In July 1976, prankster and satirist Joey Skaggs, calling himself Giuseppe Scaggoli, appeared before a rabid crowd, dressed in sharp-lapeled finery. He had some unfortunate news: that day’s planned auction of rock star sperm was cancelled due to a mysterious theft. All he could offer in the way of comfort were his assurances that more donations were to be sought as soon as possible.
Courage Scores grade California state legislators on their political courage, revealing how well they stand up for their constituents over corporations or interest groups that exploit Californians, particularly the poor, disadvantaged, or communities of color.
Unfortunately, those who struggle for a more equal and democratic society are not the only ones who can make use of creative forms of activism. The following example shows how creative strategies can also be employed by those who have less wholesome intentions in mind.
Nanjing, a picturesque city lying by the Yangtze River, owes its fame to its favorable geographic position, galaxy of talents and profound historical background. Having served as the capital of ten dynasties in ancient China, its splendour has remained and even enlarged with an extended population up to 600,000 when the government of the Republic of China set up its capital there in 1927.
The project responds to the urgency that many asylum seekers and refugees have as soon as they touch a new country's soil: working and learning the language. The project, located in the former army barracks 'Caserma Piave' in Treviso, started as a grassroots initiative.
In the wake of hate crimes against Asian-Americans, the New York designer has moved his studio to Chinatown and refocused his energies toward advocacy and fundraising on behalf of the AAPI community. As he said, ‘I can no longer separate Phillip the person from Phillip Lim the brand.'
Sheep stormed into Paris’ iconic Louvre museum on Friday (March 28) as farmers protested against reforms to the common agricultural policy (CAP).
A dozen sheep ran into the museum’s entrance underneath its famous glass pyramid, baffling tourists and aggravating museum staff.
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
Tina Piña, better known as Mother Pigeon (@motherpigeonbrooklyn), is an artist and self-described “high priestess of the pigeon religion,” whose passion for New York City’s often-overlooked bird has helped her carve out a unique creative niche centered around pigeons—as well as a lifestyle geared towards helping New Yorkers appreciate the misunderstood creatures.
BRAVE VOICES POETRY JOURNAL is the scripture of FREEDOM religion, with her twin’s doctrine of justice and resilience. It comprises two Testaments. (1) the old testament of precolonial Africa; from Genesis of civilization through Exodus to slavery. From kings; Mansa,Tshaka , Selassie…through Psalms; Senghor, Diops,Okara,Brutus.
While governmental support for arts and culture is often meager, the Brazilian national government has recently demonstrated great interest in the industry. They've just introduced a "cultural stipend," which provides workers with 50 real (roughly $25) per month for arts and cultural expenses. The allowance covers personal spending on things like movies, concerts, books or museums.
The ZAD (zone à défendre, or “zone to defend”) in Western France is 4000 acres of wetland, farmland and forest that was originally intended to be built into an airport in 1965 but is now an autonomous territory occupied by 40 different collectives looking to reclaim the land. There are around 200 people living permanently on the zone, in addition to some 2,000 people coming and going.
"A Tanzanian-born, Preston-based artist, curator and cultural activist, Lubaina Himid aims to 'fill in the gaps of history', giving representation to marginalised histories and to what was previously invisible or silenced. Significantly, Himid's art reinserts black narratives into the forefront of cultural practice and conversation.
To state or chant ‘BLACK LIFE’S MATTER’ is not to say other lives don’t matter, it’s a reminder that four hundred years and counting, black lives didn’t matter enough. Not during the dark era of slave trade and its horrors on the African, not after slavery ended and blacks were left holding the short end of the stick.
MOTHER EARTH is broken from incessant decadent wars carelessly perpetuated by mindless ,vicious political imbeciles. Our natural wealth plundered by greedy ,gluttonous economic dare-devils, imbibing crude oil and fresh blood . Warlord-ism set the suns of our freedom, our earth is torn naked . War is ravaging the beauty of African diamond fields ,We are now Wretched Vagabonds . Warlords are frying peace in oil springs of the Gulf.
Angry Asian Girls United was created in 2012 by a then-17 year old girl who was frustrated with feeling like there was no place for her to talk about issues of racism and othering. This community has since grown in the thousands and seen hundreds of stories told from Asian girls and women all over the world.
On April 7, 1973, some 400 cyclists chanting “Bikes don’t pollute” rode through midtown Manhattan in a “Bike-In” that called for separate lanes to encourage bicycling and provide safety on city streets.
This special EDition is a revolutionary chant against the menacing cantankerous demonic , satanic COVID 19. And again doubles as a bold and poetic supplication to the great Almighty God to release us off this pandemic bondage. This Edition is a poetically driven spiritual prayer for freedom of expression and freedom after expression.
On the 25th revolutionary 1st of May demonstration in Berlin-Kreuzberg, protesters were throwing huge inflatable cobblestones, made of silver-reflective foil and tape. The creative intervention was initiated by the former art-activist collective “eclectic electric collective” (e.e.c.) and was meant as a celebration of an object which is both a symbol and a material weapon of anti-authoritarian struggle everywhere.
A group of South Korean activists is determined to send copies of The Interview across the North Korean border, despite threats from the state to respond with “cannons or missiles” if the plan succeeds.