Rain of Poems took place over London on Tuesday 26th June 2012 at 9pm. One hundred thousand poems printed on bookmarks by over 300 contemporary poets from 204 countries fell from a helicopter over Jubilee Gardens during Poetry Parnassus as the sun sets.
The aim of the action is to create a fractal network of poets, where their poems will be recited, recorded, set to music, will be activistically acted as performance material in order to resist the censorship of art.
The field of action is the poets who will be born and the network that will be created by the restless artists.
The pink "pussy hats" in The Women's March were created by a group of activists and knitters, including Krista Suh and Jayna Zweiman. The hats were designed as a form of protest and a symbol of resistance to the new administration and its policies.
Notice Nature was a public engagement action undertaken by participants in the Erasmus+ funded training 'Creativity and Change: Empathy 2 Action - nurturing response-able global citizens' which took place in Cork from 8th - 13th April 2017. The team members were Marie-Michele Tessier, Aoife Dare, Ann Foulds, Zsofi Toth and Claire Faithorn.
In 2016, the Guggenheim Museum commissioned its very first robotic artwork called Can’t Help Myself (Wannmann, 2016). The artwork is created by two of China’s most controversial artists Sun Yuan and Peng Yu and can be described as a robotic arm that has one specific, life-long duty: to prevent the deep-red, bloodlike liquid, which constantly oozes outwards, from straying too far (Weng, n.d.).
This has been a racially-charged year. How one challenges the status quo is an individual choice and many opt for artistic expression. Artistic expression can personified most visually on the body and while black pride tees are big, nail art is just as big and just as communicative.
With the intention of recognizing the work of the Latin American carreteros (garbage pickers) that collect recyclable materials in wheel carts, and increase environmental consciousness, artist Mundano created “Pimp My Carroça"
In 1932, Bennett Cerf, cofounder of Random House Publishing, acquired the rights to publish James Joyce’s Ulysses in the United States, believing that the book would be as successful as it had been throughout Europe. But Cerf had a problem. The book was banned in the United States and would be seized as soon as it came off the printing press, which would lose Cerf millions of dollars.
Nanjing, a picturesque city lying by the Yangtze River, owes its fame to its favorable geographic position, galaxy of talents and profound historical background. Having served as the capital of ten dynasties in ancient China, its splendour has remained and even enlarged with an extended population up to 600,000 when the government of the Republic of China set up its capital there in 1927.
The Mexican Pavilion is an immersive space based on a 1:1 scale fragment of the expanded model of the campesino basketball court, an infrastructure that has become repurposed as a space for poly- and pluri-valent processes of decolonisation in Mexico’s indigenous communities.
MOTHER EARTH is broken from incessant decadent wars carelessly perpetuated by mindless ,vicious political imbeciles. Our natural wealth plundered by greedy ,gluttonous economic dare-devils, imbibing crude oil and fresh blood . Warlord-ism set the suns of our freedom, our earth is torn naked . War is ravaging the beauty of African diamond fields ,We are now Wretched Vagabonds . Warlords are frying peace in oil springs of the Gulf.
ACE Bank was a hoax bank developed as part of a bigger campaign by Netwerk Vlaanderen, a Belgian organization concerned with banks’ responsibilities for what they invest in. ACE bank was an elaborate deception, with a headquarters in central Brussels, parodying other banks. It claimed to be investigating whether there was a market for its special way of doing business.
Cassils' Becoming an Image confronts issues of queer and trans visibility, bodily violence, and the politics of witnessing. The performance uses a powerful blend of media—including live action in darkness, flash photography, clay sculpture, and sound—to explore how trauma and resilience are physically and symbolically inscribed onto the queer body.
On Christmas day in 1993, kids were finding more than they bargained for under their trees: Mattel’s new talking Barbie dolls growled “Dead men tell no lies,” while Hasbro’s macho GI Joe’s chirped “I love to shop with you.”
The installation consists on providing postcards to gallery visitors that they can use to mail their Elected Officials to advocate for gun control. The front of the postcard shows the photograph “Mommy, what is this?” (2018), which is the hand of Ileana's son, Lucca, holding a toy bullet while making the peace sign. The back of the postcard contains a short letter with the phrase “No more children should die from gun violence.
At Carnival, Where Challenging Normal Is the Norm
By NADIA SUSSMAN and TAYLOR BARNES
New York Times MARCH 2, 2014
RIO DE JANEIRO — Standing high atop a truck rigged with speakers, André da Silva Lisboa cried out to hundreds of drummers, dancers and costumed revelers gathering in the sun-drenched avenue below.
“Carnival has arrived,” shouted Mr. da Silva Lisboa, 38, a samba singer. “Come to the streets! We’re freaking out!”
Our solution:
Fresh Direct Nigeria (Fresh Direct Produce and Agro-Allied Services) is “City Farming” using stackable container farms! Fresh DirectNigeria brings fresh premium organic produce closer to market with our Container Farm Technology.
Located in Thomas Paine Plaza, across the street from City Hall, Hank Willis Thomas’s All Power to All People was a public art intervention that dealt with racial identity and representation in Philadelphia.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
A converted school bus with the sawed-off top is taking Mexico City visitors on the "Corruptour", a visit to the country's seedy underbelly of murderous misdeeds and multibillion-dollar graft by public officials.