Projects tagged "Immigration"

Young Boricua & Proud
Practitioner:
Castorillo / Pedro Lugo Vazquez
Date:
Mar 6 2016
Boricua artist Castorillo discusses the crisis, diaspora, and the enduring significance of the Young Lords Party for Puerto Rican social movements today using illustrations:
Fenced-In Nativity Scene
Practitioner:
Rev. Chris Moore
Date:
Dec 25 2018
The nativity scene at Fellowship Congregational Church in Tulsa, Okla., looks a little different this year: There is a chain-link fence surrounding Mary, Joseph and the baby Jesus. The display has been up since the beginning of December, but it drew news coverage this week after the church changed the message on its marquee to read, “The holy family was a migrant family,” and posted photos of the nativity on Facebook.
As Far As My Fingertips Take Me
Practitioner:
Tania El Khoury
Date:
Jun 16 2019
Peter Marks Review from the Washington Post: “As Far as My Fingertips Take Me,” a performance piece about the ordeal of seeking refuge by Tania El Khoury that’s being presented for the next 2½ weeks in the lobby of Woolly Mammoth Theatre. For this hypnotic, one-audience-member-at-a-time experience, you pass through the door of a white-walled booth and slip into a white lab coat before putting on a pair of headphones.
Visual Sovereignty: Unpacking Nicholas Galanin’s 'Never Forget' Installation
Practitioner:
Nicholas Galanin
Date:
Mar 12 2021
For Nicholas Galanin, a Tlingit and Unangax̂ artist and musician, memory and land are inevitably entwined. The 45-foot letters of Never Forget reference the Hollywood sign, which initially spelled out HOLLYWOODLAND and was erected to promote a whites-only development.
Muro
Practitioner:
Bosco Sodi
Date:
Sep 7 2017
A wall will go up in Washington Square Park on Sept. 7, but come down by the end of the day. Called “Muro,” this wall will be the artist Bosco Sodi’s first public installation in New York, in partnership with Paul Kasmin Gallery. It will be more than 6 feet high and about 26 feet long, made with 1,600 clay timbers fired in Oaxaca, Mexico.
Art Therapist for Human Rights
Practitioner:
Art therapists
Date:
Jan 13 2017
We demand that AATA respond to Karen Pence's stated commitment to our field by asking her to publicly take action for the rights of LGBTQIA people, Native people, Black and Brown people, Muslims, survivors of sexual assault, people with disabilities, immigrants, refugees and all people who are in danger as a result of the policies of the current administration.
Quinceañera Protest
Practitioner:
Jolt
Date:
Jul 20 2017
On Wednesday, a group of 15 teenage girls, dressed in brightly colored gowns, stood in front of the Texas State Capitol to participate in one of Latin American culture’s most cherished traditions: the quinceañera.
"Deport the Statue" Campaign
Practitioner:
Breakthrough
Date:
Jun 13 2013
It’s time to deport the Statue of Liberty. That’s the latest mission for Legals for the Preservation of American Culture, an organization which has begun the “Deport the Statue” campaign for the removal of Lady Liberty through four Twitter accounts and a video that hopes to prove the iconic statue is not only an undocumented French immigrant but is “taking a job away from a qualified American statue.”
See Saws installed on Border Wall
Practitioner:
Ronald Rael and Virginia San Fratello
Date:
Jul 29 2019
"ALBUQUERQUE — For a brief moment — just a half-hour over the weekend — a simple piece of playground equipment served as a bridge between the United States and Mexico." “Actions that take place on one side have a direct consequence on the other side,” Ronald Rael
The Sacred Art of Ori
Practitioner:
Laolu Senbanjo
Date:
Apr 27 2017
The story of an artist. Laolu Senbanjo grew up surrounded by the culture and mythology of the Yoruba, an ethnic group from the southwest of Nigeria, but he never imagined how it would influence the artist he is today. After a career as a human rights attorney, Senbanjo moved to New York City to pursue art full time. “With my art, I like to tell stories, I like to start a conversation,” says Senbanjo, but life as an artist in New York was tough.
Threads of Resistance
Practitioner:
Artist Circle Alliance
Date:
Jul 15 2017
A juried exhibition of fiber art created by the Artist Circle Alliance to protest the Trump administration’s actions and policies. This is a traveling exhibition to 13 venues across the U.S. All work in the exhibition, as well as the nearly 560 pieces submitted for jurying, are shown on our website.
Las Restauramoras
Practitioner:
Siempre Unidas
Date:
Mar 27 2021
Siempre Unidas is a feminist collective in the state of Quintana Roo (Mexico) that works partly through street art. In 2021, in response to the femicide of Victoria Salazar – a refugee from El Salvador who died in police custody – the collective began an anti-femicide mural project called RestaurAmoras.
