Chuu Wai Nyein felt an overwhelming sense of guilt when she first arrived in Paris from Myanmar at the end of April. “I was pushed to leave the country, but it was not how I wanted to leave,” says the 28-year old. As an artist working for the last ten years, mostly in the central city of Mandalay, Chuu built up an international reputation for her expressive paintings of women.
K-pop fans and users of TikTok claimed tickets to Donald Trump’s Saturday night rally in Tulsa then did not use them, as part of a coordinated effort which helped to leave hundreds of seats empty in a 19,000-capacity venue.
Early Sunday morning, the Dallas Police Department's Twitter account tweeted for followers to download its iWatch Dallas app and share videos "of illegal activity from the protests." The police are looking to arrest lawbreakers at weekend demonstrations decrying police violence against black people. The benefit of the app, according to the tweet, was the ability for informants to stay anonymous.
Italian environmentalists used a dye to turn Venice's Grand Canal green on Saturday in protest at what they said was a lack of progress at the COP28 climate summit in Dubai.
The protesters from the Extinction Rebellion group, dangling from the Rialto Bridge over the canal with the aid of climbing ropes, also displayed a banner that read: "COP28: While the government talks, we are hanging by a thread."
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Dior is facing accusations of cultural appropriation after Chinese social media users – and protesters outside one of the label’s Paris stores – claimed that a $3,800 skirt was inspired by a centuries-old traditional garment.
Greg Jobin-Leeds, a long-time social activist, collaborated with AgitArte, a collective of artists and organizers, to capture the stories of today’s social movements and the activists behind their success with the release of When We Fight, We Win: Twenty-First-Century Social Movements and the Activists That Are Transforming Our World.
The work of a radical theater and puppetry collective, known as Papel Machete, produces and performs throughout Puerto Rico and the United States. Papel Machete was established on May 1, 2006 during protests responding to the government shutdown and political and economic crisis prompted by Puerto Rico’s status as a United States colony.
Born in Nigeria in 1975, Péju Alatise, is a multimedia artist focusing on the experience of women and girls, particularly in her native country but with resonance across the world.
A series of three animations and posters to support the campaign titled: Stop the Coal Monster.
Our demands of Nelson City Council and Tasman District Council:
- Prohibit new resource consents for coal use or mining, effectively immediately.
- End all existing consents for coal use or mining by 2025.
- Ensure adequate monitoring of all current coal users.
The aim of the action is to create a fractal network of poets, where their poems will be recited, recorded, set to music, will be activistically acted as performance material in order to resist the censorship of art.
The field of action is the poets who will be born and the network that will be created by the restless artists.
The author behind ‘The First Paradise of Fang Siqi,’ a novel that Han described as ‘a young girl falling in love with her rapist,’ has sent shockwaves through Taiwanese society.
On April 27, aspiring Taiwanese author Lin Yi Han committed suicide, leaving behind only her first, and sadly last, novel. The story, entitled “The First Love Paradise of Fang Siqi,” concerns the mental struggles of a young girl who is raped by her teacher.
This special EDition is a revolutionary chant against the menacing cantankerous demonic , satanic COVID 19. And again doubles as a bold and poetic supplication to the great Almighty God to release us off this pandemic bondage. This Edition is a poetically driven spiritual prayer for freedom of expression and freedom after expression.
Olafur Eliasson , the Danish-Icelandic artist. Some of his exceptional artworks focus on climate and environmental changes. In 2003, he installed The Weather Project , which remains one of Tate Modern’s popular installations. He is also known for his freestanding waterfall in Versailles , his installation in which he installed a riverbed in a museum , and his gigantic rainbow installation in Aarhus, Denmark.
Sophie Calle's works discuss the issue of "privacy", the composition of an individual's identity at the social level, and the relationship between "private" and "public/group/society", including personal information, personal records, public surveillance, and other topics. An obvious feature of her works is the unique and extremely subjective criteria of judgment and reference for measurement.
CAIRO — Seven Egyptians were arrested on charges of promoting homosexuality after concertgoers waved rainbow-colored flags at a rock concert in Cairo last week, Egyptian officials said.
The arrests were the latest assault on social freedoms in Egypt under President Abdel Fattah el-Sisi, whose government has imposed harsh restrictions on free speech and led an aggressive campaign against gays.
Claudio Abbado was an Italian orchestra director (1933 - 2014) who served as chief director at La Scala Theater in Milan from 1968 - 1985. After 18 years of absence, in 2009, he was invited to conduct a concert there. He accepted upon condition that, instead of paying him a monetary honorarium, the city would commit to the planing of 90.000 trees in the city of Milan.
“Semiotics of the Kitchen” is a feminist video art that examines the symbolism of women's confinement within domestic spaces, utilizing the framework of a televised cooking show. In this piece, Rosler assumes the role of an "anti-Julia Child," wielding a series of kitchen utensils in alphabetical order, some archaic and peculiar, assigning them arbitrary names before forcefully miming their use.
Felix Gonzalez-Torres produced meaningful and restrained sculptural forms out of common materials. “Untitled” (Portrait of Ross in L.A.) consists of an ideal weight of 175 pounds of shiny, commercially distributed candy. The work’s physical form and scale change with each display, affected by its placement in the gallery as well as audience interactions.
On January 12, 2016, Shanghai's temperature dropped to its lowest of the year. A little girl was seen selling matches in the cold wind on Bund street. The little girl, wearing a classic dress, wrapped in an ocher-red scarf and carrying a small bamboo basket full of matches, gave matches to passers-by.
"My body is not pornography" — that is the slogan written under many of the social media posts inspired by Yulia Tsvetkova. Women are posting pictures of themselves showing off their curves, body hair and scars, along with feminist art and pictures of everyday objects that look like vaginas — like fruits or flowers.
Grandmas diving for seafood while immigrants wrestle with identity. Scrambling for self-worth in the face of suicide. Rock music in the face of fear. A noir murder mystery. Musings on death.
Fridays for Future strikers around the world shared their demands for bold climate action online Friday as many youth activists heeded public health experts' recommendations in the face of the coronavirus pandemic by eschewing public protests in favor of digital demonstrations.
The online displays followed the call earlier this week from school strike for climate pioneer Greta Thunberg to #ClimateStrikeOnline.
Myanmar has been engulfed in protest since February 1, when Burmese army general Min Aung Hlaing seized control of the government in a military coup, refusing to accept the landslide election victory of the National League for Democracy and its leader, Aung San Suu Kyi.
The Scheherazade Project is a Performing Arts Non-profit based in Washington DC. Co-founders Lisa Leibow and Julia Alvarez were inspired by Scheherazade in the Arab classic 1001 Nights and created The Scheherazade Project.
For more information, our website is https://thescheherazadeproject.org/The-Scheherazade-Project
Prison inmates in Mexico have suffered from coronavirus infections at a higher rate than the country as a whole, and pandemic lockdowns have reduced their already limited contact with the outside world.
But one group of women inmates at a prison west of Mexico City have managed to benefit, as the lockdown spurred a wave of professionals with time on their hands to donate online classes.