In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond:
Boricua artist Castorillo discusses the crisis, diaspora, and the enduring significance of the Young Lords Party for Puerto Rican social movements today using illustrations:
For the Midsummer Festival in Cork, Ireland, SUPERFLEX encouraged Lord Mayor of Cork Cllr. Dara Murphy to bring a proposal to the city council that would ban the use of the word 'Recession' in the city.
Matthew “Levee” Chavez sits at a table in New York City’s Union Square, sporting a thrift store suit and tie, holding a sign that reads “Subway Therapy.” This act of social practice, which started as an invitation for conversation, went viral after he set up shop at the subway the day after the 2016 presidential election. He wrote “Express Yourself” on a Post-It and stuck it to the tiled wall.
It’s been a historic year for women. There are more serving in Congress than ever before, and a record number are currently running for president in 2020. But even with these significant gains, women—both in the U.S. and around the world—can still find gender equality elusive.
February 29, 2012
The Kansas City Star
By Jessica Blakeborough
The chickens have been granted a stay of execution.
City codes prevent Amber Hansen, a Lawrence artist, from displaying and then butchering chickens for an art project, a city official says.
And that has animal activists rejoicing.
Dr. Stella Nyanzi, a Ugandan medical anthropologist, activist, and writer, was convicted after writing and posting a poem online, in which she criticized Ugandan President Yoweri Museveni and his mother. In November 2018, Ugandan authorities charged Dr. Nyanzi with “cyber harassment” and “offensive communication” under Sections 24 and 25 of the 2011 Computer Misuse Act, and detained her in connection with the poem.
ONGOING ORGANIZATION:
CALLED: Iranti [pronounced írantì] is the Yoruba word for ‘memory’. Largely found in South West Nigeria and parts of Benin Republic, the Yoruba people consider memory a prized form of intelligence which determines how often one remembers what they see and hear.
Our key beliefs and principles are the very pillars that form the backbone of our movement:
‘Taking Up Space’: We believe marginalised voices must take up their rightful space in this world and deserve to have their voices heard, lived experiences believed, and should be visible in a world of constant erasure.
An exercise that used drama/and audio visuals to engage with with all election partners, especially the political parties especially the political parties and their candidates/leaders, Electoral Commission, Musicians Association of Ghana, etc to push for a free, fair and peaceful Presidential and Parliamentary election and hand over of power to who ever won the elections peacefully.
I am a federal criminal defense attorney and have written a formal legal brief in response to the Obama Administration's White Paper attempting to justify the killing of American citizens without due process. The brief is a new form fusion of law and nihilistic commentary about the American condition. I will be delivering the brief with others to the Department of Justice and posting at the White House on March 15.
On April 26th, 2012, Zheng Churan, a feminist activist who was a senior at Zhongshan University at the time, brought 500 letters of advocacy to the school post office on a bicycle.
About: Hundreds of people came out to attend a decolonization tour of one of New York’s most popular museums.
Written by Elena Goukassian on October 10, 2017
The post (r)evolutionary exercises are the outcome of a meeting/friendship/project that started in summer 2010, when we took part in "Goings on" seminar in Beirut, Lebanon. In this seminar, curated by Cecilia Andersson, Scandinavian and Middle east art groups were invited to meet and learn about each others practices. That's what we did, we got along really well, and we started at once to think of ways to do something together again.
In November 2013, a group of 17 female students at Beijing Foreign Studies University sparked national debate when they staged a bold social media campaign in support of an upcoming performance of The Vagina Monologues, a feminist play by Eve Ensler.
There is no embassy of Iran in Jerusalem.
We ask why.
We are a group of artists living and creating in Jerusalem, trying to create a new reality. one which we can identify with. A reality of dialogue between the people, not dominated by mass media and governments.
The Embassy as we imagine it will be functioning as a bridge for trading ideas, dreams and giving silent voices a sound through art.
Reading the introduction to Animal Farm by Christopher Hitchens a few years ago, I was stunned to learn that George Orwell, then a struggling writer in London, worked by letter with a group of refugees to publish the novel in Ukrainian in the displaced persons camps of postwar Europe.
The Scheherazade Project is a Performing Arts Non-profit based in Washington DC. Co-founders Lisa Leibow and Julia Alvarez were inspired by Scheherazade in the Arab classic 1001 Nights and created The Scheherazade Project.
For more information, our website is https://thescheherazadeproject.org/The-Scheherazade-Project
During her concession speech yesterday, Hillary Clinton uttered a simple, terrifying sentence: "Donald Trump is going to be our president." For many Americans—New Yorkers especially—the sickening reality of a Trump presidency is impossible to fathom. A few hours later, a rogue therapist set up shop in the 14th Street tunnel between Sixth and Seventh Avenues.
The National Rifle Association has recently decided that the way to promote their gun rights among the American people is to retell the classic stories with guns. Thus far, they have rewritten The Little Red Riding Hood and Hansel and Gretel, handing guns into the hands of the children protagonists, resulting in, surprisingly, significantly less bloodshed.
Installed on the occasion of the 2016 U.S. presidential election, I want a president renders a poignant portrait of the cultural and political climate in the early 1990s in New York City with words that still resonate today.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
Thich Nhat Hanh reads his poem "For Warmth" in Vietnamese, Krista Tippett reads the translation in English, excerpted from the episode "Mindfulness, Suffering, and Engaged Buddhism."
When the boys were sent on a field trip to a hardware store and girls went to get their hair done, this modern dad didn’t get mad, he got hilarious. He wrote a letter notifying the school that there was a rift in the time space continuum somewhere in the school and that his kids had been sent back to 1968. He requested that the administration fix the timewarp immediately. This kind of humor is a hallmark of creative nonviolence.