UndocuNation, a performance and visual art conglomeration, took place this past Friday at International House. The Center for Race and Gender at Berkeley, CultureStr/ke, and the Theater and Dance Performance Studies department here at UC Berkeley helped put on the show specifically for Berkeley students. The show’s main focus was on the complex issues of undocumented immigration, and what that can mean for students especially.
During 2008-2009, when the United States was entering a recession, the idea of the Homeless Art Gallery was popping up across Staten Island, New York City's least populated borough and biggest underdog. This is an example of art intervention, disrupting space to question the economic and political systems of capitalism. It was also an excellent community building project.
Slippery When Wet proposes a wet ontology of Hong Kong—a city in ongoing transfiguration shifting into an uncanny vision of itself. Hong Kong secretes, leaving a trail of ink, tears, humidity, logistic flows, and leaks.
Bashar al-Assad snores, his head twitching on a large white pillow. Suddenly, he wakes up. “The people want to overthrow me!” he screams, the pompom on his nightcap bouncing.
“The Washington Post” asked the Guerrilla Girls to create a full page for their section on feminism and art, which was published on April 22, 2007. The Guerrilla Girls’ page contains an image of a fake tabloid, called “NOT OK! The Guerrilla Girls’ Scandal Rag,”. The tabloid’s cover features a sensational headline and some statistics, which highlight the fact that national museums rarely feature female artists and artists of color.
On Friday night, a painting by the anonymous street artist known as Banksy sold at Sotheby’s auction house in London for $1.4 million. But as soon as the auctioneer dropped the gavel, something unexpected happened: a beeping alarm went off and the frame began eating the painting, spitting half of it out the bottom in what may be the first instance of a self-destructing painting, reports Scott Reyburn at The New York Times.
Without water, life would not exist. And yet, those of us in developed countries take it for granted; our shelves are stocked with hundreds of branded bottles, and it is freely given at restaurants, at schools, and even in parks. We seem to have an unslakable thirst for it; attained in excess, we throw it away like dirt—just as many developing countries liken its value to gold.
Over the course of a semester, fashion hactivist and fashion social justice scholar, Otto Von Busch, facilitated a course on "Critical Fashion and Social Justice," where graduate fashion students at Parsons design school researched, contextualized and at times critiqued case studies on various examples of "fashion social justice." Case studies included traditional fair trade companies and non profit organizations that have used fashi
Last August, as protesters marched in Ferguson, Missouri, after the death of Michael Brown, the 18-year-old unarmed teen shot by a police officer, another group of activists began thinking about how to incorporate the creative community into the movement. The result is Manifest:Justice, a free pop-up art show taking place in Los Angeles.
Montreal: The City of Lights
In Canada Alfredo Jaar completed a project referred to as Lights in the City, in 1999. Keep in mind this is considered one of the richest cities in North America. with a large population of homeless individuals. Is there not a way, for such a rich city, to help people in dire need of just basic necessities?
Exhibition visitors have expressed feelings of uneasiness or even pain and nostalgia when seeing Colored Vases by Ai Weiwei1. The 51 vases that make up the artwork are originally treasures from the Neolithic Age (5000–3000 BCE) and the artist has dunked them in common industrial paint.
Why did Ai Weiwei do it?
At the New Orleans Swing Dance Festival the all African-American dance troupe The Rhythm Ambassadors were presented along side an African-American iteration of the Preservation Hall All-Star band with African-American vocalist Taryn Newborne to deliver the message that the African-American Lindy Hoppers were going to be protest until their rhythm is better presented...i.e.
Since the fall of the Berlin Wall on November 9th, 1989, the cement segments that remain have stood as something more symbolic than just a wall. With installations in every continent, except for Antarctica, the East Side Gallery is the most authentic existing part of the Berlin Wall.
Energy BBDO launches its latest activation on behalf of Change The Ref, a leading gun-control organisation which was formed to empower our Future Leaders.
The activation, ‘New Recruits’ is Change the Refs latest effort to ignite a movement to ban ‘weapons of war’. The event took place last Saturday in Montclair NJ and was hosted by Manuel and Patricia Oliver.
Trampoline House is a user-driven refugee justice community center located in the center of Copenhagen, where refugees, asylum seekers, and migrants can meet with Danish citizens and other residents of Denmark and share experiences, learn from one another, and work to create a more just and sustainable refugee and asylum policy.
‘In Her Shoes’ was a street exhibition of stories from women and men affected by the 8th Amendment of the Irish Constitution. These stories were selected from the ‘In Her Shoes’ project Facebook page. We hung copies of the stories on ribbon between trees and provided pens, paper and a seating area for people to sit down and write a response to the stories if they chose.
Syrian Journey: Choose your own escape route
The Syrian conflict has torn the country apart, leaving thousands dead and driving millions to flee their homes. Many seek refuge in neighboring countries but others pay traffickers to take them to Europe - risking death, capture and deportation.
Lady Gaga showed up to the 2010 MTV Music Video Awards wearing a dress made out of raw meat. She claimed that the dress showed her disgust towards the Don't Ask Don't Tell policy, but missed the media opportunity to clearly string her thoughts together.