Coal Seam Greed was going to be a simple satire showing Katso and Nowhereman posing as a mining company called Reed Gas and erecting notices stating their intent to explore for unconventional gas or CSG in inner-city Brisbane. The idea was that residents would see the signs, phone and leave messages in response, which would then be incorporated into the video.
ART COLLECTIVE LUZINTERRUPTUS has created an installation made up of 100 glowing “radioactive” figures for the Dockville Festival in Hamburg.
The human-size figures appear to be wearing special white protective clothing and marching, heads down, across the landscape. The eerie structures contain a number of lights which make them appear to glow ominously in the dark.
Brooklyn deli re-brands as artisanal emporium to protest rent hike
The owners of an imperiled Boerum Hill deli have staged an “artisanal takeover” of their 25-year-old corner store, re-branding products with yuppified names and jacking up prices to illustrate the kind of shop that could afford the 250-percent rent hike they say the store’s landlord is demanding.
If you're a bibliophile you'll get a kick out of the car-turned-library that can be found in Buenos Aires, Argentina. Artist Raul Lemesoff took an old 1979 Ford Falcon, a popular mode of transport amongst the military forces of its time, and transformed it into a mobile library shaped like a tank.
"Eight-year-old Christian Bucks from Roundtown Elementary School noticed that some of his classmates did not have any friends to play with during recess.
His solution was to introduce a “Buddy Bench”, where lonely classmates could choose to sit if they wanted a playmate. If two children were seated there, they could ask each other if they wanted to play or talk.
CNN
—
Five years after first appearing on the cobblestones of Wall Street, the “Fearless Girl” statue – a petite but controversial symbol for gender equality – is taking on a new digital form.
An installation by architecture studio Rael San Fratello, which connected children in the US and Mexico via a trio of seesaws slotted into the countries' border wall, has been crowned the Design of the Year.
Dubbed the Teeter-Totter Wall, the project was in place for only around 40 minutes in July of 2019 and hoped to foster a sense of unity at the divisive border, which was highly politicised under the Trump administration.
The installation consists on providing postcards to gallery visitors that they can use to mail their Elected Officials to advocate for gun control. The front of the postcard shows the photograph “Mommy, what is this?” (2018), which is the hand of Ileana's son, Lucca, holding a toy bullet while making the peace sign. The back of the postcard contains a short letter with the phrase “No more children should die from gun violence.
The average crow takes less than two hours to travel from Sing Sing maximum-security prison to the Whitney Museum of American Art, institutions separated by just 32 miles of land along New York’s Hudson river. Yet few humans journey between them – museums and prison are at opposite ends of our society’s self-imaginings, and their populations tend not to intersect.
Imagine affecting the global cultural Landscape through art and technology use. Imagine one-mile long installation in 100 city locations worldwide, each mile-long install is of 250 bronze plaques of different Peacemakers. Then imagine its own App that when any smartphone is pointed at one of the plaques an entire timeline biographical history of that peacemaker becomes available.
Hello and thanks for viewing.
This was a little installation that took place in the beauty of West Texas. The goal was to reorientate the site specific Prada Marfa into something more relevant, TOMS Marfa. Prada Marfa, being in the middle of nowhere, a structure placed as sort of a apocalyptic trophy for the high art world meant to challenge time; TOMS Marfa was to accelerate that vision with 2014 subject matter.
Officials in Thailand had an unorthodox approach to deal with visitors who left a tent filled with litter in a national park: mail the trash to the offenders.
American artist Bob Partington created a wax sculpture of a Florida panther and her cub to display at a nonprofit zoo in Tampa, Florida this September.
When it debuted, the sculpture looked like nothing special. But as the wax began to melt under the heat of the sun, the bodies of the endangered species started to disintegrate. Within a couple days, the mother panther’s melting body revealed a simple message: “More heat, less wildlife.”
Photo taken on Oct. 15, 2020 shows a "comfort women" statue in Berlin, capital of Germany. The statue was built to commemorate the more than 200,000 girls and women from 14 countries and regions, so-called "comfort women," who were sexually enslaved by the Japanese military during World War II. (Xinhua/Shan Yuqi)
An artist in Culiacan, Mexico—which has the highest rate of gun deaths in the country—has found a way to transform the agents of death into seeds of life.
In 2008, artist Pedro Reyes started running television ads urging locals to exchange their guns for food coupons to be redeemed at local stores.
The campaign—Palas Por Pistolas, or “Shovels for Guns"—collected 1,527 guns, which Reyes publicly smashed with a steamroller.
On Tuesday evening, at the end of an action staged by Occupy Museums at the Metropolitan Museum of Art to protest the unveiling of the David H. Koch Plaza, three members of The Illuminator were arrested. Earlier in the evening, police had moved protestors to a cordoned area on the opposite side of the street from the museum; a substantial police presence remained throughout the evening, but no other arrests took place.
You enter a narrow corridor where backlit Plexiglas panels offer three compelling narratives about whiteness and blindness: Nelson Mandela’s imprisonment and hard labor in Robben Island’s limestone quarry under a blinding sun; Bill Gates’ purchase of the Bettmann and United Press International archives, consisting of 17 million images, and their subsequent burial deep underground in a limestone vault for the sake of preservation, after Gates’s company C
Máximas de Seguridad, a survival manual written and illustrated by Jhafis Quintero creates a new voice for the voiceless, vulnerable and underprivileged groups in prisons and creates empathy for those that are labeled as dangerous by society. The manual aims to provide empathy and humanity in light of the public scrutiny that ex-prisoners endure in the transition to social reintegration.
Located throughout McAllen are over 200 irrigation pipes, which come in all shapes and sizes, and are part of the city’s rich agricultural history. To this day, some of those concrete pillars continue to regulate flow of irrigation-water to help maintain farmlands.
What happens to explicitly political art when it’s placed inside of the White Cube? Paint the Protest, a group show curated by Nancy Spector at Off Paradise self-consciously poses this question, and further aims to reveal the place and purpose of activist art in general.
Tranvía Cero is a group of artists from Ecuador who have been creating artistic projects with the aim to empact community lives and change the ideas of art as an exclusive terrain. The describe their goal as a redefinition of art through the social engaging experiences.
On April 30th NYU in conjunction with Free University held liberation lab in Washington Square Park from 11 30 Am until roughly 5 or 6pm. The day was very festive and full of amazing talks, performances, installations and discussions. I even got to participate in this day via our final project in the creative activist course.
When Behnaz Babazadeh was young, her family moved from Afghanistan to the US. She loved almost everything about her new home — especially America’s amazing selection of candy — but she also loved wearing her familiar pink-flowered headscarf, which she’d grown used to wearing as part of her school uniform in her old home.