In 2016, the Guggenheim Museum commissioned its very first robotic artwork called Can’t Help Myself (Wannmann, 2016). The artwork is created by two of China’s most controversial artists Sun Yuan and Peng Yu and can be described as a robotic arm that has one specific, life-long duty: to prevent the deep-red, bloodlike liquid, which constantly oozes outwards, from straying too far (Weng, n.d.).
This weekend marks the one-year anniversary of Donald Trump's inauguration. It also marks the one-year anniversary of the Women's March his election inspired, the largest single-day protest in the nation's history.
TimCon28 was a scavenger hunt that infiltrated the historic Waldorf-Astoria hotel in midtown Manhattan. Under the guise of attending the "Timothy Convention", forty people explored back passages and service areas, interacted with unsuspecting hotel guests, infiltrated official hotel events like the Annual Disney Service Awards, and solved historic clues that led to birthday cake on the roof.
While governmental support for arts and culture is often meager, the Brazilian national government has recently demonstrated great interest in the industry. They've just introduced a "cultural stipend," which provides workers with 50 real (roughly $25) per month for arts and cultural expenses. The allowance covers personal spending on things like movies, concerts, books or museums.
In Pittsburgh, Memphis and Los Angeles, massive billboards recently popped up declaring, “Birds Aren’t Real.”
On Instagram and TikTok, Birds Aren’t Real accounts have racked up hundreds of thousands of followers, and YouTube videos about it have gone viral.
Last month, Birds Aren’t Real adherents even protested outside Twitter’s headquarters in San Francisco to demand that the company change its bird logo.
The latest in street art activism is confronting sexism in an unconventional, but wonderful, way.
Street artist, Elonë, from Karlsruhe, Germany, is paving her city with messages against sexism, street harassment and sexual abuse — all printed on menstrual pads.
During the 1600’s the Iroquois Indian Nations, a group of several indigenous tribes in North America, engaged in warfare with many other tribes. The men controlled when and against whom they declared a war.
Tribal Iroquois women decided that they wanted to stop unregulated warfare, and thought of a way to convince the Iroquois men to give them more power in deciding issues of war and peace.
All those who practice surfing know firsthand the serious problem our beaches face: pollution. While some only complain, others do something about it. Two Brazilian surfers decided they could help raise public awareness of the need to protect nature of the proliferation of plastics used in the oceans through a novel idea: create surfboards plastic bottles.
The campaign bus was attracting funny looks. On its side was the by now all-too-familiar last name of the Republican presidential frontrunner. Somewhere inside the castle-shaped hotel next door, Donald Trump was holding court, as hundreds awaited another rally of bombast and branding.
Courage Scores grade California state legislators on their political courage, revealing how well they stand up for their constituents over corporations or interest groups that exploit Californians, particularly the poor, disadvantaged, or communities of color.
Tennessee Rep. Justin Pearson never guessed he'd be expelled for leading a gun control protest on the House floor after a deadly school shooting. Nor did he predict that he'd be propelled into the national spotlight, placing his state at the forefront of the conversation on gun regulations.
Imagine if back in the 1960s, creators Jack Kirby and Stan Lee had found inspiration for The Avengers in Yoruba mythology. Instead of Iron Man, we'd have the warrior Oxaguiã. Taking the place of the blue-eyed, blonde-haired Norse god Thor would be the equally strong and black-skinned Xangô, the ruler of justice — who also happens to carry a hammer.
This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.
Across the United States, 2,693 people have received a letter in the last few months, which identified a debt and read: "You are no longer under any obligation to settle this account with the original creditor, the bill collector, or anyone else." This is the work of the Rolling Jubilee project – a non-profit initiative which buys personal debt for pennies on the dollar in the secondary market (where debt is sold to companies who then resell i
The installation consists on providing postcards to gallery visitors that they can use to mail their Elected Officials to advocate for gun control. The front of the postcard shows the photograph “Mommy, what is this?” (2018), which is the hand of Ileana's son, Lucca, holding a toy bullet while making the peace sign. The back of the postcard contains a short letter with the phrase “No more children should die from gun violence.
"I had an intuitive sense that being shot is as American as apple pie. We see people being shot on TV, we read about it in the newspaper. Everybody has wondered what it's like. So I did it." - Chris Burden
In light of his recent death, I wanted to bring one of Chris Burden's pieces, Shoot, to Actipedia.org. Not just to honor the artist, but to also remind us of our country's insane fascination with guns and violence.
The China Folk House project grew out of the Sidwell Friends School China Fieldwork Semester, a program which had ran for five years (2014 – 2018) that took students to Yunnan Province, China, for an integrated semester of experiential learning based at the Linden Center in Xizhou.
To change Bostwana’s regional misconceptions about HIV, Kesego Basha-Muebli, founded the Miss HIV stigma free pageant. A pageant designed for women who are currently receiving health and wellness counseling and HIV antiretroviral treatment to come out to their friends and family as being HIV positive.
Cassils' Becoming an Image confronts issues of queer and trans visibility, bodily violence, and the politics of witnessing. The performance uses a powerful blend of media—including live action in darkness, flash photography, clay sculpture, and sound—to explore how trauma and resilience are physically and symbolically inscribed onto the queer body.
Ron Krielen is a social designer and a taxi driver. He spent five years driving a taxi for elderly and disabled people. En route, he would get to know them and their individual situation. He realized that this kind of personal contact gave him a better insight into possible solutions than many of the healthcare providers who were actually assigned to each case.
The Gola Rainforest, straddling Sierra Leone and Liberia is a lush, green haven. Spanning about 700 square kilometers and stretches across both countries, the rainforest is home to diverse and globally threatened wildlife, including over 300 bird species and endangered species such as pygmy hippos, chimpanzees, and forest elephants.
Oh, to be a crow.
Maligned as scavengers that torment their dead brethren. Portrayed as aerial killers in the 1963 Alfred Hitchcock classic, “The Birds.”
In France, though, the wily crow is getting a makeover. Puy du Fou, a historical theme park in the Loire region about four hours from Paris, has trained six crows to pick up cigarette butts and bits of trash and dump them in a box.
Mon Dieu! Are the pigeons of Paris next?
"WILD: Act I" is a film demonstrating the power of creativity in constraint. Using moving choreography performed by Elijah Lancaster and vivid imagery displayed on three walls in a mock cell, Jeremy McQueen gives voice to young Black and Brown men caught in the criminal 'justice' system.
Delhi- based graffiti artist who goes by the name Daku went around South Delhi, one of the poshest places in the city, and painted on overflowing garbage cans.