global mass demonstrations. Hopefully the Spanish government and other political players in Spain and Europe will see the faces of the population forced in exile.

The world is shocked by China’s dog meat festival and by videos showing that animals are eaten alive in restaurants in Guangdong. But in that country of 1.3 billon people, a massive shift in ideology is happening. Our friends at PETA Asia are helping millions of people see that animals are not ours to eat, wear, experiment on, use for entertainment, or abuse in any other way.

In 2016, the Guggenheim Museum commissioned its very first robotic artwork called Can’t Help Myself (Wannmann, 2016). The artwork is created by two of China’s most controversial artists Sun Yuan and Peng Yu and can be described as a robotic arm that has one specific, life-long duty: to prevent the deep-red, bloodlike liquid, which constantly oozes outwards, from straying too far (Weng, n.d.).

There’s some great news for supporters of The Sarkeesian Effect, the seemingly random collection of badly filmed interviews with assorted people who dislike Anita Sarkeesian that is allegedly being edited into a film of some kind!