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On what seems to be just another ordinary day, a man is exposed to sexism and sexual violence in a society ruled by women... Eléonore Pourriat's short film imagines how a man might experience a sexual assault in a matriarchal society.

In Indonesia, a loud and politically committed generation of punk bands are shaking big business – and getting results

An exhibition of textile-based work by disabled artists, organised in protest at the inaccessibility of an exhibition by a popular artist, when it came to Leeds.

Trash Tycoon is an upcycling social network game developed by Guerillapps. The game applies traditional social gameplay features to highlight real-world issues such as waste, water, and “green” activities. Gameplay includes cleaning trash, recycling, and constructing products and decorations out of recycled material.

The SlutWalk protest marches began on April 3, 2011, in Toronto, Ontario, Canada, and became a movement of rallies across the world. Participants protest against explaining or excusing rape by referring to any aspect of a woman's appearance.

I've decided to post about a recent experience, considerable an "action" in its nature, and how it felt, which was comparable to solicitation rather than activism. However, there was a sense for consciousness-raising regardless of any tangible outcome.

For years, workers in Florida’s tomato fields have endured poverty wages and terrible working conditions. In 1993, a small, community-based organization called the Coalition of Immokalee Workers (CIW) formed to demand an end to these unfair labor practices.

On the afternoon of September 11th, nearly a hundred people hugged each other to feel the beauty of the hug on the Paris Square in front of the Brandenburg Gate in Berlin, under the leadership of the Chinese artist Gao Brothers. At the beginning of the event, the Germans have not yet adapted to the behavior of embracing strangers, but encouraged by Gao brothers, people have opened their arms and gave the strangers around them a warm hug.

Flower power was a slogan used during the late 1960s and early 1970s as a symbol of passive resistance and nonviolence. It is rooted in the opposition movement to the Vietnam War. The expression was coined by the American Beat poet Allen Ginsberg in 1965 as a means to transform war protests into peaceful affirmative spectacles.