Afrika ARTS Kollective is a group of artists that decided to face Uganda's demographic growth and the garbage problem of the capital, Kamala, with art. 30,000 tons of residues come out of this monthly and the Administration is being working on healthy and good environmental behaviors among citizens.
Mandela's notion of manhood changed over time. In the early days, he evoked the image of toughness to deal with an enemy that would not respond to reason. When it became possible to secure peace through talking, Mandela adapted. After his release his image was one of warmth and inclusiveness, embracing those who feared majority rule and even his former enemies.
Djerbahood Project, which took place during the months of July and August on a small island called Djerba and is located in the Gulf of Gabes. Better known as the island of dreams, the tiny village of Djerba boasts a traditional and authentic Tunisian setting which acted as a blank canvas for hundred and fifty street artists from thirty different countries.
Kenyan-based photographer Boniface Mwangi has captured his country's political and civic turmoil since the controversial presidential election in 2007. The violence and disorder he witnesses daily motivated him to take action, setting up a creative hub for activism called PAWA 254.
Zanele Muholi, the self-proclaimed visual activist and photographer, investigates the fraught relationship between post-apartheid South Africa and its queer community, who, despite being constitutionally protected since 1996, remain a constant target of abuse and discrimination.
Not far from the Burkina Faso capital of Ouagadougou, approximately 30 kilometers, lies Operndorf Afrika, a village that’s governed by art and a global exchange of culture.
As local rapper Naty says, a group of young people are intent on making their mark in Madagascar's cultural history. From gifted slam poet Caylah to inventive visual artist Temandrota and a crew of entrepreneurial skateboarders, a generation of young Madagascans are making space for creative projects.They are inspiring in their enthusiasm and hopeful for the future despite the poverty in their country and its colonial past.
In 2019, Adeyemi Emmanuel began collecting bits of discarded plastic and used them to make a backpack. Seeing a way to raise environmental awareness in fashion-conscious Nigeria, Emmanuel in November launched a line of bags, wallets and gift boxes made of 20% leather and around 80% plastic waste, called ECO. He collects chips of used plastic by hand, such as leftovers from picture frames, primarily from craft workshops.
"Y’en a Marre (“We're Fed Up") first emerged in 2011 as a grassroots campaign against injustice and inequality in Senegal. Spearheaded by the hip hop group Keur Gui Crew in response to local power outages, the nascent protest movement went on to mobilize against the controversial bid by Senegalese president Abdoulaye Wade to remain in office for a third term.
Driving along an ordinary dirt road, it's hard to miss the Goma Cultural Centre with its bright blue gate, emblazoned with the Congolese flag. "As you can see, we are proud to be Congolese around here," said Belamy Paluku, a volunteer manager at the youth centre.
The Women Are Heroes project has various steps in Africa, in Kenya, Sierra Leone, Liberia and Sudan.
In January 2009, 2000 square meters of rooftops are covered with photos of the eyes and faces of the women of Kibera, in Kenya. Most of the women have their own photos on their own rooftop and for the first time the material used is water resistant so that the photo itself will protect the fragile houses in the heavy rain season.
The city of Douala in Cameroon had a huge problem associated with malfunctioning water drainage systems. This is due the fact that in many illegally constructed areas of the town, the sewers are without cover, and after heavy rainfall, this would generally lead to floods and related threats to public health.
Daniel Hewson describes the use of protest posters and the work of collective, Burning Museum, and artist, Faith47, in the Fees Must Fall movement taking place in South Africa:
Photographer Thapelo Motsumi is one of many young South Africans who has worked with the Umuzi Photo Club to develop his artistic skills and engage his community. Now this “drop out” has had two exhibitions in London and has been entrusted with Mandela’s football jersey. By GREG NICOLSON.
In a lively room in Kibera, Nairobi’s largest slum, a group of women have gathered to discuss how to keep the upcoming Kenyan election free from violence. The women are not politicians, election officials or campaigners – they are grassroots activists, working with their communities to keep the peace on August 8.
Olafur Eliasson's latest project Little Sun was first debuted at the World Economic Forum on Africa in 2012. The global initiative is bringing tiny, sunburst shaped, plastic solar powered LED lights to the most marginalized regions of the world. Elliasson calls Little Sun, "A work of art that works in life."The lights are also capable of self renewable energy, which makes them practical and portable to those without proper electricity.
"Puppets Against Aids was launched by Gary Friedman on 1st December 1988 in time for 'World Aids Day' in Johannesburg, South Africa. During 1987, Friedman had been studying with Muppet master, Jim Henson, in Charleville-Mézières, France. Henson provided the initial financial contribution to launch the African Research and Educational Puppetry Programme 'Puppets Against Aids'.
SUNO is one of the few luxury fashion brands that has been born out of a social cause. Max Osterweis and designer Erin Beatty launched their first collection in the spring of 2009, " after post-election violence threatened to damage the economy and industry in Kenya."
While the clothes is mostly produced by local artisans in Kenya, Suno has since expanded its business to include production in Peru, India, and NY.
Mtendo MweMa Project's mission is to provide a safe house and educational opportunities to girls, especially those in danger of female circumcision, early marriage and pregnancy, whom otherwise have no alternative but to return to their villages during the holiday seasons in Kenya, East Africa.
Thousands of people protested in Ghana’s capital Accra on Wednesday against the expansion of its defence cooperation with the United States, in a rare public display of opposition to the growing foreign military presence in West Africa.
Demonstrators blowing vuvuzelas and beating drums filled Accra’s business district, holding placards criticising a new deal with Washington that they say threatens Ghana’s sovereignty.
I am a visual activist. Most of what I have done over the years focuses on black LGBTQIA+ and gender-non-conforming individuals from South Africa and other neighbouring countries. It’s about making sure we exist in the visual archive. I call myself a visual activist — or, rather, a cultural activist, because this work is not only about the arts; I’m focusing on education, I’m dealing with culture in a way that confronts a number of issues.
A TYPICAL EPISODE of Journal Rappé begins with Senegalese rapper Makhtar “Xuman” Fall dressed in a suit and seated behind a news desk. At first glance, the show looks like an ordinary newscast. But then Xuman (pronounced human) launches into his intro, rapping in French instead of talking. “Welcome! Make yourself comfortable. These are the news for you. Some good ones and bad ones too. But they’re all news for you.”
Rights activists in Mozambique have marched through the capital Maputo to protest a colonial era law still included in new legislation that allows rapists to go unpunished if they marry their victims.
The "marriage effect" clause sees convicted rapists given a five-year suspended sentence if they marry their victims and stipulates that the perpetrator should stay married to the victim for at least five years.
WACENA, was established in the year 2008 by a number of concerned mothers together with women students from Makerere University Kampala with a purpose of addressing and alleviating the acute and long-term consequences of violence against the women and children of Uganda.