Breach Theatre’s multimedia play The Beanfield joins a growing trend of artists using documentary inquiry to hold violent and corrupt institutions to account.
A change in the programmed entertainment at last night's Asia-Pacific Economic Cooperation (APEC) gala left a few world leaders slack-jawed, though most seemed not to notice that anything was amiss.
Kevin “Rashid” Johnson is a revolutionary, writer, social activist and founding member and Minister of Defense of the New Afrikan Black Panther Party, and member of the Incarcerated Workers Organizing Committee. At 18 years old, in 1990, he was convicted of murder, which he has consistently challenged on the grounds of misidentification.
Xu Bing, the internationally acclaimed Chinese artist, has brought his “Phoenix” installation to the majestic nave of the Cathedral Church of St. John the Divine on Manhattan's Upper West Side. The two phoenixes, both Feng, the male, and Huang, the female, faced the decoratively carved bronze doors of the Cathedral, as if poised to take flight in the middle of the night.
Facebook came under fire when its authentic-name policy led to San Francisco drag queen Sister Roma and others being barred from the social network. The policy allows users to report people they believe are using fake names. This caused a stir when a group of drag performers suddenly found that their Facebook accounts had been deactivated. Among them was Sister Roma, who had not registered on the site under her legal name, Michael Williams.
Today over 40 people gathered at the Ministry for Internal Affairs in the centre of Tirana, the capital of Albania. The issue is Tirana's drinking water, which is not clean, unreliable as it comes out of the tap only a few hours a day and that sewage systems continue to pollute the water sources.
Dropping a Han Dynasty Urn (1995) by Ai Weiwei is a highly provocative work of art. This series of three black and white photographs portray the artist holding a 2,000-year-old Han dynasty urn that, frame by frame, he drops, it falls, and shatters. As much a work of photography as a work of performance art, in each still an unaffected Ai looks directly at the camera aware of his destructiveness.
QUESTION: Year after year, decade after decade, you alert the legal authorities to cruelty violations and suffering animals in peril, yet nothing ever happens. You know for a fact there are thousands of screaming and suffering hens inside a factory farm and you know the authorities will once again turn a blind eye, so what do you do?
An installation by architecture studio Rael San Fratello, which connected children in the US and Mexico via a trio of seesaws slotted into the countries' border wall, has been crowned the Design of the Year.
Dubbed the Teeter-Totter Wall, the project was in place for only around 40 minutes in July of 2019 and hoped to foster a sense of unity at the divisive border, which was highly politicised under the Trump administration.
Cassils' Becoming an Image confronts issues of queer and trans visibility, bodily violence, and the politics of witnessing. The performance uses a powerful blend of media—including live action in darkness, flash photography, clay sculpture, and sound—to explore how trauma and resilience are physically and symbolically inscribed onto the queer body.
In a massive act of ‘brand vandalism’ just two days before the launch of the UN COP21 Climate Conference, 600 anti-advertisement posters have been installed in outdoor media spaces throughout the streets of Paris. The posters display artwork from over 80 artists from 19 different countries, including big names such as Banksy-collaborator Paul Insect, Alex One, Know Hope, Escif, Cleon Peterson, Hyuro, Jimmy Cauty, Ron English and many others.
Watch Gabriel Frilando (aka CheatDeathNYC) cycle through the streets of New York City in this short film of remembrance made by NYC based, Argentinian born, director/ cinematographer Nicolás de Miranda.
Speaking about this personal project Nicolás says:
Before Chance the Rapper performed at sold-out concert venues, he practiced his rhymes in front of an intimate crowd of roughly a dozen people at Harold Washington Library. Now the rapper is trying to return the favor, one open mic at a time.
During a cold January morning in 2020, Animanaturalis, a nonprofit group focused on ending the suffering of animals across Spain and Latin America gathered to protest the use, production, and sale of fur in Spain. In a blog post on their website, the group discusses the horrid living conditions on fur farms as well as statistics and alternatives related to fur sales (Animanaturalis, n.d.).
In 2017, the political party Ahora Buenos Aires (Now Buenos Aires) was running in the legislative election for the first time. It is not easy being a small left-wing party in the City of Buenos Aires, therefore imagination is an essential part of a campaign if you want to get the attention of the media and voters.
Our NGO “Voices from the Conflict” seeks to open a conversation about the Israel-Palestine conflict through the lens of activist art. The history of the conflict dates back to the UN partition plan in 1947, followed by Israel’s independence in 1948. Since then, there have been several armed engagements between the two actors- causing massive civilian casualties and terrorism.
The Overpass Light Brigade (Milwaukee, WI), has been working with Idle No More (WI) in order to give visibility to the cultural and environmental costs of opening up Northern Wisconsin to iron mining. The proposal will soon be voted on and likely passed by the conservative Wisconsin legislature which has been purchased by the Gogebic Mining Company.
An Egyptian-born activist was arrested yesterday for spray-painting subway billboards that call enemies of Israel “savages” — amid a wave of vandalism unleashed on the inflammatory ads, which have divided the city.
Mona Eltahawy, a self-described “liberal Muslim,” strolled up to one of the signs at the crowded 1/2/3 train mezzanine at the Times Square station and sprayed pink paint on the ads.
“My intention was not to disappear in the environment but instead to let the environment take possession of me” Said Liu Bolin. With his strong photography, Bolin vanishes into the city, creating a powerful statement about our relationship, as humans, to our surroundings.