My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd.
female:pressure is an international network of female artists in the fields of electronic music and digital arts founded by Electric Indigo: from musicians, composers and DJs to visual artists, cultural workers and researchers. A worldwide resource of female talent that can be searched after criteria like location, profession, style or name.
A public art exhibition designed to raise awareness of solutions to climate change. Cool Globes grew out of a commitment at the Clinton Global Initiative in 2005, and was incorporated as a non-profit organization in 2006. Since that time, Cool Globes premiered in Chicago and went on tour across the country from Washington DC to San Francisco, San Diego, Sundance, Los Angeles, Houston and Cleveland.
Does it vex you, the environmental impact of Olafur Eliasson’s Ice Watch? Do you hear about the transportation of 30 icebergs from the Nuup Kangerlua fjord in Greenland to be displayed in London as a memento mori for our inhabitable environment and judge the project a bit of an own-goal, sustainability-wise? You would not be alone – on personal evidence, this seems a popular response.
As she puts the finishing touches to her habit, Sister Clarita, a Mexican immigrant living in Los Angeles, tells me that there are more than 3,000 LGBT+ nuns around the world. They’re part of the Sisters of Perpetual Indulgence, an international network of activists who identify as secular nuns.
Following in the strong tradition of using graphic novels to explore social ills, DC Comics is releasing two new politically activist issues in their "New 52" series.
The first is called "The Movement" and is written by Gail Simone. Simone describes that "The Movement is an idea I’ve had for some time. It’s a book about power–who owns it, who uses it, who suffers from its abuse."
The latest in street art activism is confronting sexism in an unconventional, but wonderful, way.
Street artist, Elonë, from Karlsruhe, Germany, is paving her city with messages against sexism, street harassment and sexual abuse — all printed on menstrual pads.
What is looping? Somewhere in between art, activism, and wackiness is this liberating experience. Matthew Silver and Fritz Donnelley, two New York City based performance artists got lonely acting silly in their underwear in public. Knowing that there were enough free spirits to join them, they started "Looping" and invited everyone to join them.
For one artist, the ugly and the beautiful are equivalent concepts. In 2018, designer and artist Choi Jeong Hwa featured an exhibition titled 'Alchemy' at The Artling where he uses recycled and non-biodegradable materials in his work that he has been collecting for 30 years, such as household trash, glass, and steel. 'Dandelion' is one of his masterpieces installed in the outdoors in Seoul, South Korea.
Typical mediums of street art include spray paint, stickers and stencils. But mobilized digital media projection has become the latest tool in some activist's artilleries. Vanguards of this innovative technique include members of The Illuminator project. Created in March 2012, The Illuminator is a cargo van equipped with audio and video projection capabilities.
Burners Without Borders (BWB) is a grassroots, volunteer-driven, community leadership organization whose goal is to unlock the creativity of local communities to solve problems that bring about meaningful change. Supporting volunteers from around the world in innovative disaster relief solutions & community resiliency projects, BWB is known for the unbridled creativity they bring to every civic project they do.
After winning the TED Prize on March 2, 2011, the French-artist JR launched the Inside Out Project, in his first TED Talk. Using his own artistic practice as inspiration, this participatory platform helps individuals and communities to make a statement by displaying large-scale black and white portraits in public spaces. Through their “Actions,” communities around the world have sparked collaborations and conversations.
In 1984, a group of women in New York gathered outside the Museum of Modern Art as part of a protest. A group show, An International Survey of Recent Painting and Sculpture, was showing 165 artists, 152 male artists exhibited alongside just 13 women.
Outraged, they attended the protest, bringing placards and chanting outside the museum. But a handful of women within the larger crowd learned something.
Environmental activist Franny Armstrong's brainwave came as she was walking to a debate with the then Secretary of State for Energy and Climate Change Ed Miliband. She had read a report saying that the developed world must cut its carbon emissions by 10% by the end of 2010 to avoid passing the tipping point. Armstrong, 39, dropped her idea to start a campaign into the debate. 10:10 was born.
A performance by artist Santiago Sierra, titled THE NAMES OF THOSE KILLED IN THE SYRIAN CONFLICT, BETWEEN 15th OF MARCH 2011 AND 31st OF DECEMBER 2016, took place for a total duration of eight days from May 21 to 29, across four cities on three continents.
VisionWorkshops is the creative force behind a series of highly effective photography workshops for youth from underserved communities worldwide.
Our mission is to provide innovative, dynamic, educational and life changing experiences for youth, using the tools of photojournalism.
"Two weekends ago, a loose network of these artists and activists, under the name Subvertisers International, launched their first global effort to reclaim our shared public environment from its monopolization by commercial media. The demand was not for better or more truthful advertising, but to imagine what a city would look like when the stories we told ourselves in public space reflected a democratic voice.
Women on Waves sails a ship to countries where abortion is illegal. With the use of a ship, early medical abortions (till 61/2 weeks of pregnancy) can be provided safely, professionally and legally.
The One Billion Rising campaign is a global movement that's using dance to combat gender violence worldwide. Initiated by "Vagina Monologues" creator and women's activist Eve Ensler, the campaign will see cities across the world hold dance parties on Valentine's Day to raise awareness about gender violence and rape.
Since 1991, approximately 1,700 organizations in 130 countries have participated in the 16 Days Campaign, which originated from the first Women's Global Leadership Institute sponsored by the Center for Women's Global Leadership. During 16 days, participators are encouraged to organize events and act in their local communities to:
Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate.
Park(ing) day is a community of artists, activist, students and everyday people who, on September 21, every year and across the world, collaborate to transform parking spaces into green and friendly spaces. They invite reflections and discussions on the significance of nature and quality of life in urban areas. Park(ing) day encourages people to take over public spaces, reclaim their space, and imagine how sustainable and green cities can be.
First: inflatables uplift a grim protest situation into a playful event. There is something magic about what inflatables induce in people. Their enormous size combined with the weightlessness and softness makes them irresistibly attractive and dreamlike. People have a natural tendency to touch the inflatable sculpture and to join the game of throwing inflatables in the air—changing a march into a poetic, joyful and participatory event.
'Learning To Love You More' is a digital and physical presentation of artistic responses from the general public. These "assignments" were facilitated under the creative direction of Harrell Fletcher and Miranda July, managed on a website by designed and curated by Yuri Ono. In 2010, the San Fransisco Museum of Modern Art acquired the website to persevere it as an archive.