It all started when a 70-year-old fish market stall owner nicknamed “Booghy” was grooving in public, in violation of Iranian law.
A new form of protest against the government is rocking Iran: a viral dance craze set to an upbeat folk song where crowds clap and chant the rhythmic chorus, ‘oh, oh, oh, oh.’
Xiao Lu was one of the most influential women in contemporary Chinese art, better known for provoking performance art works and sharp social commentaries. Her works address sensitive social and cultural issues that counter mainstream attitudes and values. In 1989, she put her work "Dialogue" up for exhibition at the National Art Museum of China in Beijing.
Thich Nhat Hanh reads his poem "For Warmth" in Vietnamese, Krista Tippett reads the translation in English, excerpted from the episode "Mindfulness, Suffering, and Engaged Buddhism."
The Iranian filmmaker Mohsen Makhmalbaf opens “The Gardener” with the declaration: “I am an agnostic filmmaker.” From anyone else, this might seem like a simple statement, but not from the complex Mr. Makhmalbaf. In 1974, when he was 17, religious and involved in a guerrilla group, he stabbed a policeman, for which he received a bullet to the stomach and a prison sentence.
Brick x Brick is a public art performance that builds human “walls” against misogyny. It is organized by the Public Displays of Affection, a collective of artists, designers, educators and organizers that engages in nonviolent direct art action. During the wall performances, participants wear brick-patterned jumpsuits adorned with colorful brick patches bearing statements of misogynistic violence made by US President Donald Trump.
The story of the life and death of Jesus is arguably the most ubiquitous story ever told. Translated to every language, vastly circulated, taught in schools all around the world, conservative groups –except for some exemptions, like Liberation Theology- have held monopoly of this narrative for the longest time. However, like every other narrative, it is not totally closed to resignification and oppositional and negotiated readings.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
“In these apocalyptic Islamophobic times, laughing in the face of the resistance can sometimes be the best medicine.” That may sound like the trailer to a good-bad movie, but that’s how Tanzila “Taz” Ahmed describes her awesome Muslim Valentine’s Day cards.
Last month Amina Tyler, a 19 year old Tunisian blogger, posted a nude photo of herself as a protest; she is now under death threat. In her defense, the Ukrainian group Femen [13] staged a global "topless jihad" [14] on April 4, causing widespread debate [15] about nude protests [16], freedom of expression, and Femen's politics. [17]
Colorful portrait of a Muslim woman wearing an American flag colored head scarf. Image on back of a woman with a rose in her hair in black and white with text that states, "We are resilient. We are indivisible. We are greater than fear. We will defend dignity. We will protect each other." -- "The We the People campaign aims to restore hope, imagination, curiosity, and creativity into our country’s dialogue.
The exhibition "Unpacking the 21st Century: Artists Engaging the World" included work by five New York City area artists that examined a range of social and political issues and offered companion special events.
Mona Haydar’s first single, “Hijabi (Wrap My Hijab)” is an empowering anthem for women everywhere who wear headscarves.
It’s also a sharp rebuke to those who dare to ask headscarf-clad women what their hair looks like underneath, whether they’re hot in there, and whether it feels too tight.
In December – as many around the globe were preparing for the holidays – Sama, a former attorney, remained hunkered down in her house in Kabul, Afghanistan, trying to comprehend how her world had changed.
A new, three-minute ad by Coca-Cola, "Small World Machines," starts with a relatively straightforward premise: India and Pakistan do not get along so well. It ends with the promise of peace: "Togetherness, humanity, this is what we all want, more and more exchange," a woman, either Indian or Pakistani, narrates as the music swells. Sounds great. How do we get there? By buying Coke, of course.
This Anti-Abortion Influencer Is Using ‘Magical Birth Canal’ Videos to Supercharge the Movement
Laura Klassen is using props, satire, and a pink wig to pioneer a young and edgy approach to anti-abortion messaging in Canada.
By Valerie Kipnis and Elizabeth Landers
May 4 2020, 12:45pm
In the mid early 2000s, religious advocates tried a new strategy: promoting the theory of “intelligent design” to be taught in schools. As the Kansas School Board considered the argument, Prophet Bobby Henderson saw an opportunity. His now famous, “Open Letter to the Kansas School Board” began:
Rights activists in Mozambique have marched through the capital Maputo to protest a colonial era law still included in new legislation that allows rapists to go unpunished if they marry their victims.
The "marriage effect" clause sees convicted rapists given a five-year suspended sentence if they marry their victims and stipulates that the perpetrator should stay married to the victim for at least five years.
The streets of the Cairo suburb Manshiyat Naser, nicknamed "Garbage City," are lined with trash, and the people who live there — Coptic Christians who make their living sorting through it and recycling anything they can — are called zabaleen, or "garbage people."
The nativity scene at Fellowship Congregational Church in Tulsa, Okla., looks a little different this year: There is a chain-link fence surrounding Mary, Joseph and the baby Jesus.
The display has been up since the beginning of December, but it drew news coverage this week after the church changed the message on its marquee to read, “The holy family was a migrant family,” and posted photos of the nativity on Facebook.
The Rev Lucy Winkett is having trouble sleeping. This is because her church on Piccadilly has decided to erect a full-size copy of the Israeli separation barrier to block off her Christopher Wren church. And because she lives above the shop, the grim presence of this temporary structure is with her all the time. "Politics aside, living beside the 26ft wall is having a curious effect on those who are here.
Shirin Neshat’s Women of Allah is a photographic series exploring the complex identities of Muslim women in post-revolutionary Iran. Combining black-and-white portraits, Persian calligraphy, and symbolic elements such as guns and veils, Neshat interrogates themes of martyrdom, violence, femininity, and resistance.
Pam Geller doesn’t know much about Islam or Muslims, that much is clear. What she does know, however, is how to rally the troops to incite racism. From funding Islamophobic bus ads to maximizing offensive Muslim stereotypes, it’s clear that there’s only one thing on her agenda — and that’s hate.
"A Night of Philosophy and Ideas is a thinker’s lollapalooza. The free, 12-hour weekend lyceum at the Brooklyn Public Library includes spirited debate, live music, theater, performance art pieces, and film screenings. At any given hour, five or six different events will be taking place simultaneously. Visitors are encouraged to come and go as the spirit moves them.
Shirin Neshat is an Iranian visual artist who works and resides in New York City. Her work refers to the social, political and religious codes of Muslim societies. She particularly addresses the psychological dimensions of women's experience in contemporary islamic societies. Using Persian poetry and calligraphy she has examined concepts such as martyrdom, space of exile, and the issues of identity and femininity.