ZERO1 is thrilled to commission artist Chico MacMurtrie/Amorphic Robot Works(ARW) Border Crosser during the week leading up to SB50. Rising 40 feet from the ground and arching across an imaginary border before forming a bridge and touching down on the “other side,” Border Crosser is the first of a series of large-scale inflatable robotic sculptures that poetically explore the notion of borders by artist Chico MacMurtrie/ARW.
In a collaboration with fellow artist @vyalone on Instagram, Lucinda Hinojos or La Morena as the artist is known recently completed this mural in Phoenix which showcases the Native American culture of the people indigenous to the area. La Morena said in a post about the project on Facebook, "This mural is about reclaiming space, reclaiming our roots, our identity and finding our truth.
GAME ON! Its gonna be a good Spring!" Connie Bacon.
Activists and the politically aware will march with the message that Donald Trump and his beliefs are "UNWANTED".
Horror stories about treacherous boat journeys from Africa to the Mediterranean far too often make headline news. The men, women and children fleeing their homes to start a new life in Europe become faceless numbers in the media, and are ‘othered’ by conservative politicians for their own agenda.
"One morning, when JR awoke, an image lingered from his dreams: The wall along the U.S.-Mexico border, and above it a young kid peering curiously over. A child just 1 year old, who has "no idea that's a wall that divides people — he has no idea of the political context," JR imagined.
In response to an earlier project called "Daily Bread, Gregg Segal collaborated with the United Nations Refugee Agency to bring awareness to the crisis of refugees fleeing Venezuela through his project "Un-Daily Bread."
Sublevarte, a Collective of Mexican artists, was born out of the ENAP (National School of Fine Arts) of UNAM (the National Autonomous University of Mexico), during the student strike of 1999-2000, the longest student strike in history.
The exhibition "Unpacking the 21st Century: Artists Engaging the World" included work by five New York City area artists that examined a range of social and political issues and offered companion special events.
Artist Zoran Naskovski continued his project "Mandala and Cross / farewell to arms” with analysis of media representations of social processes in 2015, that resulted with a new installation: “Mandala and Cross / blackness, refugees and economic gamble”.
Mayday is a neighborhood resource and a citywide destination for engaging programming, a home for radical thought and debate, and a welcoming gathering place for people to work, learn, drink, dance and build together.
In Borrando la Frontera (Erasing the Border)", Ana Teresa confronted the fence between the United States and Mexico by putting on her black dress and heels and painting the fence sky blue.
“In these apocalyptic Islamophobic times, laughing in the face of the resistance can sometimes be the best medicine.” That may sound like the trailer to a good-bad movie, but that’s how Tanzila “Taz” Ahmed describes her awesome Muslim Valentine’s Day cards.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
We demand that AATA respond to Karen Pence's stated commitment to our field by asking her to publicly take action for the rights of LGBTQIA people, Native people, Black and Brown people, Muslims, survivors of sexual assault, people with disabilities, immigrants, refugees and all people who are in danger as a result of the policies of the current administration.
Siempre Unidas is a feminist collective in the state of Quintana Roo (Mexico) that works partly through street art. In 2021, in response to the femicide of Victoria Salazar – a refugee from El Salvador who died in police custody – the collective began an anti-femicide mural project called RestaurAmoras.
For a brief moment on Wednesday night it appeared that Belgium had disappeared. The main French language television station hoodwinked the country into thinking that it had split in two when it reported that Flanders had issued a unilateral declaration of independence.
The project responds to the urgency that many asylum seekers and refugees have as soon as they touch a new country's soil: working and learning the language. The project, located in the former army barracks 'Caserma Piave' in Treviso, started as a grassroots initiative.
The Great Wall of Los Angeles represents a minority perspective/p.o.v. of the history of the city. Judy Baca first began the mural in 1974 through SPARC at the rise of the Chicano movement. The project was a part of the community and completed by Baca, other local artists and local youth volunteers. This mural is effective in depicting the racial tension of the past, but maybe it would be enhanced by a prospective future.
Alzayer put cages around Boston's "Make Way for Ducklngs" statues, separating the baby duckling statues from the mother. The original statues were created in 1987 by Nancy Schon and the mallard family is based on the children's book by Robert McCloskey.
The exhibition Law of the Journey is Ai Weiwei’s multi-layered, epic statement on the human condition: an artist’s expression of empathy and moral concern in the face of continuous, uncontrolled destruction and carnage.
Debuting at Cleveland Triennial for Contemporary Art, July 14 – September 30 for FRONTart 2018 is ‘The American Library’ by Yinka Shonibare MBE, a celebration of the diversity of the American population. It aims to be an instigator of discovery and debate. The thousands of books in this art installation are covered in the artist’s signature Dutch wax printed cotton textile.
Zhuang Huan invited more than 40 men - laborers, fishermen, construction workers––who had recently migrated to Beijing from other areas of China to participate. Zhang Huan said, “In order to find these workers, I visited many of the shacks where they live.”
From the two shores of the Mediterranean, Zoukak theatre company and cultural association (Beirut) and Center for cultural decontamination CZKD (Belgrade) collaborates by sharing their experiences and knowledge in working within sociopolitical contexts in the field of art and culture.