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Today’s Bad Bitch Award goes to Karmenife Paulino, a 22-year-old graduate of Wesleyan University. Raped at a fraternity during her freshman year, she reasserted her sexual agency in a photoshoot entitled “Reclamation,” where she poses as a dominatrix on fraternity grounds.

For an art project about the effects of white privilege and the disturbing ways in which its effects are built into our society, Risa Puno’s The Privilege of Escape is a surprisingly fun, even enjoyable experience.

In December 2015, she stepped out in a wedding dress adorned with hundreds of air pollution masks and walked the streets appealing to Beijingers to take public transport rather than contribute to the choking smog by driving. The year before, she was photographed outside the Beijing Exhibition center in another, wedding dress complete with a 10-metre-long train in a piece entitled “Marry the Sky”.

Recurrent themes in Emily Jacir's practice—which spans a range of strategies including film, photography, interventions, archiving, performance, video, writing, and sound—are silenced historical narratives, resistance, movement, and exchange.

The incident began when two clowns, Hannah Morgan and Louis Jargow, scaled the steel barricades protecting the landmark. The clowns began spanking and climbing the beast, traditional ways of coaxing a bull into anger in preparation for a Castilian corrida, or bullfight.

The Repellent Fence is a social collaborative project among individuals, communities, institutional organizations, publics, and sovereigns that culminate with the establishment of a large-scale temporary monument located near Douglas, Arizona and Agua Prieta, Sonora. This 2 mile long ephemeral land-art installation is comprised of 26 tethered balloons, that are each 10 feet in diameter, and float 100 feet above the desert landscape.

For the first time since its controversial installation in 1989, the I.M. Pei-designed Louvre Pyramid has been decorated in a museum-sanctioned act of anti-capitalist activism.

According to the World Health Organization, China is home to two-thirds of the world's women who wear IUD devices. This is a form of contraception that was developed after World War II, and in essence, comes from discrimination against women. In 2014, artist Zhou Wenjing made a work of IEDs, which was recently exhibited in Beijing.