UK photographer Alicia Bruce collaborated with Zero Tolerance, a Scottish non-profit to end GBV, to produce a new version of the Violence Unseen campaign, launched for the first time in the 1990s and created by Franki Raffles. The new one was launched in 2018, 25 years after the original iconic Zero Tolerance campaign, shot by the late Franki Raffles.
Princess Hijab is an anonymous female street artist working primarily in Paris, France. Her art centres on veiling the main characters of subway advertisements using black paint. Few facts are known about Princess Hijab.
Deportation Class is a satirical project by European anti-deportation activists protesting European airlines who agreed to cooperate with deportation agendas. Together, these airlines are referred to as the Deportation Alliance. The activists designed a faux luxury offering on behalf of each airline, showcasing the attractive perks of flying "deportation class."
In 1932, Bennett Cerf, cofounder of Random House Publishing, acquired the rights to publish James Joyce’s Ulysses in the United States, believing that the book would be as successful as it had been throughout Europe. But Cerf had a problem. The book was banned in the United States and would be seized as soon as it came off the printing press, which would lose Cerf millions of dollars.
The 1975’s ‘Love It If We Made It’ is a dystopian love story that feels appropriate for the last 18 months. Even though it was written before the pandemic, its relevancy has only increased tenfold since its release in 2018.
The political artist I chose to investigate is Ruth Peche, a Spanish sculptor and photographer. Her themes tend to center around plastic waste and the impact it has on the environment, using this as a muse for describing the relationship human society has with the natural world. Peche’s interest in art activism, particularly with themes of preserving the environment, is something that was sparked for her in during her childhood years.
In 2013, Shell sent out press releases about their upcoming event, the Science Slam, which would aim to “celebrate the company’s responsible oil production” and “showcase ideas for renewable energy by scientists and students.” Essentially, Shell organized this event in the hopes that it would allow the multinational oil company to appear as if it is actually concerned about the environment and finding alternatives to oil.
Occupy Dusseldorf was inspired by an editorial cartoonfrom Brooklyn, New York based artist Mark Hurwitt tocreate an imaginative street theatre performance artprotest action. They marched with hundreds of medievalshields created out of enlargements of Hurwitt's arttranslated into many languages forming a giant turtle
Pepe Espaliú was an artist from Cordoba who made various art from paintings to sculptures and public actions. He was diagnosed with AIDS in 1990, and up until 1993 when he died, he focused on drawing attention to those affected by AIDS. The Reina Sofía had a small exhibition of some of his work in 1994, in which the work on display had a lot of symbolism about his condition and suffering.
The Democracy Machine! is a performative sculpture that gives participants the opportunity to experience the thrill of democracy in action, in a competitive game that challenges people to work together toward understanding a better society. Using the spectacle and play of performance drawn from Las Vegas Casinos, gambling machines and game shows, The Democracy Machine!
This piece draws on the agit-pop theatre tradition of a short pop-up provocative & disruptive intervention in familiar spaces. The purpose of Punch & Judy style short piece is to inform and raise awareness Ireland’s failure to meet its carbon emission targets and to emphasise the inadequacy of our government’s N.M.P. (National Mitigation Plan).
The No Hate Speech campaign has come to its fourth anniversary this week, because it was on the 18th of March 2013 when the Spanish Institute for Youth IMG_9707(INJUVE) officially launched the campaign in Spain, to commemorate the 21st of March, declared by the UN as Day for the Elimination of Racial Discrimination of that year.
A collective resistance movement dedicated to reasserting communal ownership of common spaces, Reclaim the Streets staged its first action on Camden High Street in 1995, when activists closed the road to vehicle traffic to make way for a street party. Combining the tactics of non-violent direct action with 90's UK rave culture, organizers kept the location secret until the last moment to preempt police interception.
Activists have taken a Trojan horse into the grounds of the British Museum to protest against its sponsorship deal with the oil corporation BP.
Protesters dressed as ancient Greek warriors snuck their 13ft-tall wooden horse through a side gate at 7.30am on Friday and pulled it on to the forecourt in front of the museum’s entrance.
As part of the Creativity and Change postgrad course,(www.creativityandchange.ie) we created a street action. It was designed to raise awareness about climate change, and promote Climate Case Ireland, while also inspiring people to think of visions for the future and the actions they might take to avoid climate catastrophe. We wanted to do this in an accessible, creative, fun and interactive way.
When the activist group Allt åt Alla wanted to highlight the growing inequality in Sweden they decided to hit the road.
A Over Class Safari (Överklassafari) was announced and ticket were sold. The bus ride covered both a working area (Fisksätra) and it's close high-brow neighbourhood Solsidan in Saltsjöbaden. Bus travelers were told to bring cameras and also invited to hear speeches about the Swedish class society and it's history.
In Kiev, clashes between protestors and police have persisted since December. Blood has been shed, and the political stability of Ukraine remains uncertain.
During late January and early February, the opposition began to play music (from pianos) in front of riot police. These artists modus operandi has been to serenade protestors and police toward peaceful consensuses.
A site specific intervention аs part of the group exhibition Sculptural, organized and partly financed by the Museum of Contemporary Art, Skopje. The text INVEST IN FUTURISM is a quotation of a gaffe uttered by the Macedonian PM on public TV stating his plans to incorporate contemporary art in their right wing populist programme and the infamous project Skopje 2014.
Josep Renau Berenguer was a Spanish painter, photomontager, muralist and communist militant.
Renau was the son of an Art teacher. Due to his father’s low income, he had to work various jobs during his youth and teenage years to maintain a middle class position.
Located off the west coast of Scotland are the Outer Hebrides, an island chain where Finnish artists Pekka Niittyvirta and Timo Aho decided to install their piece, Lines. The installation is composed of lines of light wrapped around buildings or hovering on a grass field. At high tide, the lights turn on, illuminating the serene landscape, and marking the height of future sea-level rise on the low-lying archipelago.
This demonstration was in response to a new law (as of June, 2012) imposing fines for unauthorized protest of up to $20,000 for organizers and $10,000 for participants. After activists were turned down for a more traditional protest, Lyudmila Alexandrova and others set up small dolls, teddy bears, and figurines with demonstration slogans. Two mini protests took place in January 7 and January 14, 2012.
The 15M movement in Spain grew out of a desire for liberation and greater access to social and political rights for marginalized groups. At its core the activists of 15M were visionaries and used voting for a utopian society as a creative act to reimagine the world they created. Reality is socially construed by the forces that determine individual agency.
Graffiti art is particularly viewed as a powerful form of social protest, and the (illegal) act of defacing can be as important as the message itself. Artist Void One has been arrested on numerous occasions for his politically-charged interventions.
“I didn’t set out to make political art but art is a platform where I can vent my frustrations” – Void One.