"Two weekends ago, a loose network of these artists and activists, under the name Subvertisers International, launched their first global effort to reclaim our shared public environment from its monopolization by commercial media. The demand was not for better or more truthful advertising, but to imagine what a city would look like when the stories we told ourselves in public space reflected a democratic voice.
Although we are in the supposedly modern and advanced year of 2020, there are still at least 500 million women and girls that lack adequate facilities for menstrual hygiene management, according to the World Bank Organization.
The website 'Street art utopia' has an amazing collection of pictures of street art from Belgium, NYC, to Brazil and Israel Palestine. Talented people sharing their art publicly for the streets and the world to see!
Activism: reclaiming a public space, maybe...not sure, but it is public art with various messages...
What is looping? Somewhere in between art, activism, and wackiness is this liberating experience. Matthew Silver and Fritz Donnelley, two New York City based performance artists got lonely acting silly in their underwear in public. Knowing that there were enough free spirits to join them, they started "Looping" and invited everyone to join them.
In 1984, a group of women in New York gathered outside the Museum of Modern Art as part of a protest. A group show, An International Survey of Recent Painting and Sculpture, was showing 165 artists, 152 male artists exhibited alongside just 13 women.
Outraged, they attended the protest, bringing placards and chanting outside the museum. But a handful of women within the larger crowd learned something.
My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd.
The large crowds and brightly coloured placards of the school climate strikes became some of the defining images of 2019.
“There would be lots of chanting and the energy was always amazing,” says Dominique Palmer, a 20-year-old climate activist from London who has been involved with the strikes for more than a year. “Being there with everyone in that moment is truly an electrifying feeling. It’s very different now.”
When mothers take to the streets — particularly those from privileged groups — governments take note. The “wall of moms” in Portland has taken up the cause against police violence.
"Cats Against Cat Calling" began online as a movement under same slogan, powered through Hollaback! Hollaback! is an activist collective seeking to end street harassment. Working through a network of activists in various locations, Hollaback! encourages individuals to stand up for themselves against uncomfortable interactions in public.
First: inflatables uplift a grim protest situation into a playful event. There is something magic about what inflatables induce in people. Their enormous size combined with the weightlessness and softness makes them irresistibly attractive and dreamlike. People have a natural tendency to touch the inflatable sculpture and to join the game of throwing inflatables in the air—changing a march into a poetic, joyful and participatory event.
The True Cost is a 2015 documentary film directed by Andrew Morgan that focuses on fast fashion. It discusses several aspects of the garment industry from production—mainly exploring the life of low-wage workers in developing countries—to its after-effects such as river and soil pollution, pesticide contamination, disease and death.
Since 1991, approximately 1,700 organizations in 130 countries have participated in the 16 Days Campaign, which originated from the first Women's Global Leadership Institute sponsored by the Center for Women's Global Leadership. During 16 days, participators are encouraged to organize events and act in their local communities to:
Love is in the Air is a quintessential Banksy painting. The image of a masked militant poised to hurl a bouquet of flowers has become synonymous with the artist's indelible graphic style. One of Banksy’s most coveted works on canvas, it is an archetypal example of the artist’s use of dark humour, satire, and his perceptive, stimulating commentaries on contemporary political and social events.
The Islamic Republic has always frowned upon dance but recently even a simple choreographed or ‘synchronized movement’ – as the regime calls it – has become an act of protest.
Environmental activist Franny Armstrong's brainwave came as she was walking to a debate with the then Secretary of State for Energy and Climate Change Ed Miliband. She had read a report saying that the developed world must cut its carbon emissions by 10% by the end of 2010 to avoid passing the tipping point. Armstrong, 39, dropped her idea to start a campaign into the debate. 10:10 was born.
The One Billion Rising campaign is a global movement that's using dance to combat gender violence worldwide. Initiated by "Vagina Monologues" creator and women's activist Eve Ensler, the campaign will see cities across the world hold dance parties on Valentine's Day to raise awareness about gender violence and rape.
Fashion designers from L.A. to Milan are picking up their shears in solidarity to do their part to prevent the spread of COVID-19 to at-risk patients and primary care providers.
VisionWorkshops is the creative force behind a series of highly effective photography workshops for youth from underserved communities worldwide.
Our mission is to provide innovative, dynamic, educational and life changing experiences for youth, using the tools of photojournalism.
As she puts the finishing touches to her habit, Sister Clarita, a Mexican immigrant living in Los Angeles, tells me that there are more than 3,000 LGBT+ nuns around the world. They’re part of the Sisters of Perpetual Indulgence, an international network of activists who identify as secular nuns.