In 2005, Emad Burnat got a video camera to record the birth of his son. That same year, Israel's security barrier went right through his village of Bil'in in the West Bank. The fence cut off some fields and olive groves on the other side.
When protests broke out against the establishment of the barrier, Burnat became the unofficial cameraman for the weekly anti-wall protests that drew support from around the world.
Rice University’s O’Connor Building for Engineering and Science now houses an immersive public art installation titled “Climate Parliament,” a thought-provoking work by Mexican-Canadian artist Rafael Lozano-Hemmer. Commissioned by Rice’s Moody Center for the Arts for the Rice Public Art collection, the interactive artwork engages visitors with a dynamic experience that addresses the growing global climate crisis.
During the economic crisis of 2008, bankers in Spain took advantage of the economically disadvantaged, and the artwork La Fiera en Sevilla, or the Wild Animal in Sevilla in English, brings attention to this money-centric act from the bankers. La Fiera refers to the bankers at the time that used predatory methods in their actions to forcibly evict poor people from their houses.
The 14th day of June each year is celebrated as Flag Day, and in 2017 it was no different save for the fact that the project took center stage. The celebrations kicked off with hoisting the resist flag, a creation by Marilyn Minter on the rooftop of the 4th street headquarters of Creative Time.
It all started when a 70-year-old fish market stall owner nicknamed “Booghy” was grooving in public, in violation of Iranian law.
A new form of protest against the government is rocking Iran: a viral dance craze set to an upbeat folk song where crowds clap and chant the rhythmic chorus, ‘oh, oh, oh, oh.’
When dancer Sheen Jamaal saw a video of protestors doing the Cupid Shuffle in New Jersey, inspiration struck to do something similar in New York. He immediately called his friend and collaborator Allison “Buttons” Bedell, and the seed for the Dance For George protest was planted.
Four days before the U.S. presidential election, three Ukrainian activists gathered at a stranded fence in New York City’s East Village to hang an expansive information poster. “19546+ Ukrainian Children Abducted by Russia,” reads its headline in bold. From a black canvas, white letters jump out at the passersby, a haunting reminder of the toll the Russian invasion continues to inflict on Ukrainian families.
The internet has reshaped the ways we learn and communicate. Information becomes heuristic, concomitantly - knowledge becomes protean. If you dedicate enough time to any particular platform, you are likely to acquire a community with congenial individuals. Social media’s proliferation has obfuscated the lines between reality and fiction. Embraced as a tool for many, these digital spaces typically have no monitoring process.
The Proud Boys hashtag, which members of the far-right group have been using, was trending Sunday after gay men on Twitter hijacked it and flooded the feed with photos of their loved ones and families and with memes.
Since 2020, university students across China have launched a grassroots initiative to combat menstrual stigma by placing “menstrual pad mutual aid boxes” in campus restrooms. These boxes, often accompanied by signs reading “Take one if you need it, donate if you can,” provide free sanitary pads to anyone caught off guard by their period—offering both practical relief and a symbolic challenge to the cultural silence surrounding menstruation.
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Located behind a resplendent Opera House in Budapest on the same road as Louis Vuitton sits Hunger King, a place that seems to be just like any other burger joint. However, it is anything but. Hunger King is a regular fast food outlet that is pushed onto the masses; Hunger King is a critical sociopolitical art installation that highlights Hungary’s significant crises of social inequality and homelessness .
The coronavirus outbreak has prompted climate activists to abandon public demonstrations, one of their most powerful tools for raising public awareness, and shift to online protests.
This week, for example, organizers of the Fridays for Future protests are advising people to stay off the streets and post photos and messages on social media in a wave of digital strikes.
The Red Sand Project is a participatory art installation and social awareness project created by artist and activist Molly Gochman in 2014. The project aims to raise awareness about human trafficking, which is a global issue that affects an estimated 40 million people, including men, women, and children who are subjected to forced labor, sexual exploitation, and other forms of exploitation.
LONG BEFORE WOMEN finally — though incompletely — won the right to vote in the United States in 1920, they were finding ways to influence politics. In late 18th-century New England, colonial women would make muster cakes — spiced, doorstop-heavy confections flecked with candied fruit and soaked in alcohol — for soldiers being gathered (or “mustered”) to fight in the Revolutionary War.
Located in Thomas Paine Plaza, across the street from City Hall, Hank Willis Thomas’s All Power to All People was a public art intervention that dealt with racial identity and representation in Philadelphia.
Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.
This protest installation was first used in 2016 at Standing Rock when the community banded together to protect the Missouri River from a Dakota Access Pipeline.
The group Art Not Oil did a campaign to raise awareness about the oil industry, and their funding of Art. "Art Not Oil has campaigned against Big Oil cultural sponsorship since 2004.
Shackles. Cotton. The Big House.
Americans tend to think of slavery in terms of chattel slavery. Plantation Slavery. Slavery where human beings are bought, sold, and owned. The kind outlawed in the United States by the Emancipation Proclamation in 1863.
Slavery as a relic of the 19th Century.
“Six of us lived, worked, slept in a 10-by-10 (foot) room without a bed, bathroom, or clean water,” Nasreen Sheikh remembers.
Last June, Harris Reed became a member of the “Class of 2020” -- the crop of young fashion talent who graduated into an industry on rocky ground due to the pandemic. Over the eight months that have passed since earning his cap and gown at Central Saint Martins, Harris seems to have done a good job of finding his feet.
It was 1967, and sentiment against the Vietnam War was in the air nationwide. The counterculture was flourishing on the heels of the Summer of Love. Organizers from Mobe — the National Mobilization Committee to End the War in Vietnam — initially called for a massive march on Washington.
A street photography exhibition located in Beijing’s most crowded tourist attractions, Dongsi Hutong, to get a voice the Chinese government’s censorship of art works in public space. To hedge the city’s regulation , the human body photography were displayed in the street stores of Dongsi Hutong.
The New York-based artist has created a free-to-download poster in support of the ESEA community. Produced in response to the Covid-related surge in anti-Asian hate crimes, it can be used in a variety of ways to raise awareness and support the cause.
El Rey de la Ruina, aka The King of Ruin, is a local artist based in Madrid, Spain, who creates artistic activist pieces that range from the impact Covid-19 had on the social life of people in Spain, to the impact gentrification has taken on various groups of people. He tends to utilize (at least in his more recent pieces) bright colors and fun, geometric shapes in his art.