School desks placed by parents, district graduates and activists block a street in front of the Los Angeles Unified School District headquarters in a demonstration against student dropout rates Tuesday, April 8, 2014, in downtown Los Angeles. Protest organizers say the 375 desks are there to represent the 375 students who drop out of the district every week during the school year.
Institute of psychology in Shenyang, a major city of China, recently reveals 6 most frequently used utterances in verbal abuse of children among local parents: “Garbage”, “You know nothing but eating”, “Pig head”, “Shame on you”, “Why don’t you die”, “No one else is lamer than you”.
The satirical website was launched at noon on Monday, December 3. According to the site, “PINK loves CONSENT is our newest collection of flirty, sexy and powerful statements that remind people to practice CONSENT. CONSENT is a verbal agreement about how and when people are comfortable having sex.”
Cosmic Generator presents a network of characters working in nonsensical, and at times absurd, economies. Artist Mika Rottenberg uses footage from actual discount dollar stores in Calexico, CA; Mexicali, Mexico; and Yiwu, China to recreate the imaginary “life” of a product, from its production in the factory to the moment it is sold.
In the Democratic Republic of Congo or DRC, sexual violence is a community-wide problem. Rape, in the DRC has been used as a weapon of war and sadly continues to increase even after. According to the peacebuilding NGO Search for Common Ground or SFCG, it is estimated that there are over 400,000 surviving rape victims living in the DRC today. In this environment violence against women has become normative behavior.
The Couple in the Cage documents the travelling performance of Guillermo Gómez -Peña and Coco Fusco, in which they exhibited themselves as caged Amerindians from an imaginary island. While the artists’ intent was to create a satirical commentary on the notion of discovery, they soon realized that many of their viewers believed the fiction, and thought the artists were real “savages”.
NEW YORK — Hours after police removed an illicit bust of Edward Snowden from its perch in a Brooklyn park on Monday, artists replaced it with a hologram.
The group of artists — who collectively call themselves "The Illuminator" and are not related to the trio behind the original sculpture — used laptops and projection equipment to cast an image of Snowden in a haze of smoke at the spot where the sculpture once stood.
On the night of Thursday, Nov. 13, 1969, the “March Against Death” began. By the time that weekend was over, Washington, D.C., had seen more protesters than any single event in its history had drawn. Attendance was higher, by tens of thousands, than at the 1963 Civil Rights March on Washington. And despite a name that, 45 years later, may seem overblown or vague, the march was actually about something very specific.
The International Harlem Fine Arts Show (HFAS) is the largest traveling African Diasporic art show in the United States. Inspired by the Harlem Renaissance, HFAS provides a platform for African Diasporic visionaries and American visual artists to exhibit and sell their artwork. The show also aims to create economic empowerment, educational opportunities and professional recognition within the multicultural community.
Hundreds of artists, cultural workers and activists gathered on the steps of the Metropolitan Museum of Art on Fifth Avenue in New York on Sunday (24 March), demanding that the most visited museum in the US publicly call for a ceasefire in the war in Gaza and commit to preserving Palestinian cultural heritage.
ICE [Immigration & Customs Enforecement] is now heavily recruiting, in part with offers of a $50,000 signing bonus. ICE has run roughshod over the Constitution, targeting people via racial profiling, failing to give people their constitutional rights of due process, and whisking them off to prisons abroad.
Halsey Delivers Emotional Speech About Sexual Abuse, Rape at New York Women’s March: Here Is Her Full Poem
Halsey penned a powerful, heart-wrenching poem about her own experiences with sexual assault and rape for the 2018 Women's March in New York City. Watch and read it here.
By Ashley Iasimone
01/20/2018
Matthew Shepard was attacked by Aaron McKinney and Russell Henderson on October 7, 1998, the victim of an anti-gay hate crime. He was pronounced dead on October 12th. Shepard's funeral was protested by Fred Phelps, notorious leader of the Westboro Baptist Church. The protesters bore signs with phrases such as, "God hates Fags", "No tears for Queens", and "Fag Matt in hell".
What happens to explicitly political art when it’s placed inside of the White Cube? Paint the Protest, a group show curated by Nancy Spector at Off Paradise self-consciously poses this question, and further aims to reveal the place and purpose of activist art in general.
Project Row Houses (PRH) is a neighborhood-based nonprofit art and cultural organization in Houston’s Northern Third Ward, one of the city’s oldest African-American communities. PRH began in 1993 as a result of discussions among African-American artists who wanted to establish a positive, creative presence in their own community.
Gregg Segal -- a California-based artist who is known for using the medium of photography to explore culture with the "sensibility of a sociologist" -- travelled around the world asking kids to keep a journal of everything they ate in a week. Once the week was up, Segal made a portrait of the child with the food arranged around them:
Bit Rosie showcases female music producers in high quality performance videos and short documentaries. Our videos and digital archive project with the New York University library document the work of women using music technology to make sounds across genres and locales.
Bit Rosie is directed and produced by Adele Fournet.
http://www.adelefournet.com/
'Learning To Love You More' is a digital and physical presentation of artistic responses from the general public. These "assignments" were facilitated under the creative direction of Harrell Fletcher and Miranda July, managed on a website by designed and curated by Yuri Ono. In 2010, the San Fransisco Museum of Modern Art acquired the website to persevere it as an archive.