The incident began when two clowns, Hannah Morgan and Louis Jargow, scaled the steel barricades protecting the landmark. The clowns began spanking and climbing the beast, traditional ways of coaxing a bull into anger in preparation for a Castilian corrida, or bullfight.
As the Yippies prepared for protests at 1968 Democratic National Convention, Yippie Paul Krassner rattled Chicago leaders by suggesting that the Yippies were planning to put LSD in the city water supply. As Abbie Hoffman said at the Chicago Seven trial: "I read in the paper the day before that they had 2,000 troops surrounding the reservoirs in order to protect against the Yippie plot to dump LSD in the drinking water.
Natalie Ball’s work challenges dominant stories of Native American identities, taking to task the historical and visual legacies that misrepresent what it means to be “Indian.” She dives deeply into Indigenous histories and forms of knowledge, the use of language, and a wide range of materials—including animal hides, clothing, and synthetic hair—to create a new narrative around Indigenous experiences and identities.
Emory Douglas joined the Black Panthers in January 1967 at the age of 23, just three months after Huey P. Newton and Bobby Seale founded the party. Douglas, who had studied graphic design at San Francisco City College, swiftly became the organization’s minister of culture and the art director in charge of its eponymous newspaper.
The Colombian hip hop had an outstanding representation with the C15 group in the Fabrica of Rimas International Festival, a gathering of urban cultures, sponsored by Morocco, Colombia and Spain.
At Carnival, Where Challenging Normal Is the Norm
By NADIA SUSSMAN and TAYLOR BARNES
New York Times MARCH 2, 2014
RIO DE JANEIRO — Standing high atop a truck rigged with speakers, André da Silva Lisboa cried out to hundreds of drummers, dancers and costumed revelers gathering in the sun-drenched avenue below.
“Carnival has arrived,” shouted Mr. da Silva Lisboa, 38, a samba singer. “Come to the streets! We’re freaking out!”
The Georgian government’s attempt in March to impose a repressive Russian-style “foreign agent” law has galvanised the cultural community in the country. Museum workers and artists have been at the forefront of dramatic protests during which police fired water cannons at crowds waving European Union flags, and say they plan to continue the battle despite the government backing down from the legislation.
“Nature’s Nation: American Art and Environment” is an important exhibition organized by the Princeton University Art Museum is on view at the Peabody Essex Museum, in Salem, Massachusetts, from February 2 through May 5, 2019.
Thousands took to the streets in Lima, Peru, on March 11 to protest conservative presidential frontrunner Keiko Fujimori, daughter of former dictator Alberto Fujimori, and demand that her candidacy be revoked amid accusations of vote buying.
Ricardo Levins Morales is an artist and organizer based in Minneapolis, Minnesota. He was born into the anti-colonial movement in Puerto Rico, and when his family moved to Chicago in 1967, he became interested in activism. After leaving high school early, he worked in various industries and began to use art as part of his activism work.
CENTRO San Antonio's Art Everywhere Project will celebrate its 5th anniversary in May.
As of May 2024, the project had seen numerous artists from the city's urbancore decorate areas of the city with elaborate murals reflecting the city's history and the diversity of cultures in the city.
With people in Turkey and Syria still reeling from Monday’s devastating 7.8 magnitude earthquake, many in the art world have united in support of the relief efforts for the disaster. The death toll has now surpassed 22,000, with close to one million people now in need of food amid freezing temperatures.
What he captured became one of the most influential images in history. A driving force of the environmental movement, the picture, which became known as Earthrise, showed the world as a singular, fragile, oasis.
Mattress Performance (Carry That Weight) (2014–2015) was a work of endurance/performance art which Emma Sulkowicz conducted as a senior thesis during the final year of a visual arts degree at Columbia University in New York City.[1]
On August 14th 2014 several prominent statues within the city centre and the southern suburbs of Cape Town got redressed in green blankets, equipped with miner gear or carrying grocery bags. The statues – mainly of which represent colonial figures – were redressed in light of what has come to be known as the Marikana Massacre: the shooting of 34 miners by the local police force of Marikana, South Africa on August 16th, 2012.
In Seoul, thousands of protestors who represent organized labor marched in Seoul on Saturday denouncing the governments attempt to force thousands of striking truckers back to work after they all walked out over a dispute in the price of freight.
On October 16, 1964, the artist collective Hi Red Center, clad in sanitation masks and white uniforms and wielding small brooms and toothbrushes, spent several hours meticulously cleaning the streets of the Tokyo district of Ginza, amid the hustle and bustle of a “normal” day.
Dozens of Howard University students are sleeping outdoors in a tent encampment on campus grounds to protest what they describe as "poor" and "unlivable" conditions in the college dormitories.
Students told ABC News that portions of the university living quarters have mold and insect and rodent infestations, as well as leaky ceilings and flooding -- all of which they say put their health at risk.