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In the UK, the secretary of state Theresa May is attempting to pass a new investigatory draft bill that would essentially rid all British citizens of the right to privacy and security on the internet. Internet providers will be required to maintain user's browser history for 12 months amongst other things. In light of these revelations, it seems privacy will no longer be a basic human right, but an add-on option to our internet services.

from "Laugh, O Revolution: Humor in the Egyptian Uprising" by Anna Louie Sussman, in 2011. Revolutions can be messy. They can be tragic. As long as the Internet is working, they can be tweeted. And, as Egyptians demonstrated during their 18 days of protest, they can also be funny.

The performance artist James Luna, who died in 2018 at age 68, had a wicked sense of humor, which made his explorations of the way that Indigenous people have long been objectified, especially in museums, painfully piquant.

TYRE NICHOLS WAS a photographer with an eye for the natural world. He was especially drawn to landscape portraiture, its calm and innocence. It is said that Nichols liked to crane his lens skyward, capturing what sunlight he could before it dissolved into the horizon. As he drove home after taking photos on January 7, he was pulled over by the Memphis police and what happened next was as tragic as it is terribly commonplace. Tyre Nichols is dead at 29.

Carlos Hernández Chávez is a Mexican-American muralist who brings the spirit of 20th-century Mexican muralism into modern New England. Chávez’s murals address key social justice themes, including immigration, workers’ rights, and cultural identity, challenging viewers to acknowledge and reflect on pressing societal issues.

When Agnes Gund, the 77-year-old philanthropist and president emerita of the Museum of Modern Art, got the call, she thought: “That’s odd. What’s that got to do with someone like me?” When Fran Lebowitz, the 65-year-old author, got the call, she said, “I thought it was a joke.”

What is Art for Social Change? There are many ways of defining art for social change. In each of these cases, art for social change strives toward effective engagement with social issues that integrate and celebrate imaginative thinking, helping people to find new ways to see and be engaged in the world. In the context of the ASC Project, three types of art for social change are considered:

As she puts the finishing touches to her habit, Sister Clarita, a Mexican immigrant living in Los Angeles, tells me that there are more than 3,000 LGBT+ nuns around the world. They’re part of the Sisters of Perpetual Indulgence, an international network of activists who identify as secular nuns.

Last week, a dozen of female artists turned the walls of a downtown parking lot in Cairo into a street art gallery. Colourful group murals carrying personal stories and spreading messages to increase women’s visibility, and positively affect public consciousness.