The Paris-based collective Claire Fontaine displays a neon sign that spells the words ‘Foreigners Everywhere’ in Arabic. Since this sign was installed strategically above the gallery’s wall-length window – facing in the street – in the edition of the show I saw, at Parsons in New York, it interacted not only with Parsons’ exhibition site but also with the urban environment beyond it.
Nanfu Wang feels safe in New York. Surveillance, that essential preoccupation of the documentarian in America, is a chokehold from which she has been temporarily released. From her Brooklyn apartment, the Chinese filmmaker prepares for the release of her debut feature documentary, Hooligan Sparrow.
FloodNet was a conceptual artwork and a tool for online collective action.
Developed by the collective Electronic Disturbance Theater (EDT), it took the form of a Java applet that allowed users to send useless requests or personalized messages to a remote web server in a coordinated fashion, thereby slowing it down and filling its error logs with words of protest and gibberish—a kind of virtual sit-in.
"FTSE" is Birmingham-born producer and rapper Sam Manville. As an anti-captialist, he though it would be funny to take the name of the British stock market index (Financial Times and Stock Exchange), but he also jokes the acronym stands for "Fuck The System, Ennit.”
The following description is taken from Amanda Froelich's article on www.trueactivist.com (link below):
"Dumpster diving is a topic that is rising in popularity. Just take a peek at Rob Greenfield! This activist won’t hesitate before jumping in a dumpster, but he’ll also take time to spout reasoning behind why we should work hard to ‘waste less’.
WHAT WOULD WE FEEL IF WE COULD HEAR EACH TREE FALLING IN THE WORLD?
333HZ is an installation translating deforestation monitoring data into a sensorial experience.
If a tree falls in a distant forest, and no is around? does it make a sound?
Pepe Espaliú was an artist from Cordoba who made various art from paintings to sculptures and public actions. He was diagnosed with AIDS in 1990, and up until 1993 when he died, he focused on drawing attention to those affected by AIDS. The Reina Sofía had a small exhibition of some of his work in 1994, in which the work on display had a lot of symbolism about his condition and suffering.
In Citizen, Claudia Rankine recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seemingly slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV—everywhere, all the time.
Shortly after the close of this year’s International Women’s Day, China’s Twitter-like service Sina Weibo shut down Feminist Voices. With 180,000 followers, the group’s social media account was one of the most important advocacy channels for spreading information about women’s issues in China, but in an instant, it was gone. A few hours later, the private messaging app WeChat also shuttered an account for the group.
After Afghan artist Malina Suliman's father suffered a brutal attack in their hometown of Kandahar, the Suliman family fled to Mumbai, where they plan on staying until the end of March. Malina is a 23 year-old grafitti artist whose work can be seen throughout Kandahar, including a self-portrait of a skeleton in a burqah that provoked threats from local Taliban. The Suliman family suspects the attack on Mr.
A Femen activist, Sarah Constantin, is hanged from a noose-like rope from a Paris bridge to call attention to the large number of executions in Iran as she stages a protest against visiting Iranian President Hassan Rouhani in Paris, Thursday, Jan. 28, 2016. A near-naked woman hanging from a noose-like rope from a Paris bridge has sent a message to visiting Iranian President Hassan Rouhani.
Orquesta Solfónica de Madrid
The Orquesta Solfónica de Madrid (Solphonic Orchestra of Madrid) is a self-organized orchestra that was formed in the context of the social movement 15M and that has gained popularity for playing classical music in demonstrations and acts of social protest.
Local artist fnnch wants San Francisco to decriminalize certain types of art.
You’re not seeing things: A whopping 450 “honey bears”—variations on the immediately recognizable and widely imitated bear-shaped honey bottles sold in seemingly every store in America--appeared all over SoMa late Sunday night, from the Embarcadero to Fifth Street.
The Folded Map Project is a project by Tonika Lewis Johnson, a photographer and community activist from Chicago. The project aims to investigate and change the racial and economic segregation that affects the city and its residents.
A group of Chicago youth staged a “die-in’ at City Hall to demand that the city defund police and fund marginalized communities instead. The youth, all members of #NoCopAcademy, also announced that the organization is suing Mayor Rahm Emanuel for withholding critical emails regarding construction of the proposed $95 million building for a Police and Fire training center in West Garfield Park.
The protracted queue. That was the first thing I noticed when I arrived. It was winding, unending and impossible to see exactly where it began. I asked one of the security guards if he had any indication as to the waiting time. His response was a “your guess is as good as mine” shrug. As the mammoth line snaked around the building, my heart sank further – it is a myth that Brits love to queue; we feel compelled to, we don’t love it.
This article was published on the guardian website:
-Russia not amused at Red Army statue re-invented as Superman and friends-
Clenched teeth in Moscow over 1950s war memorial in Sofia given makeover by spray-painting street artist
By Tom Parfitt in Moscow
The Guardian, Wednesday 22 June 2011
Songs That Defined the Decade: Hayley Kiyoko’s ‘Girls Like Girls’
Billboard is celebrating the 2010s with essays on the 100 songs that we feel most define the decade that was -- the songs that both shaped and reflected the music and culture of the period -- with help telling their stories from some of the artists, behind-the-scenes collaborators and industry insiders involved.
By Stephen Daw
11/21/2019
Chinese artist Ai WeiWei has drawn on the stool part of that French surrealist's pioneer work for his latest exhibition, the largest ever devoted to Ai, which opens in Berlin this Thursday. The show, entitled Evidence, is at Berlin's Martin-Gropius-Bau exhibition hall, and consists of either entirely new works, or pieces never seen in Germany before. The exhibition is huge, taking up 3,000 square metres in total and running across 18 rooms.