#NYTIMES Why are there no U.S. anti-slavery monuments? http://antislaverymonument.org project is an answer.
Standing 60 feet tall, corten steel of two hollow chain links the upper one broken.
In Cape Town, South Africa the design firms Design Indaba Trust and Thinking have teamed up with artist Faith47 to help raise funds to bring more light to their urban city. Their goal is to raise funds to light up 700 meters of Manwabisi Park, which will ultimately reduce the crime rate in the area through more light. In order to get the community involved in the project, they have combined street art with community engagement.
The Dreamland Artist Club project was named after one of the famous amusement parks in Coney Island. The project consisted of more than 25 artists coming together to repaint rides and make custom signs, murals and scenic backdrops for the legendary neighborhood. Most of the artists that participated in this project were from New York City and therefore had a particular interest in the visual culture of the city.
Los Angeles is at a critical moment when it comes to art. Not because it's "underappreciated as a world art center" as The New York Times informed us in 2011. Or because it's a "burgeoning art capital" as The New York Times revised in 2014. No, it's because L.A. has actually moved past the "up-and-coming" stage into a fully integrated part of the art world.
"This area will be photographed" is a public performance of implied photographic consent, inspired by Google's street view and satellite surveillance. Posted signs and handbills alerted the public present in Union Square, New York, NY that a photograph would be taken of the area at a precise time.
In 2005, Rebar, a design studio in San Francisco, transformed a single metered parking space into a temporary public park. The area where this two-hour park took place was one that lacked public open space. This was the first Park(ing) Day project.
More than 200 people protested outside Lebanon's justice palace on Thursday over efforts to derail an investigation into the deadly 2020 Beirut port explosion, as top judges cancelled a meeting to discuss the fate of the inquiry.
The Atacama Desert in northern Chile — the setting of Patricio Guzmán’s transfixing cinematic essay “Nostalgia for the Light” — is a place where heaven and earth converge. Or some might say heaven and hell.
A technological feat has emerged amid the Chilean protests. A video of protestors bringing down a police drone has gone viral on social media sites. These protestors didn't use any physical or gun force to bring the drone down. Instead, they used another form of technology: lasers. A lot of bright green laser beams were pointed in unison at the drone, which can be seen moving erratically, before quickly falling down to Earth.
Spearheaded by Latitude Artist Community, Project Easy Access Lexington (PEAL) organized team 'Bricksquad' to help make the sidewalks and streets of downtown Lexington, KY more wheelchair accessible. Armed with only a canvas bag of few bricks, sand, and some tools the teams would make their way through the sidewalks restoring bricks as needed. The damage to the sidewalks was such that the gesture was symbolic more than effectual initially.
On January 12, 2016, Shanghai's temperature dropped to its lowest of the year. A little girl was seen selling matches in the cold wind on Bund street. The little girl, wearing a classic dress, wrapped in an ocher-red scarf and carrying a small bamboo basket full of matches, gave matches to passers-by.
Just weeks after activists staged an alternative tour of the American Museum of Natural History to call for its removal, among other things, the equestrian statue of Teddy Roosevelt was vandalized early Thursday morning.
A group of young adults under the name of "Love Tijuana" (Amemos Tijuana) celebrated the one year "Birthday" of a pothole located at the Via Rapida (Tijuana's Freeway) with balloons, banners, and even hats.
“Discovering Columbus,” by the Japanese artist Tatzu Nishi.
Nishi built a living room around the sculpture in Columbus Circle in New York City. The living room is mounted on scaffolding and turns the sculpture into a domestic center-piece.
Members of this organization begin the narrative process by examining city neighborhoods and commercial districts for compelling structures that appear to have fallen into disuse —“hidden gems” of the built environment. In varying states of repair, these buildings suggest only stories about the past, not the future.
The International Harlem Fine Arts Show (HFAS) is the largest traveling African Diasporic art show in the United States. Inspired by the Harlem Renaissance, HFAS provides a platform for African Diasporic visionaries and American visual artists to exhibit and sell their artwork. The show also aims to create economic empowerment, educational opportunities and professional recognition within the multicultural community.
In 2001, Peter Gibson, a street artist, began by painting bike additional bike lanes onto the streets in Montreal because he was tired of how cars dominated the road. This transferred into more works criticizing car culture in general. Some of his work includes a crosswalk turned into a large footprint and lines on the road transformed into life lines.
In 2009, conservative Prime Minister Silvio Berlusconi demoted the publicly-funded Italian Theatre Insitute (or ETI) to "disposable" status, hacking funding for the arts considerably. ETI promoted Italian companies abroad, managed the Teatro della Pergola in Florence, the Duse theatre in Bologna, and Rome's Teatro Valle--the oldest theatre in Rome, located between the Pantheon and Piazza Navona, Campo dei Fiori and the Senate.
A collective resistance movement dedicated to reasserting communal ownership of common spaces, Reclaim the Streets staged its first action on Camden High Street in 1995, when activists closed the road to vehicle traffic to make way for a street party. Combining the tactics of non-violent direct action with 90's UK rave culture, organizers kept the location secret until the last moment to preempt police interception.
In São Paulo, just like in many other metropolitan regions, public transport is not as effective as it could be. Buses and trains usually run overcrowded, late and on limited hours, so that owning a car increases a lot one’s comfort. But not everybody can afford to have one, so a clear and recurrent class distinction occurs: public transport is mostly used by poor people.
In the Si 8 Do project, Seville activists convened in a neglected barrio during the Euromediterranean Conference on Sustainable Cities, which was taking place in Seville.