Real Cost of Prisons
Practitioner:
Real Cost of Prisons
Date:
Jan 1 2000
The Real Cost of Prisons Project brings together justice activists, artists, researchers and people directly experiencing the impact of mass criminalization to work to end mass incarceration.
Borrando la Frontera (Erasing the Border)
Practitioner:
Ana Teresa
Date:
Nov 4 2014
In Borrando la Frontera (Erasing the Border)", Ana Teresa confronted the fence between the United States and Mexico by putting on her black dress and heels and painting the fence sky blue.
Teeter-Totter Wall, 2019
Practitioner:
Rael and Virginia San Fratello
Date:
Jan 9 2019
hot pink see-saws installed along the US-Mexico border where one person on each side can sit and see-saw with the other. installed at Sunland Park, nine miles northwest of El Paso, on the 18 feet slats border wall between Mexico and the United States. It is at this site where the US Border Patrol detained about 300 migrants from Mexico. (Public Delivery) the installation lasted only 1 day and was done without permission.
Trampoline House
Practitioner:
M. Goll, J. Hamou, T.O. Nielsen
Date:
Jan 1 2010
Trampoline House is a user-driven refugee justice community center located in the center of Copenhagen, where refugees, asylum seekers, and migrants can meet with Danish citizens and other residents of Denmark and share experiences, learn from one another, and work to create a more just and sustainable refugee and asylum policy.
Mexico Burns Effigies of Donald Trump in Easter Celebrations
Practitioner:
Yuri Cortez, Photographer; Linda Kriegman, Reporter
Date:
Mar 27 2016
MEXICO-US-HOLY-WEEK-TRUMP Credit: YURI CORTEZ / Stringer
Aeromexico campaign proposes “DNA Discounts”
Practitioner:
Ogilvy
Date:
Jan 1 2018
AeroMexico unveiled a program called “DNA Discounts,” which offers discounts on flights to Americans who can show by taking a test that they have Mexican DNA. The amount of the discount depends on the percentage of Mexican ancestry. For example, a person who has 15% Mexican heritage qualifies for 15% off.
MIS(S)PLACED WOMEN?
Practitioner:
Tanja Ostojić
Date:
May 10 2009
Mis(s)placed Women? (2009-2022), is a collaborative art project, consisting of performances, performance series, performance art workshops and delegated performances, including contributions by over 180 individuals from six continents. Many of them are artists, mainly identifying themselves as women from diverse backgrounds. Mis(s)placed Women?
A Boy Peers Over the Mexican Boarder Wall
Practitioner:
JR
Date:
Sep 1 2017
"One morning, when JR awoke, an image lingered from his dreams: The wall along the U.S.-Mexico border, and above it a young kid peering curiously over. A child just 1 year old, who has "no idea that's a wall that divides people — he has no idea of the political context," JR imagined.
Felipe Romero Beltrán captures young migrants coming-of-age in Seville
Practitioner:
Felipe Romero Beltrán
Date:
Apr 13 2021
Horror stories about treacherous boat journeys from Africa to the Mediterranean far too often make headline news. The men, women and children fleeing their homes to start a new life in Europe become faceless numbers in the media, and are ‘othered’ by conservative politicians for their own agenda.
#FreeNicoll
Practitioner:
Julio Salgado
Date:
Aug 22 2015
Nicoll Hernandez-Polanco, a Guatamalen transgender woman, came to the United States in October 2014 after surviving hate based harassment and violence in her home country. When she presented her case to the border patrol she was detained by Immigration and Customs Enforcement officers for past US deportations that occurred when she was an unaccompanied minor.
Repellent Fence: Art, Activism, and the U.S.-Mexico Border
Practitioner:
Postcommodity
Date:
Jan 1 2015
The Repellent Fence is a social collaborative project among individuals, communities, institutional organizations, publics, and sovereigns that culminate with the establishment of a large-scale temporary monument located near Douglas, Arizona and Agua Prieta, Sonora. This 2 mile long ephemeral land-art installation is comprised of 26 tethered balloons, that are each 10 feet in diameter, and float 100 feet above the desert landscape.
Un-Daily Bread
Practitioner:
Gregg Segal
Date:
Dec 30 2019
In response to an earlier project called "Daily Bread, Gregg Segal collaborated with the United Nations Refugee Agency to bring awareness to the crisis of refugees fleeing Venezuela through his project "Un-Daily Bread."
Journey of a Yellow Man
Practitioner:
Lee Wen
Date:
Sep 1 1992
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.

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