At Carnival, Where Challenging Normal Is the Norm
By NADIA SUSSMAN and TAYLOR BARNES
New York Times MARCH 2, 2014
RIO DE JANEIRO — Standing high atop a truck rigged with speakers, André da Silva Lisboa cried out to hundreds of drummers, dancers and costumed revelers gathering in the sun-drenched avenue below.
“Carnival has arrived,” shouted Mr. da Silva Lisboa, 38, a samba singer. “Come to the streets! We’re freaking out!”
Joseline de Lima was wandering the dusty alleys of her working-class neighborhood in the capital of Togo one day last year, when a disturbing thought crossed her mind: Who would take care of her two boys if her depression worsened and she were no longer around to look after them?
From Variety:
YouTube launched a campaign with the hashtag #DearMe — encouraging users to upload “video letters” with advice to their younger selves, aimed at helping girls deal with problems — and within an hour it became the No. 1 trending topic on Twitter both in the U.S. and worldwide.
Ron Krielen is a social designer and a taxi driver. He spent five years driving a taxi for elderly and disabled people. En route, he would get to know them and their individual situation. He realized that this kind of personal contact gave him a better insight into possible solutions than many of the healthcare providers who were actually assigned to each case.
Throughout the weekend, big box stores across the country were stocked with an unexpected item: “The Justice Kavanaugh Boof Kit.” The item, an alcohol enema kit (known as “boofing” or “butt chugging”), appeared on dozens of retailer’s shelves over the weekend in New York, Los Angeles, San Francisco, Minneapolis, and Detroit. Some of the stores included Walmart, Target, Bevmo and other major super market chains.
In 2010, the College Republicans used tens of thousands of dollars from student fees to bring Ann Coulter to speak at the University of Wisconsin-Milwaukee.
An Egyptian-born activist was arrested yesterday for spray-painting subway billboards that call enemies of Israel “savages” — amid a wave of vandalism unleashed on the inflammatory ads, which have divided the city.
Mona Eltahawy, a self-described “liberal Muslim,” strolled up to one of the signs at the crowded 1/2/3 train mezzanine at the Times Square station and sprayed pink paint on the ads.
'Jealousy Ms. Vy' is a creative project of the Institute of Occupational and Environmental Health, in collaboration with musician Khac Hung, singer Min and singer Erik.
Through this project, we look forward to empowering and trusting the community, so that we can join hands to combat COVID-19 (aka nCoV-2019).
A group of protestors and organizers from Sunrise Movement, Earth Guardians, 350 Eugene, Cascadia Wildlands and more staged a bike march culminating with a die-in outside of the Northwest Natural Gas headquarters in Eugene, Oregon.
The protestors lie on the ground outside the NWN building, beneath tombstones donning the dangers of natural gas.
For the past 20 years, Great Bend school district art teachers have been letting their students collaborate on an art project at the Barton County Historical Society Museum. This year, they will ground their efforts in working together to make a mural. Their teachers are trying to instill the fact that art builds community, as it has here for the past two decades.
For third world artists who are forced into exile, the creativity process could be greatly challenged due to displacement in language, community and history. Many filmmakers in exile tend to look at their connection to the homeland in strictly political terms, or give up making films overall.
The Rwanda Film Institute dedicates a lot of its energy to the education of individuals in the field of filmmaking. Through our Kwetu Film School, we look to consistently breed the next generation of Rwandese filmmakers. This is an essential part of our overarching goal of the development of Rwanda culturally, economically, and communicatively through the growth of filmmaking as an industry.
Zoo Portraits is a humorous photo series by Barcelona-based photographer Yago Partal that matches animal heads with human bodies. Partal amazingly matches animals to appropriate human bodies and even manages to match their personalities and styles.
Created by and for women, Broccoli is an independent print magazine based in Portland, Oregon. Although intended for cannabis users, Broccoli is an art and lifestyle magazine that bills itself as “playful, informed, eclectic, and thoughtful.” It encourages the discovery and appreciation of cannabis through explorations of art, culture, and fashion.
The work of a radical theater and puppetry collective, known as Papel Machete, produces and performs throughout Puerto Rico and the United States. Papel Machete was established on May 1, 2006 during protests responding to the government shutdown and political and economic crisis prompted by Puerto Rico’s status as a United States colony.
To change Bostwana’s regional misconceptions about HIV, Kesego Basha-Muebli, founded the Miss HIV stigma free pageant. A pageant designed for women who are currently receiving health and wellness counseling and HIV antiretroviral treatment to come out to their friends and family as being HIV positive.
On Sunday, September 16th at around 1am, a white van—labelled with “Van Wagner’s” blue logo and topped by a yellow strobe light—circled through permanently lit Times Square. Inside the vehicle, the driver and passenger, both dressed as construction workers, were nervous. They had just vandalized one kiosk a few yards away from an NYPD tower, now they were about to hit another one right underneath the nose of a large white NYPD security camera.
The Girl Effect 2010 video "The Clock is Ticking" receives premiere at Clinton Global Initiative
• "The Girl Effect: The Clock is Ticking" video shown to world leaders at the Girls and Women opening plenary of CGI, Tuesday 21 September
• Video highlights need for urgency: reach a girl before she reaches the age of 12 and stop poverty before it starts
Background:
Josh Keyes is a contemporary artist who takes a "satirical look at the impact urban sprawl has on the environment and surmises, with the aid of scientific slices and core samples, what could happen if we continue to infiltrate and encroach on our rural surroundings."