Boricua artist Castorillo discusses the crisis, diaspora, and the enduring significance of the Young Lords Party for Puerto Rican social movements today using illustrations:
CultureStrike in partnership with Mariposas Sin Fronteras , End Family Detention and 15 artists from across the country, brings you Visions From The Inside, a visual art project inspired by letters penned by detained migrants.
The project associating the contemporary movement of the people with the Gilgamesh journey focuses on the contemporary global crisis of the political systems and humanistic values, with the goal to contribute to the prevention of radicalization of our respective societies mobilized around recent conflicts, enhancement of the wellbeing of immigrants, through opening a space for creative expression and questioning the role of culture in contemporary polit
The Universal Declaration of Human Rights (UDHR, 1948) was drafted in an effort to advance human rights on a global level. Article 26 (2) of the UDHR (1949) states that education is intended to develop humanity and increase the respect for human rights, as well as to promote tolerance among nations and maintenance of peace. Yet, the UDHR does not appear to be promoted or recognized.
The exhibition "Unpacking the 21st Century: Artists Engaging the World" included work by five New York City area artists that examined a range of social and political issues and offered companion special events.
At least nine protesters were arrested during a protest Tuesday at Geo Group headquarters — a Florida-based private prison company that operates facilities nationwide.
Nicoll Hernandez-Polanco, a Guatamalen transgender woman, came to the United States in October 2014 after surviving hate based harassment and violence in her home country. When she presented her case to the border patrol she was detained by Immigration and Customs Enforcement officers for past US deportations that occurred when she was an unaccompanied minor.
When Europeans of the 18th and 19th centuries established their grandest museums, each building meant to unite the world’s cultural heritage under a single roof, they had no doubt as to who should explain it all: themselves. They took a Eurocentric view, categorizing the spoils of colonial enterprise by nation and region, splitting art from craft, and nature from culture.
The nativity scene at Fellowship Congregational Church in Tulsa, Okla., looks a little different this year: There is a chain-link fence surrounding Mary, Joseph and the baby Jesus.
The display has been up since the beginning of December, but it drew news coverage this week after the church changed the message on its marquee to read, “The holy family was a migrant family,” and posted photos of the nativity on Facebook.
The exhibition Law of the Journey is Ai Weiwei’s multi-layered, epic statement on the human condition: an artist’s expression of empathy and moral concern in the face of continuous, uncontrolled destruction and carnage.
Festival “WakEUp!” (organized by “Heartefact”) happened at several locations, and included film and exhibition program. Festival originated from the need for a reaction to the present moment refugee crisis and the situation in the world, began on the 7 th of December at Gallery “G12 Hub” in Belgrade with two days performance that was dedicated to the current problem of refugees and their historical destinies.
Mis(s)placed Women? (2009-2022), is a collaborative art project, consisting of performances, performance series, performance art workshops and delegated performances, including contributions by over 180 individuals from six continents. Many of them are artists, mainly identifying themselves as women from diverse backgrounds. Mis(s)placed Women?