The video shows an actor as "your drunk neighbor" lipsyncing to real soundbites from Donald Trump.
The artists who made the video claim, "If you close your eyes while listening to presidential hopeful Donald Trump, you can see and smell that neighbor you have with too many dogs and a drinking problem."
DISAPPEARED IN AMERICA is an ongoing project by Visible Collective/Naeem Mohaiemen that uses films, installations, and lectures to trace migration impulses, hyphenated identities, and the post-9/11 security panic. Excerpts of the project have been shown at various venues, including the 2006 Whitney Biennial.
In July 2015, the Empire State Building's famous light displays were used to draw attention endangered wildlife. Along with Cecil, whose death has sparked international outrage, a snow leopard, tigers, lemurs, and various snakes, birds and sea creatures were projected onto the building.
The Climate Comedy Cohort is an unprecedented network of comedians who are coming together to learn, collaborate, and create hilarious new comedy informed by the hottest climate science. The Climate Comedy Cohort functions as a 9-month fellowship.
Ge Yulu’s artistic practice playfully pulls at the strings of a social system that, although seemingly all-encompassing, is in fact a malleable structure consisting of individual human beings. For his 2016 project Eye Contact, Ge positioned himself in front of a surveillance camera and stared directly into the lens for hours, then negotiated with a security guard to buy the footage.
In many of his works, the Belgian-Mexican conceptual and performance provocateur Francis Alÿs questions the relationship between action, effort, and outcome. His works tend to inspire one toward a blurring of lines between the actions done in artistic expression and those in social response, making the viewer question the value and effect of the toil.
For his latest project, Mark Manzi found himself outside of his comfort zone. For the Amsterdam-based photographer and designer, People of Japan was an attempt to break from his photography-first portfolio. “In the past, my work was very image-focused, whereas with this book I wanted to scan objects, collect receipts, record noises, add copy, and really create something visually striking,” he says.
In 2008, my work as an artist took me to a gigantic landfill outside Rio de Janeiro called Jardim Gramacho. After operating for more than 30 years, the sanitary facility, once one of the largest in the world, had reached its maximum capacity and was on the eve of closing permanently.
https://vimeo.com/114980972
"Probably one of the most important and timely shorts for America this year. Reinaldo Marcus Green's film addresses the upsetting aspects of New York City's stop-and-frisk policies with sensitivity and insight."
-Jeff Bowers, VICE (http://bit.ly/1mU7HHQ)
In response to a memo from Afghanistan's education ministry, Ahmad Sarmast, the founder of Afghanistan's Institute of Music, began a Twitter campaign with the hashtag #IAmMySong. In response to the hashtag, Afghan girls have taken to Twitter with videos of themselves singing tagged with Sarmast's hashtag and spreading petitions against the ban. The ministry memo banned girls 12 years old and older from singing at school functions.
Vince Staples mentioned Long Beach's Ramona Park approximately 80 times on his debut album Summertime '06 and even allotted the park two of its own tracks: "Ramona Park Legend Pt. 1" and "Ramona Park Legend Pt. 2." "The sun come down and guns come out, you know Ramona Park."
Being a Kuwaiti citizen makes you feel like you belong to Kuwait, as nationality is a legal relationship between a person and a state. But what if you are a “halfie” and are finding it hard to answer the question “Where are you from?” Those whose fathers are Kuwaiti are automatically considered Kuwaitis but those whose moms are Kuwaiti and fathers are not, they are not granted the nationality, even if they are born here.
Art Works Projects’ mission is to use design and the arts to raise
awareness of and educate the public about significant human rights and
environmental issues. AWP provides visual advocacy tools which produce
action on human rights crises at the grassroots, media, and policy
levels. Conceptualized and created in conjunction with established
humanitarian and human rights advocacy organizations, AWP’s art and
Cheat Neutral satirizes the carbon offset model by offering people the opportunity to pay someone else not to cheat on their partner in order to neutralize their own infidelity. Cheatneutral allows you to pay £2.50 to carry on cheating while funding “monogamy-boosting offset projects”.
The video DON’T COVER UP, STEP UP is a public service announcement raising the issue of gender-based violence. In the video, a vlogger teaches her fans how to cover up bruises with makeup after she has been beaten by her husband. There is a twist in the story as the husband enters the scene at the end of the video.
From a Universe of Trash, Recycling Art and Hope
By STEPHEN HOLDEN
“We are not pickers of garbage; we are pickers of recyclable materials,” Tião, an impoverished Brazilian catadore, or trash picker, declares to a talk-show host in Lucy Walker’s inspiring documentary “Waste Land.”
On June 17, 2013, Russell Brand (a stand-up comedian and actor) visited MSNBC’s
'Morning Joe' news show to promote his international stand-up tour, 'The Messiah Complex', but he also managed to mock the 'Morning Joe' news anchors, as well as the mainstream media. Clips of this particular interview immediately went viral on YouTube, and one of the videos is linked to this page (see the first link below).
Based in Minnesota, Morales creates prints and posters that address environmental and social justice issues. His art is used in grassroots movements, combining vivid imagery with messages of resistance and hope.
In recent years, a fashion for painting the human figure has preoccupied the art world, with an emphasis on race, gender and other urgent social issues. Yet another pressing topic in America has been curiously absent from art: abortion, which became all the more timely when the Supreme Court overturned Roe v. Wade in June.
I love New York. When I was younger, the city was my playground. You could find me on any given weekend catching brunch with a friend at a café, going to an East Village restaurant for dinner, and then hopping the subway, headed to a nightclub in Chelsea. But at age 25, nine years ago, I was told I had multiple sclerosis, and I saw my freedoms slowly vanish.