Fast-casual chain Chipotle Mexican Grill added some spice to its long-running "Food With Integrity" sustainable farming campaign by teaming with Academy Award-winning design firm Moonbot Studios for The Scarecrow, an animated short film and accompanying mobile game created to increase consumer awareness of animal confinement, synthetic growth hormones, toxic pesticides and other fixtures of industrial food production.
On January 17, 2011, Hong Yuping (洪玉萍), from Fujian Province, contacted Yu Jianrong (于建嵘), at the Chinese Academy of Social Sciences (CASS), about her family’s plight and requested assistance: In June 2009, their son, Yang Weixin (杨伟鑫), then age six, was abducted from their hometown, Quanzhou, and they had been searching for him ever since.1 In early 2010, Hong had recognized Yang Weixin in a photo of three children begging outside a Xiamen train statio
“Thank you!”
That’s how comedian Michelle Wolf answered Sean Spicer’s declaration that her headlining stand-up set at the the White House Correspondents’ Association dinner was “a disgrace.” Her response is instructive: To Wolf, an insult from Spicer is an accolade – and accolades, surely, would be an insult. She’s right.
I Will What I Want is a campaign launched by Under Armour which speaks to women who do not wait for permission or affirmation in order to go after what they want. The campaign highlights various models and athletes who encourage women to tune out society's standards and pursue their dreams. The campaign began by highlighting Misty Copeland, a soloist at the American Ballet Theater.
Artist Lauren McCarthy wants to challenge our obsession with getting followers on social media by letting you request a real-life follower, for one day at a time.
"Vaccines Work. Here Are the Facts." is a short web comic by Maki Naro explaining "The risks, the misinformation, and the science behind history’s greatest life saver."
This special EDition is a revolutionary chant against the menacing cantankerous demonic , satanic COVID 19. And again doubles as a bold and poetic supplication to the great Almighty God to release us off this pandemic bondage. This Edition is a poetically driven spiritual prayer for freedom of expression and freedom after expression.
Lesbians 101 is a full-color, 16 page magazine-sized comic book packed with light-hearted education based on the most common set of questions lesbians frequently get.
On the Internet people only look at pictures of kittens.
British street artist Banksy has posted pictures and video of works made during a trip to the war-torn Gaza Strip.
One shows a figure reminiscent of Rodin’s “The Thinker” — though, set in a still-standing doorway surrounded by nothing but rubble, the figure seems more distraught than contemplative.
To state or chant ‘BLACK LIFE’S MATTER’ is not to say other lives don’t matter, it’s a reminder that four hundred years and counting, black lives didn’t matter enough. Not during the dark era of slave trade and its horrors on the African, not after slavery ended and blacks were left holding the short end of the stick.
The Activist Millennials Project (AMP) serves as the nexus of activism and social justice research and practice for millennials at the intersections of educational institutions (K-12 and postsecondary) and communities. By harnessing a growing diverse network of activists, scholars, artists, social entrepreneurs, and media talent, we believe we can provide useful resources to support the various efforts of millennials to create a more just world.
Video of Mary Perry Stone's social protest art created in the 1960s . Civil Rights, and the Vietnam War were her subjects. Mary never stopped being an activist and a few of her later works are also in the video.
The internet has reshaped the ways we learn and communicate. Information becomes heuristic, concomitantly - knowledge becomes protean. If you dedicate enough time to any particular platform, you are likely to acquire a community with congenial individuals. Social media’s proliferation has obfuscated the lines between reality and fiction. Embraced as a tool for many, these digital spaces typically have no monitoring process.
In a dark nod to International Women's Day, artist aleXsandro Palombo has turned to the world of cartoon characters to shed light on the horrors of domestic violence. His series, "No Violence Against Women," transforms iconic animated women into victims of abuse, resulting in a familiar yet ultimately disturbing collection of illustrations.
The Chinese artist tells us the true story behind "Sky Ladder."
Chinese artist Cai Guo-Qiang is known for highly-publicized public spectacles that fill the sky with shimmering fireworks or colorful smoke.
In 2012, Sandra Fluke stood up in front of Democratic members of the House Oversight and Government Reform Committee to advocate for the mandatory inclusion of birth control coverage in health insurance. Republicans on the committee refused to allow her to speak.
"The thing about this is that sculptures like these in art history were for the male gaze. Photoshop a phone to it and suddenly she’s seen as vain and conceited. That’s why I’m 100% for selfie culture because apparently men can gawk at women but when we realize how beautiful we are we’re suddenly full of ourselves…" —Kiyun Kim
"My body is not pornography" — that is the slogan written under many of the social media posts inspired by Yulia Tsvetkova. Women are posting pictures of themselves showing off their curves, body hair and scars, along with feminist art and pictures of everyday objects that look like vaginas — like fruits or flowers.
For his latest project, Mark Manzi found himself outside of his comfort zone. For the Amsterdam-based photographer and designer, People of Japan was an attempt to break from his photography-first portfolio. “In the past, my work was very image-focused, whereas with this book I wanted to scan objects, collect receipts, record noises, add copy, and really create something visually striking,” he says.
MOTHER EARTH is broken from incessant decadent wars carelessly perpetuated by mindless ,vicious political imbeciles. Our natural wealth plundered by greedy ,gluttonous economic dare-devils, imbibing crude oil and fresh blood . Warlord-ism set the suns of our freedom, our earth is torn naked . War is ravaging the beauty of African diamond fields ,We are now Wretched Vagabonds . Warlords are frying peace in oil springs of the Gulf.
The video for “Borders,” a song off MIA's album Matahdatah, features images recalling all sorts of migrations from the developing world—there are people crossing deserts, fences, and bodies of water. Though much of M.I.A.’s work has been about women and children, this video is filled with brown men: the ultimate bogeyman for many in the West, stereotyped as terrorists, criminals, and job-takers.
Per os is a research-based art project about the pharmaceutical companies' role in our society, psychiatry and healthcare. Using surveys I have conducted over the past three years and a large amount of anger at how wrong and corrupt the system is, I would like to interpret this research artistically in order to develop material for an exhibition and interventions.
The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.