Across the United States, 2,693 people have received a letter in the last few months, which identified a debt and read: "You are no longer under any obligation to settle this account with the original creditor, the bill collector, or anyone else." This is the work of the Rolling Jubilee project – a non-profit initiative which buys personal debt for pennies on the dollar in the secondary market (where debt is sold to companies who then resell i
A striking new cultural space is taking shape in New York’s Hudson Valley. Alex Grey and Allyson Grey, co-founders of CoSM, Chapel of Sacred Mirrors, have launched a Kickstarter campaign to build Entheon, sanctuary of visionary art, to ask for support to complete the build.
April 19th, 2020
Taylor, TX – On April 19th at 4 pm, around 70 human rights defenders in cars circled the T. Don Hutto Residential Center operated by CoreCivic in Taylor, honking and displaying signs urging ICE and local officials to release people from cages before COVID-19 turns prisons into death camps. This comes after news of the first detained immigrants in Texas testing positive for the novel coronavirus on Monday.
"Lincoln Square — The runners tossed blankets, gloves, jackets and other gear onto the pile, each leaving a piece of where they came from. A French man donated his running shirt and pants, and noted that they were designer wear. Enybe Merritt, 32, contributed a West Virginia University Cycling sweatshirt.
The Howling Mob Society has created ten
historical markers representing history from the perspective of the working class. In particular, these markers detail events and significant locations from the
Great Strike of 1877 - a historical event in Pittsburgh's labor history that ignited a popular uprising of workingmen, families, and
neighbors alike as citizens stopped train services, burned railroad
Imagine walking into a silent room where a woman is mending. Now imagine that she's sitting underneath 1,500 pairs of sharp Chinese scissors that are suspended from the ceiling, precariously pointed downwards. This was the idea behind The Mending Project by Beili Liu.
Henry Taylor (born 1958) is an American artist and painter who lives and works in Los Angeles, California. He is best known for his experimental figurative paintings and exploration of contemporary and relevant historical social issues. Taylor rewrites art history, often with art historical references, to amplify Black people who have been overlooked or undermined by the canon and systems of power and control.
Haircuts by Children is a whimsical relational performance that playfully engages with the enfranchisement of children, with trust in the younger generation, and the thrills and chills of vanity. Haircuts By Children involves children between the ages of 8-12 are trained by professional hairstylists, and then paid to run a real hair salon, offering members of the public free haircuts.
The Battle for Healthcare
Agitpop joined Dawn Smith and MoveOn.org in taking on Dawn’s insurer to get the care she needs and reform our broken health care system. They traveled from Atlanta to Philidelphia to share her story and bring the voice of thousands of American’s to Cigna’s doorstep.
In the 1980s, Holzer and Lady Pink used New York as a backdrop for their artworks: Holzer wheatpasted posters and slogans on walls throughout Manhattan, and Lady Pink spray-painted graffiti on buildings and subway cars. The two also collaborated on a series of paintings on canvas, such as this work, for which Holzer composed phrases and Lady Pink did the painting.
It’s the summer of 1971 and tourists flock around one of Washington DC’s most famous hotspots – the Capitol steps. Journalist Art Goldberg recalls ‘a squad of soldiers moving through the space. They are grubby-looking troopers, clad in jungle fatigues. Jumping a low fence, they begin shouting at a group of tourists. “All right! Hold it! Hold it! Nobody move. Nobody move!” Their voices full of tension and anger. A man runs from the crowd.
On Friday night, as U.S. television screens burned with images of peaceful protests turning violent, Nike released a new socially conscious ad calling on Americans to do something quite different than the brand’s usual call to “Just Do It.” Instead, one of the nation’s leading athletic apparel companies called on individuals to not turn their back on the painful issue of racism in the United States.
Jenny Holzer is known for her art relating to truisms. Her work has revolved around truisms and finding an artistic way to display them. Kind of Blue is another work comprising different aphorisms and truisms. It combines digital technology, reflections, and a very blue theme. Text-based art is Holzer’s specialty, and she works with it along with LED, Parking meters, and billboards .
Sarah Silverman Wants to Pop Your Bubble
With her new political variety show, “I Love You, America,” the stand-up comic aims to unite red and blue. But can TV really change minds?
By Jason Zinoman
Oct. 4, 2017
The Creativity Movement (formerly known as the World Church of the Creater) is a self proclaimed white supremacist organization with factions across the United States. In 2004, a high ranking leader of the Montana based faction defected from the group, but not before donating over 4,000 of the group's bibles called the 'RAHOWA' (acronym for racial holy war) to the Montana Human Rights Network.
The Whitney Museum of American Art’s pay-what-you-wish Fridays are typically busy. For two-and-a-half hours out of the 53 the museum is open each week, visitors can enter without paying the usual $25 admission fee, a brief and temporary, but recurrent, leveling of the playing field for art lovers.
The Survivaball made its first appearance in 2006, when "Halliburton representatives" attended a conference on catastrophic climate change and demonstrated the functionality of the large inflatable suits ("a gated community for one"), which keep corporate managers safe from global warming. Not long afterward, in Berlin, the Yes Men learned they also work as disruptive, arrest-resistant tools.
Over the course of a semester, fashion hactivist and fashion social justice scholar, Otto Von Busch, facilitated a course on "Critical Fashion and Social Justice," where graduate fashion students at Parsons design school researched, contextualized and at times critiqued case studies on various examples of "fashion social justice." Case studies included traditional fair trade companies and non profit organizations that have used fashi
A group of protesters calling themselves the "Gmuni dancers" block a Google Bus from moving on 24th Street at Valencia Street on Tuesday April 1, 2014 in San Francisco, Calif.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
Across the street, another woman lies face down, sunbathing on a large sheet of tinfoil. The sentence "White Supremacy Is Terrorism" is inked across her white skin, which is turning pink under the hot sun.
“Cabaret Con-Sensual is an effort comprised of actors, dancers, comedians, producers, writers, and other artists who strive to champion consent and discuss rape-culture through the subversive, yet expressive medium of the performing arts.”
The show was created by Bitsy La Bourbon, founder of the anti rape campaign and non profit organization More Than No.
“Judy Chicago: Herstory” will span Judy Chicago’s sixty-year career to encompass the full breadth of the artist’s contributions across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking. Expanding the boundaries of a traditional museum survey, the exhibition will place six decades of Chicago’s work in dialogue with work by other women across centuries in a unique Fourth Floor installation.
The average crow takes less than two hours to travel from Sing Sing maximum-security prison to the Whitney Museum of American Art, institutions separated by just 32 miles of land along New York’s Hudson river. Yet few humans journey between them – museums and prison are at opposite ends of our society’s self-imaginings, and their populations tend not to intersect.
A human tide swept through Paris last month for the type of event France knows only too well — a protest. Union leaders led the march, awash in a multicolored sea of flags. Demonstrators shouted fiery slogans. Clashes with the police erupted.
And, as in every protest, there was Jean-Baptiste Reddé.