The Milosevic regime ruled over Serbia and Yugoslavia for about 13 years. To maintain control, the Milosevic regime was infamous for arbitrary arrests, beatings, imprisonment and even murder of avid opponents.
The group Art Not Oil did a campaign to raise awareness about the oil industry, and their funding of Art. "Art Not Oil has campaigned against Big Oil cultural sponsorship since 2004.
In 2009, the dissident artist created a work to honour the thousands of children who died in the Sichuan earthquake. He recalls how the project, Remembering, angered China’s rulers – and changed his career for ever
This is an edited extract from The Start podcast
In May of 2011, tens of thousands of people crowded Puerta del Sol in the center of Madrid in the most visible manifestation of sit-in protests against austerity and corruption. 15-M was an expression of the devastating effects of the 2008 recession, which harshly affected the middle class and condemned millions of people to poverty because of the crash of the housing bubble (Altares, 2021).
La Casa Invisible project was started in 2007 in Malaga, Spain, when a group of socially involved participants squatted in a run-down building, aiming to eventually claim the legal rights to the property (Moor & Smart, 2016). The space was opened to local artists and creators, quickly becoming a hub for free local music, performances, and seminars as well as creating an important meeting space for social groups (Moor & Smart, 2016).
Hate hunting? Want to do something creative to protect wildlife and affect positive change? The Hunter's Poppet is a witch-craftivism intervention, free to use and share. A 'poppet' is a ritual object made to represent a human figure, charged with a specific intention. This set of instructions with images guides you in making your own poppet to place safely in an outdoor area.
A human tide swept through Paris last month for the type of event France knows only too well — a protest. Union leaders led the march, awash in a multicolored sea of flags. Demonstrators shouted fiery slogans. Clashes with the police erupted.
And, as in every protest, there was Jean-Baptiste Reddé.
Better Cotton Initiative (BCI) was registered in 2009 and headquartered in Geneva, Switzerland. It is a non-profit international membership organization with representative offices in China, India, Pakistan, and London. It has more than 400 member organizations around the world, mainly including cotton growers, cotton textile enterprises, and retail brands. The group aims to promote what it calls "Better Cotton" around the world.
Develop an interactive poster that revolutionises the act of giving. It calls on people to donate, accepts credit cards and shows every donor what their donation does.
Hundreds of demonstrators raise their voices and signs to urge legislators to act on greenhouse gas emissions.
Activists seeking to clean Oregon's environment by reducing greenhouse gas emissions turned out by the hundreds at Capitol Tuesday, Feb. 11, pushing legislators to move ahead with a cap-and-trade policy.
Non-profit organizations and a multitude of Guatemalan girls protested together demanding justice and security from the government. Guatemala's insecurity and cases of girls' disappearances have increased over the years. The protest started outside the Government Ministery (Ministerio de Gobernación) early in the morning, where protestors gathered riding their bikes.
Kurokawa Cup is a protest against former head Tokyo prosecutor Hiromu Kurokawa's de facto immunity after he had played mahjong for money, which is an illegal act in Japan.
On February 19, 2012, the Chinese young feminism leaders, included Maizi Li and Churan Zheng, initiated an activity, "Occupy the Men Bathroom." The protesters occupied the male public restroom and invited the women waiting for the women restroom to use the male one.
Sitting at a folding table in the basement of Trinity Episcopal Church in downtown Columbus, Monica Jacobo used a felt tip marker to write the words “No means no!” on a white bandana.
‘Since Plotinus’, writes Joseph Tanke (2019, p. 486), ‘Western art has been consecrated to beauty, and beautiful art has been understood as the achievement of good form’. But alongside this interest in beauty and form, art has been committed to politics and perspectives, equity and rights. Consequently, and particularly since the start of the modern era, artists frequently initiate or participate in ‘difficult conversations’.
The Center for the Study of Political Graphics and the Esperanza Community Housing Corporation have combined forces to bring 75 powerful and engaging poster works on broad issues of health care to audiences traditionally excluded from the art world in Los Angeles and elsewhere. Both organizations have been in the forefront of social change for three decades.
Horror stories about treacherous boat journeys from Africa to the Mediterranean far too often make headline news. The men, women and children fleeing their homes to start a new life in Europe become faceless numbers in the media, and are ‘othered’ by conservative politicians for their own agenda.
In October and November 2016, Breathing Lights illuminated the windows of hundreds of vacant buildings in Albany, Schenectady and Troy, NY. Warm light filled each window with a diffuse glow that mimicked the gentle rhythm of human breathing. Concentrated in neighborhoods with high levels of vacancy, Breathing Lights transformed abandoned structures from pockets of shadows into places of warmth.
The ZAD (zone à défendre, or “zone to defend”) in Western France is 4000 acres of wetland, farmland and forest that was originally intended to be built into an airport in 1965 but is now an autonomous territory occupied by 40 different collectives looking to reclaim the land. There are around 200 people living permanently on the zone, in addition to some 2,000 people coming and going.
During the COVID-19 pandemic, two Chicago-based organizations, For the People Artists Collective and Chicago Community Bond Fund, worked together to create Decarcerate Now, a virtual quilt honoring individuals who died of COVID-19 while in the custody of the Cook County Jail (CCJ).
Exhibition visitors have expressed feelings of uneasiness or even pain and nostalgia when seeing Colored Vases by Ai Weiwei1. The 51 vases that make up the artwork are originally treasures from the Neolithic Age (5000–3000 BCE) and the artist has dunked them in common industrial paint.
Why did Ai Weiwei do it?
In 2023, it is impossible to be an apolitical artist in Eastern Europe. As war rages on in Ukraine, art serves as a powerful and necessary tool, according the members of the Sunflower Solidary Community Center in Warsaw: Maria Beburia, Sebastian Cichocki, Kuba Depczyński, Taras Gembik, Yulia Krivich, Kaja Kusztra, Natalia Sielewicz, and Bogna Stefańska.
In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.
As the audience enter, Olivier de Sagazan is pacing the stage, deep in thought. A slight, barefooted figure dressed in suit and tie, he circles in and out the shadows, head bowed, sometimes muttering to himself. As the audience settle and hush, his footsteps gradually become more audible (the floor is mic-ed) and begin to pound like a calling drum.
Share Your Water Story invites every global citizen to participate in a creative conversation around the different ways in which water impacts our lives. The project encourages people to contribute original expression of any kind via online platforms on the global justice issue of water and sanitation.