This month marks ten years since the start of the Syrian Civil War, an ongoing conflict that has cruelly cut the lives of hundreds of thousands short, and irrevocably changed the course of millions more. An estimated 5.6 million have fled the country over the past decade, mostly to the neighbouring countries of Turkey, Lebanon and Jordan, with many settling in camps they’ve since to come to call their permanent homes.
Youngsters on the West Bank will have the chance to benefit creatively from a new project this summer. From the beginning of July, Handheld Stories plans to teach filmmaking skills to groups between eight and 16 years old from youth centres and refugee camps in East Jerusalem, Nablus and Hebron, while also giving them video equipment, computers and software.
War Drags You Out is a project by artist "Saint Hoax" looking at the similarities between defining characteristics of Drag Queens and Political Leaders.
Text from St. Hoax's website:
"After attending a drag show for the first time, I was struck by the richness of this glamour oriented culture.
I took a minute to actually look at the faux queens and deconstruct their main components.
The link between early trauma and ill health later was untilled soil in the world of medicine. But the possibility of a connection captured the interest of the Centres for Disease Control and Prevention. And it was the beginning of a 25-year odyssey for Vincent Felitti when he teamed up with researchers to study the health of 17,000 members of a preventive care program at Kaiser Permanente, a private insurer.
During the economic crisis of 2008, bankers in Spain took advantage of the economically disadvantaged, and the artwork La Fiera en Sevilla, or the Wild Animal in Sevilla in English, brings attention to this money-centric act from the bankers. La Fiera refers to the bankers at the time that used predatory methods in their actions to forcibly evict poor people from their houses.
Shouting is one of Xu Zhen’s early works questioning the limits of individual expression. First exhibited at the 51st Venice Biennale in 2005, the video shows Xu hiding in crowds and performing a series of loud screams in Shanghai.
Kendick Lamar is known as one of the most prolific, and socially conscious, rappers of our time. 'BLOOD.' is the second track off of Lamar's iconic album 'DAMN.' from 2017. What makes this song stand out is the sample used at the end of part one of the song.
Yes, the Climate is Changing
Video: People around the world show how climate change is already affecting their lives.
[see external link or YouTube> People Everywhere Connect the Dots on Climate Change]
The effects of climate change come in many guises: increasingly intense storms, too much snow, not enough snow, heat waves, droughts, floods.
Two members of the Yes Lab brought a dozen thrift-store suits to Zuccotti Park and asked for volunteers. Then, within earshot of the police, the group made a human microphone announcement about a "highly risky, very arrestable" action. Then, together with a brand-new police escort, the group headed towards the Wall Street Bull chanting "Castrate the bull!" and other angry slogans. More police joined.
Photographer Donna Ferrato helped bring awareness to the epidemic of domestic violence in the United States through her raw and often graphic portraits of survivors of violence. But she fell into the work by accident after witnessing domestic violence firsthand.
In the four years since launching his eponymous label, Kozaburo Akasaka has established himself as a leader of New York’s new guard of fashion designers. In 2017, just months after graduating from Parsons’ prestigious Fashion MFA programme, his tailored silhouettes -- knife-sharp and steeped in retrofuturistic grunge -- earned him the LVMH Special Prize.
In the 2012 presidential election, did you know that one of the underdog anti-party runners was Gumby?!
In the attached video, you will hear Gumby offer transportation alternatives (Pokey and friends), challenges of not believing in vice presidents, and the importance of people and clay-people working together.
Simple Wedding Movie is an organization in China that cares about love and marriage and offer marriage service. It made a short video with the theme: experience getting old before getting married. Most people would get married in a young and beautiful age. During that time, they are young and beautiful. Because of that, young couple may more likely to have passion and love for each other.
The documentary film "The Two Lives of Li Ermao" recorded the bumpy life experience of a transgender Li Ermao and her unique and moving story.
"Others only live one life, I live two." Looking back, the "two lives" are not only the emotional disillusionment and the swing of identity that Li Ermao has experienced in the past 17 years, but also her helpless but accurate summary of her life.
"This area will be photographed" is a public performance of implied photographic consent, inspired by Google's street view and satellite surveillance. Posted signs and handbills alerted the public present in Union Square, New York, NY that a photograph would be taken of the area at a precise time.
Unleashed by anxiety over the pandemic, the nationwide rise in anti-Asian hate has served as a call to action for many Asian American artists to take a stand: To actively challenge the historic negative stereotype of the vice- and disease-ridden Yellow Peril; to dismantle the pernicious and divisive myth of the model minority that pits achievements by Asian Americas as judgements against other communities of color; and to advocate for social justice, eq
The Haitian Creole word "konbit" denotes the idea of similar talents joining together to work towards a common goal. The founders — a group of photographers, educators, and artists — came up with the idea for Fotokonbit a few years ago to "empower Haitians to tell their own stories and document their community", but it was the 2010 earthquake that gave the group new urgency.
The Dove Campaign for Real Beauty is a worldwide marketing/public relations campaign launched in 2004 that includes advertisements, video, workshops, sleepover events and the publication of a book and the production of a play. The principle behind the campaign is to celebrate the natural physical variation embodied by all women and inspire them to have the confidence to be comfortable with themselves.
The video for “Borders,” a song off MIA's album Matahdatah, features images recalling all sorts of migrations from the developing world—there are people crossing deserts, fences, and bodies of water. Though much of M.I.A.’s work has been about women and children, this video is filled with brown men: the ultimate bogeyman for many in the West, stereotyped as terrorists, criminals, and job-takers.
In 2005, Emad Burnat got a video camera to record the birth of his son. That same year, Israel's security barrier went right through his village of Bil'in in the West Bank. The fence cut off some fields and olive groves on the other side.
When protests broke out against the establishment of the barrier, Burnat became the unofficial cameraman for the weekly anti-wall protests that drew support from around the world.
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
After a spate of bullying-related suicides of LGBT youth, gay columnist Dan Savage and his partner Terry Miller decided to launch the It Gets Better project to see what they could do about it. They began with a simple YouTube video in which both of them described their experiences with bullying in high school, coming out, their families, and the story of their relationship and the adoption of their sun.
Wafaa Bilal's childhood in Iraq was defined by the horrific rule of Saddam Hussein, two wars, a bloody uprising, and time spent interned in chaotic refugee camps in Kuwait and Saudi Arabia. Bilal eventually made it to the U.S. to become a professor and a successful artist, but when his brother was killed at a U.S. checkpoint in 2005, he decided to use his art to confront those in the comfort zone with the realities of life in a conflict zone.
The opening lines of this week’s Staff Pick Premiere, “Battleground,” by Kwesi Thomas and Mark Bone examine how skin color has become just that…a battleground. The short captures the particular discomfort of having to argue for one’s value in a society that should care instead of question. Kwesi, a Black man, powerfully conveys these feelings to his co-director Mark, a white man, in the wake of George Floyd’s death last May.