Projects tagged "Activates (people)"

SORT Random (lowest)Random (highest)Date (lowest)Date (highest)Views (lowest)Views (highest)Social shares (lowest)Social shares (highest)Favorited (lowest)Favorited (highest)Post date (lowest)Post date (highest)

Gran Fury was an AIDS activist artist collective from New York City consisting of 11 members, all artists - but action, not art, was the aim of the collective. Gran Fury member Loring McAlpin described the collective's mass-market ambition to “...fight for attention as hard as Coca-Cola fights for attention.”

Fang Si-Qi’s First Love Paradise, a 2017 novel by Taiwanese writer Lin Yi-han, has become one of the most haunting and politically charged literary works in the Chinese-speaking world. Although presented as fiction, the novel closely mirrors Lin’s own lived experience of being groomed and sexually abused by a private tutor during her adolescence.

Released as a single on 23 December 1966, Buffalo Springfield’s For What It’s Worth became the short-lived but talent-packed band’s biggest hit, reaching No.7 on the Billboard Hot 100 chart in the spring of 1967.

In this article, author Caroline Choi highlights different grafiti artists and their stories. These artists use their talent to tell their stories, ones that might not get to be told otherwise. She goes into the history of grafiti, and how it ties into how rich and white the art world has become.

The dramatic demonstration of people power on the streets, called the “Candlelight Revolution,” was sparked off by President Park’s abuse of power and corruption. She had shared classified information on state affairs with her close confidantes, including Ms.

In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.

“Judy Chicago: Herstory” will span Judy Chicago’s sixty-year career to encompass the full breadth of the artist’s contributions across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking. Expanding the boundaries of a traditional museum survey, the exhibition will place six decades of Chicago’s work in dialogue with work by other women across centuries in a unique Fourth Floor installation.

In November 2013, a group of 17 female students at Beijing Foreign Studies University sparked national debate when they staged a bold social media campaign in support of an upcoming performance of The Vagina Monologues, a feminist play by Eve Ensler.

The Islamic Republic has always frowned upon dance but recently even a simple choreographed or ‘synchronized movement’ – as the regime calls it – has become an act of protest.

In New York, laws that are designed to protect vulnerable communities could in fact be harming them.

“My image was inspired by the #MeToo Revolution, my personal experiences with the male gaze and a healthy amount of frustration and repulsion. What I hope to convey in this image is the sense of verbal, physical and energetic male ownership that is placed on women in society.” — Beata Kruszynski is a freelance illustrator and art teacher in Ontario, Canada.

Through their podcast, The Dance Union, Melanie Greene and J. Bouey have been confronting racism in the dance world, and highlighting the experiences of Black artists, since 2018. Their episodes cover a variety of topics and issues, ranging from mental health and sexual harassment to advocating for fair pay.