Opponents of military rule in Myanmar have marched, observed "flower strikes" and sought alternative ways to communicate after most users were cut off from the internet, undaunted by the bloody suppression of protests during the past two months.
A video campaign titled Sympathy Cards, initially released in 2018, is going viral again.
The chilling video depicts, via hidden cameras, shoppers walking by or browsing the greeting cards section at a shop. Shocked, confused, some visibly upset, shoppers freeze when they notice that, along with the traditional selection of greeting cards, is a section devoted to school shootings.
On July 2nd, 2013, after attending the Gas Exporting Countries Forum (GECF) conference, Bolivian President Evo Morales departed Russia from Vnukovo Airport in Moscow aboard his presidential plane. However, a "leak" suggested that Edward Snowden was aboard, which led Spain, France, and Portugal to close their airspace to the aircraft, to then be grounded in Austria.
In December – as many around the globe were preparing for the holidays – Sama, a former attorney, remained hunkered down in her house in Kabul, Afghanistan, trying to comprehend how her world had changed.
Refuge is a 5 year transdisciplinary project that brings together artists, community members and emergency services to investigate arts and culture’s role in developing preparedness and building community resilience for climate related disasters.
Time as currency is an interesting economic model related to artistic practice.
According to the creators of Time/Bank, Julieta Aranda and Anton Vidokle, the project "is a tool by which people or a group of people can create an alternative economic model where they exchange their time and skills, rather than acquire goods and services through the use of money or any other state-backed value."
In 1984, a group of women in New York gathered outside the Museum of Modern Art as part of a protest. A group show, An International Survey of Recent Painting and Sculpture, was showing 165 artists, 152 male artists exhibited alongside just 13 women.
Outraged, they attended the protest, bringing placards and chanting outside the museum. But a handful of women within the larger crowd learned something.
Jews For Palestinian Right of Return
January 1, 2013
“For Palestinians, the right to return home and the right to live in dignity and equality in their own land are not any less important than the right to live free of military occupation.”
–Prof. Saree Makdisi[1]
For more than a century, Zionists have sought to construct a “Jewish state” through forced removal of the indigenous Palestinian people.
In Portland, Ore., organizers of the “Reparations Happy Hour” invited black, brown and indigenous people to a bar and handed them $10 bills as they arrived, a small but symbolic gift mostly funded by white people who were asked not to attend.
The odd spaces exiting under bridges and viaducts around the world are often left aside, urban spatial residues mostly abandoned or occupied informally by homeless people drug users etc. The former pro boxer Nilson Garrido saw the space under the Alcantara Machado viaduct (in the Mooca neighborhood of Sao Paulo) as an opportunity to create a Boxing Academy.
Alice Paul, along with Lucy Burns, joined the National American Woman suffrage Association (NAWSA) in 1912. They were allowed to take over the NAWSA Congressional Committee in DC but were given no office or funds. For months Paul and Burns fundraised and significantly increased awareness for the cause. On March 3, 1913 (the eve of President Wilson's inauguration) Paul organized a parade, unparalleled in the capital.
During the COVID-19 pandemic, two Chicago-based organizations, For the People Artists Collective and Chicago Community Bond Fund, worked together to create Decarcerate Now, a virtual quilt honoring individuals who died of COVID-19 while in the custody of the Cook County Jail (CCJ).
National Museum of Women In the Arts:
To maintain their anonymity, group members wear gorilla masks in public and adopt the names of historic women artists, such as Käthe Kollwitz and Frida Kahlo, as pseudonyms.
Women on Waves sails a ship to countries where abortion is illegal. With the use of a ship, early medical abortions (till 61/2 weeks of pregnancy) can be provided safely, professionally and legally.
Members of this organization begin the narrative process by examining city neighborhoods and commercial districts for compelling structures that appear to have fallen into disuse —“hidden gems” of the built environment. In varying states of repair, these buildings suggest only stories about the past, not the future.
From 2008 to 2010 Bronson and Hobbs performed Invocations of the Queer Spirits, bringing together small groups of men—in Banff, New Orleans, Winnipeg, Manhattan, and Fire Island—in a secret group ritual that was different every time and yet always the same.
Comusitària is a Community Cultural Development agency based in Barcelona run by Noemi Rubio and Laia Serra. They work in the production, management, research and dissemination of artistic projects that build social capital and enable citizens to live more active, critical and creative lives.
Brick x Brick is a public art performance that builds human “walls” against misogyny. It is organized by the Public Displays of Affection, a collective of artists, designers, educators and organizers that engages in nonviolent direct art action. During the wall performances, participants wear brick-patterned jumpsuits adorned with colorful brick patches bearing statements of misogynistic violence made by US President Donald Trump.
Camp Mossandsticks, named after moss and sticks--two of the most rudimentary tools with which one can spark fire--is a site for young women and girls to become resourceful, defiant, and self-sufficient revolutionaries of today. Started on November 6, 2012, the camp hosts workshops to spark the attendees’ inner political flames, challenging them to confront disenfranchisement created by the status quo and to take matters into their own hands.
On the occasion of the European Cultural Capital Graz 2003, WochenKlausur developed a year-long program of activities for older people with severe mental disabilities. The object was to offer them opportunities for a change of their daily routine inside the home.
Initially organized to respond to holes in service provision following Hurricane Katrina, Burners Without Borders has since 2005 "emerged as a community led, grassroots group that encourages innovative, civic participation that creates positive change locally." One ongoing project headed by BWB's Will Ruddick is a complementary currency program in Mombasa, Kenya.